Category Archives: Children’s books

Teens reading critically

I often wonder if I’m suited to my role as teacher librarian. From the point of view of my own taste in particular. My library ‘superior’ (who will remain nameless in case what I’m about to say will incriminate her – I’m joking), has said in half  jest a few times that I’m a reading snob. And I am. My tastes are often on the edge of out there.  I mean, my undergraduate thesis was on Max Frisch’s Graf Oderland – a play about a lawyer who put an axe into his briefcase and joined the underground movement. My point is, my reading tastes do not often coincide with the general population of students. This bothers me since, obviously, I need to be able to inspire the students (in my school, boys) to read. I should be reading action and adventure, fantasy, sports fiction, and crime. But it ends up that the books I read and recommend sit neatly on the shelf and remain so.

This was the case when I read Looking for Alaska by John Green. I was convinced that teenage boys would love this book but it didn’t happen. Well, obviously, I knew that not too many would rush to read it, but I didn’t expect almost nobody. And so I’m often pondering my role in this situation. Should I give in and read and talk about the popular books, authors and series that have their due date slip stamped all over, or should I stay true to my conviction that teenagers’ fiction menu needs to be expanded  to include those books they would normally not touch. I don’t mean cater to the reading minority, I mean somehow inspire the majority to read outside of their comfort zone.

Reading John Green’s blog, I recently came across a post that gave me hope. In this post John talks about a comment he received from a (presumably) teenager who sees in Paper Towns references to Orpheus. Having read this comment, John questions whether we should presume that most teenagers are incapable of critical reading. In fact, he actually questions whether we should exclude more challenging writing from teenagers or presume that they haven’t read widely.  Here’s a little of what he says:

I would argue that when we think about teens as readers, we need to stop thinking about the teens we know. Like, around us, teens can be awkward and intellectually unimpressive. But they often aren’t showing us their best selves, precisely because they feel the intellectual distance between us and them. I’d argue that the ONLY way to bridge that distance is to deny its existence.

And here is an extract of the student’s comment where he sees connections between John Green’s novel and Orpheus.

I was so blown away by Paper Towns I reread it right away. And the second time, I was really struck by the scene where Margo gets bit by the snake. It reminded me of the story of Orpheus and Eurydice, which I especially love Rilke’s version of. I realized that the whole book could be loosely seen as within that framework. She is taken from him – not through fate but through her own will – just when they begin to redevelop some sort of a relationship. And she is, from his point of view, lost in the underworld; he actually thinks she is dead. She has gone to the world of the paper towns, and he is willing to follow her despite all the dangers and obstacles.

The comment is longer than that and I recommend you reading the rest of it.

So what’s my point? Well, the first point is that we shouldn’t assume that readers like this one don’t exist. They may be hiding. There may be more of them than you think.

My second and more important (for me) point is that if we don’t expand teenagers’ reading tastes we do them a disservice. Yes, they should read what they enjoy. Yes, most boys will still read Matthew Reilly – but in between I’m going to come out of left field and surprise them with something different. That’s how I functioned as an English teacher – not suppressing what I considered thought-provoking, not keeping silent if I thought that something was worth pointing out. Shock them a little, confuse them a lot, and they’ll gradually get used to it. Their world view will expand. They’ll surprise you.

As for me, I think I might consider staying true to myself in my role as teacher librarian.

Coveting covers

The Book Cover Appreciation gallery is for hardcore bookcover lovers. You can get into really heavy discussion about the details of the book cover. Clicking on the cover takes you to the comment page. The blog is updated several times a week.

Here’s an example of a comment about an Animal Farm book cover:
Although I have often conflicted about Shepard’s work and his source materials which could be debated as dubious. The propaganda style works especially since these are anti-socialist/communist novels. The Obey logo I find quite funny on the covers, how many designers have the balls or be allowed to put there personal logo on a book cover, the mark of an iconoclast

Can you get passionate about a book cover?

More than reading

Thinking about the point of Book Week made me think about reading, and sparked a mental journey through my own book and literature memories:
being read to in bed, listening from my playpen to my grandmother reciting Evgeniy Onegin while she sewed her way through thousands of shower caps for her boss, reading to anyone who would listen as a young girl waiting for her mother’s perm to be done at the hairdresser’s (Cornelius) in Camberwell, re-reading my favourite books and poring over the illustrations, not understanding why a girl in my primary school class was forbidden to read by her mother, dreaming of being an author, choosing all literature subjects in different languages at university, learning languages to read the literature, reading to my children, translating an English picture book into Russian to my toddler while simultaneously watching Neighbours (go figure), deriving so much pleasure from buying all the old classics for my first child before he was conceived, rediscovering these books with him, listening to children’s audio books in the car, passionately discussing wonderful books with students as an English teacher and trying to ‘convert’ the unbelievers , delving deeper and deeper into literature with students, challenging students and making them think, watching students come into the library to ask impatiently if their favourite book had been returned …

What are your literature memories?

Book Week




Reading book…

How can we define Book Week? Frankly, I think we need to rename it, broaden it a little. Maybe brainstorm the implications of ‘books’. Let me see: reading; writing; responding; discussing; thinking; analysing; imagining; challenging. Then there’s: using stories and themes as a springboard; using imagery as an inspiration for further creativity; pondering the importance of free expression in our lives; appreciating depth and difference in culturally differentiated texts; forgetting your worries through humour; finding soul mates in shared responses. I think it could be called ‘sharing responses to people’s stories’ week – but that’s too long. Why don’t we just leave it as ‘Book Week’?
Originally uploaded by Tapio Hurme

Censorship




Banned Books Week Banner

Originally uploaded by DML East Branch

If you click on the photo of the banned books banner, you’ll be directed to its Flickr home, and you’ll be able to hover over each book to discover what it is. An interesting theme – banned books.

Censorship. It takes me back to when, as an Australian of Russian descent, I attended a Saturday Russian language school (RS, we used to call it), during the time when our parents’ fear of Russian communism was raw. My own grandfather witnessed his father being shot at the age of six. The censorship that ensued at Russian School (RS), through the eyes of young people, took on a comical aspect. The more paranoid members of our community (am I being unkind?) decided to protect us from ‘evil’ by eliminating our exposure to all things Soviet (which means ‘council’, by the way). We spent our Saturdays drawn like moths to the flame, peering through thick black texta-covered chunks of text through the light, or trying to unstick glued pages. In most cases, our discoveries left us disappointed or confused when the forbidden words revealed themselves as ‘pioneers’ (soviet scouts) or the date of a celebration we weren’t supposed to know about. Continue reading Censorship

unreal bookshop


zoomii

Originally uploaded by tsheko

Two fun ways of looking at books are with Viewzi and Zoomii.  Viewzi is a gorgeous visual search engine offering a variety of searching options. But more about that later… If you choose the Amazon Book search, you get a deliciously large image and synopsis of the book. Zoomii takes book searching one step further – it’s an online book shop, displaying books on shelves under different genres. You can move through the bookshop, browsing through books and clicking on them for information. Even if you don’t end up using Amazon’s book buying options, you will still enjoy this virtual bookstore experience.

Why Young Adult?


New York books

Originally uploaded by tsheko

Read Alert has a fascinating debate about the place of the Young Adult label in fiction. To whet your appetite, here’s a section of what Frank Cottrell Boyce says:

‘It used to be the case that you moved on from children’s fiction to adult fiction, from The Owl Service, maybe, to Catcher in the Rye. There were, of course, some adult authors who were more fashionable with teenage readers than others – Salinger, Vonnegut, Maya Angelou. But these were chosen by teenagers themselves from the vast world of books. Some time ago, someone saw that trend and turned it into a demographic. Fortunes were made but something crucial was lost. We have already ghettoised teenagers’ tastes in music, in clothes and – God forgive us – in food. Can’t we at least let them share our reading? Is there anything more depressing than the sight of a “young adult” bookshelf in the corner of the shop’.

Read the string of comments for a satisfying debate on the issue of Young Adult fiction – is the category YA ‘ghettoising’ or ‘the most flexible, challenging and dynamic genre in publishing’?

#23 Don’t underestimate the e-book


the metamorphosis adapted by peter kuper

Originally uploaded by tsheko

I’m going to talk selectively about e-books. I was really taken by Len Unsworth’s presentation at a SLAV conference last year. It changed the way I viewed e-books. Of course, I’m focussing on only one aspect of the presentation, but it’s the bit that blew me away. In this context, Len stated that we should rethink what counts as literary narrative. This was poignantly expressed when he spoke about digitally recontextualised literary texts. Len pointed out that ‘electronic media are not simply changing the way we tell stories, they are changing the very nature of story, of what we understand to be narratives’. An example he used was Kafka’s Metamorphosis (Die Verwandlung) adapted as a digital story by Peter Kruper. You know the story – one day Gregor Samsa wakes up and finds that he’s turned into a cockroach, and the rest of his miserable life becomes even more difficult. Well, the graphic novel of Metamorphosis works powerfully, but the digital version takes it one step further. Instead of a static page, movement in and around the page, as well as presenting parts of the page dynamically to suit the narrative, give life to the digital story in a way that is new. There is so much more to the types of literacy required for the ‘reading’ than the static visual imagery of the graphic novel. I couldn’t agree more with Len Unsworth: we should not ignore the multimedia expertise of our children. Electronic media has much potential in teaching and learning of literacies, and in inspiring students in reading and writing.

#14 Google book search


Little suck a thumb 2

Originally uploaded by daniel.schenzer

I thought I’d search an old German children’s book to test out Google Book Search. Can’t believe it, not only did I get a result, but also whole page images (which I couldn’t copy), extracts of popular passages and interesting background information. I still can’t believe this book – so violent and politically incorrect. It’s fascinating to see what was important for children of nineteenth century Germany. The author wrote and illustrated it in 1845 as a Christmas present for his 3 year old son. I’m not sure of the psychological damage done to this little boy as he pored over stories with gruesome consequences that befell children who tormented animals, played with matches, sucked their thumbs and refused to eat their soup. As you can see from the picture I’ve included about the boy who sucked his thumb, the illustrations spare no detail. Actually, it reminds me a little of Itchy and Scratchy from The Simpsons – not the moralising part, just the violence. I’m not sure what I thought of all this when I read it as a young girl. I must have realised that it wasn’t a realistic depiction of what would happen to me if I displayed any of this behaviour. Grimms’ fairy tales were no less gruesome. I think kids like that, actually. Look at older kids watching South Park.

The Google book search gives a synopsis, reviews, other editions, where to buy or borrow from a library, the option to add to your Google library or write a review. You can search genres within fiction and non-fiction.