Tag Archives: art

New: Google Art Project

Google has developed a new project – The Google Art Project.

Explore museums from around the world, discover and view hundreds of artworks at incredible zoom levels, and even create and share your own collection of masterpieces.

Here’s a video showing you how to use the site:

[youtube=http://www.youtube.com/watch?v=GThNZH5Q1yY]

You can create your own art collection, add notes to  join a discussion about art, save closeups, share collections with people across networks, take a trip to different museums, and more.

Take a look at some of the art museums involved in this project

[youtube=http://www.youtube.com/watch?v=aYXdEUB0VgQ]

Google approached the museum partners without any curatorial direction, and each museum was able to chose the number of galleries, artwork and information they wanted to include, based on reasons specific to them. All content in the information panel pertaining to individual artworks was also provided by the museums.

At this stage, these are the museums involved:

  • Alte Nationalgalerie, Berlin – Germany
  • Freer Gallery of Art, Smithsonian, Washington DC – USA
  • The Frick Collection, NYC – USA
  • Gemäldegalerie, Berlin – Germany
  • The Metropolitan Museum of Art, NYC – USA
  • MoMA, The Museum of Modern Art, NYC – USA
  • Museo Reina Sofia, Madrid – Spain
  • Museo Thyssen – Bornemisza, Madrid – Spain
  • Museum Kampa, Prague – Czech Republic
  • National Gallery, London – UK
  • Palace of Versailles – France
  • Rijksmuseum, Amsterdam – The Netherlands
  • The State Hermitage Museum, St Petersburg – Russia
  • State Tretyakov Gallery, Moscow – Russia
  • Tate Britain, London – UK
  • Uffizi Gallery, Florence – Italy
  • Van Gogh Museum, Amsterdam – The Netherlands

I’m sure this list will grow. What an exciting project. I’m looking forward to browsing the art and also to what will develop here in the future.

 

Holiday bloggy sluggishness. But wait! something… mathematical?

Apologies for my rare postings of late  to those who still take an occasional peek into this blog  – although I doubt the existence of these people very much because there has been an unmistakable lapse in eventful posting. This is due mainly to school holidays and family things, not all pleasant. Nevertheless, here I am, and even if nobody is here to witness my thoughts falling into this post, I will proceed undeterred because I haven’t got anything better to do. OR, I actually have something interesting to share with you.

Today a Facebook link shared by my dear online friend and PLP colleague, Hiram Cuevas (@cuevash on Twitter), gave me the pleasure of discovering a rare talent, Vi Hart, who is obviously a very gifted young lady. Vi is as passionate about maths as she is about music, art and other things.  Her website made my jaw drop. Often I’m astounded by how much of value very young people have achieved in their short lives; how much more do they have to offer.

Here’s the first video that caught my attention. Let me know what you think.

[youtube=http://www.youtube.com/watch?v=CfJzrmS9UfY]

I love the doodling videos; here’s another one

[youtube=http://www.youtube.com/watch?v=heKK95DAKms&feature=player_embedded]

What did you think?

I haven’t explored everything in Vi’s site but the music boxes are fascinating.

[youtube=http://www.youtube.com/watch?v=3iMI_uOM_fY]

The balloon page looks challenging. Not sure if the average party clown would be game for these.

A little about Vi from her own website:

I like most creative activities that involve making a lot of noise, mess, or both. Aside from composing, I love improvising on various instruments, drawing, sculpting, and other methods of making things. My main hobby is mathematics, with special interests in symmetry, polyhedra, and surreal complexity. This usually manifests as collaborative research in computational geometry and other areas of theoretical computer science, or as mathematical art. I think the human brain is incredible and strange, so I have developed a great interest in dreaming and consciousness. As a result, I am a trained hypnotist and a lucid dreamer. The human body is pretty neat as well, so I enjoy dancing and judo. I always love to learn new things—variety is the food of creativity!

It would be interesting to trace Vi’s learning history to peek at the environment which supports such an intelligent, creative and unique person. I will be taking on a new role at school next year, Coordinator of Learning Enhancement, and I’m mentally hovering over different mental images of how best to support and inspire those responding to learning enhancement opportunities. All suggestions and ideas are very welcome.

TinEye – a revolutionary image search engine

There’s no doubt about it, TinEye is a great find for image use:

TinEye is a reverse image search engine. It finds out where an image came from, how it is being used, if modified versions of the image exist, or if there is a higher resolution version.

TinEye claims to be responsible for ‘changing the face of media search’. It claims to do for images what Google does for text. I don’t know about you but I’ve been waiting for something like this for ages.  Now you can locate your image on websites all over the internet.

Searching your image:

Instead of searching by keyword, you either upload an image from your computer or provide a link to that image. It only takes a few seconds for the results to appear. The first images listed are the ones which are the closest match to the searched image. As you go further down the list, you find edited images – interesting in itself.

You can compare any of the matched images to your image by clicking compare and then switch. In some cases it’s a colour/tone difference or else the image has been modified. The link under the image will take you to the page of the result. It’s great if you are looking for a different size, eg  a better resolution.

There is an option to share the image via Twitter, Facebook, email or an extensive list of other ways. I’m so spoiled with sharing options that when I’m unable to share easily I get really frustrated.

With TinEye you can sort the order of your search by:

  • best match
  • most changed
  • biggest image.

You can also install browser plugins if you like.

If you register with TinEye you can contribute to the forum. I have a feeling this site will be growing, and I wonder how many copy-cat sites will be created now.

Have a play! I’m going to think about educational possibilities using the TinEye image search. As always the technology opens up to options powered by human imagination and innovation.

Art is…

My sister has worked for 3 years on a body of work – almost every Saturday afternoon and one day a week – which is currently being exhibited at fortyfivedownstairs.

I admire my sister’s talent, dedication and intelligence as an artist. She has what I have described in my previous post a positive obsession, an obsession which tunnels through to a truth which is unique to her vision. I happen to think that what is created from this kind of obsession is worth contemplating.

I am not in any way educated in art, and so my response and interpretation of any work of art remains personal, even ridiculous perhaps. Still, I’d like to attempt to express in words my uneducated understanding of her pieces.

Here is the gallery’s biography and description for Lena Torikov:

The works in Subtractions explore the possibility of tension and space within a three dimensional surface; although Torikov is trained as a painter, her current work replaces traditional subject matter and colour with an abstract composition of white shapes. Foamcore has replaced linen and brushes have been exchanged for a sharp knife.

Subtractions are works experimenting with surfaces to build city-like constructions and slices of landscapes based on memory and the impact the immediate environment has on us.

One thing I know about Lena’s work is that it evolves from a tireless, disciplined and critical process. Her focus is far from superficial and never flighty. This is the obsessive aspect; she will not grab at any idea until she has worked through relentlessly to what she sees as completion and only then will she move on. I admire this ability to maintain focus because I shift with the wind and run after anything that moves.

It’s interesting but not unusual that Lena has evolved from paint, colour, representative art to some degree, to 3-dimensional work, in this case all white, concentrating on form and space. I’m not sure what she would say about my understanding of her work because she has been relunctant to talk about what her art means or what it’s trying to do, at least to me. The only thing I remember her saying is that she likes to focus on the space between the forms. I’m not sure if I’ve understood this correctly but, to me, she seems to be paring down representational image (isn’t any image a representation of some sort?) to a purer form. Without the distraction of colour variation, dependence on the replication of identified forms, her art is playing with the mathematics of form, spaces and the relationship between these.

What happens when you add this shape, this line? And what if it’s smaller, larger? Why don’t we extend these forms out into space and take the equation even further? Further still when we observe the changing light transform the work; the shadows cast on the wall around the work, shorter or longer, first this way, then that. Follow the movement created within the frame of the piece, enjoy the contrast between empty space and overcrowdedness.

Conceptual work is how I interpret this art. A thinking person drilling down to deeper truths. Not always entirely serious, Lena throws light-hearted allusions into the mix – maybe because the tension is too much even for her, but probably for an entirely different reason.

In the case of one of her works in this exhibition, there is an obvious reference to the Sydney Harbour – yes, the works are quite ‘architectural’ – but then our perception of this is shaken up again. The whole thing is turned around so that, if we insist on viewing the recognisable landmark, we have to turn our head sideways and bend down at a 90 degree angle. We are forced to adapt to a changed view, or be very uncomfortable if we insist on seeing it in a familiar way.

For me – and I love good representational art – Lena’s mental activity within the abstract genre produces an image which I don’t easily tire of. So much art is instantly attractive but quickly become boring. These pieces are like puzzles – not to be solved but offering new ideas. Not disturbing in a way you would expect disturbing to be, but unsettling in a challenging way.

And I hope she won’t find it offensive if I say that she still produces beautiful lines, pleasing shapes, perfect relationships in between. I’m not sure if it’s beauty she is aiming to produce, but the works are very beautiful.

There is variety in the selection of pieces exhibited – in size and complexity – and the viewer is treated to just the right amount of it.  As a whole, the selection fits together into a larger puzzle.

Unlike James Yuncken’s lovely paintings of his trip to Cape York, a pictorial journey capturing the feel of the landscape and tones of the land and sky, Lena’s art is a carefully orchestrated collection of symbols. James’ selection could easily be extended with more pictures, like photos, of his trip. Lena’s collection can hold no more; she has said all she has to say.

I wonder what kind of person would appreciate this conceptual art. It’s definitely not the kind of art which warms the heart because it reminds you of a place you’ve been; it’s more like the kind of art that takes you where you might not have been, or haven’t stayed so as to pause and reflect.

Photos by Alexander Sheko.

New tools for traditional skills

[youtube=http://www.youtube.com/watch?v=5OLP4nbAVA4]

I found this video in a blog post on Art in the real world.

An Apple ipad live fingerpainting demo that David Kassan streamed live from my Brooklyn studio on Monday June 21st. 2010, The model sat for 3 hours as David painted and answered questions on how I use the iPad and the Brushes app.

This is an amazing example of how the latest technology can still be used in a traditional way, so to speak. I love the sped-up version at the end which makes transparent the pattern of layering in the creation of the portrait.

Collaborate with an artist to write an online story – Storybird

This has been cross-posted from Storyteller.

Thanks to Judith @brightideasblog for the Storybird tip.

Storybird is a very easy way of creating an e-story using picture sets shared by various artists. It’s easy and it’s cool.

This would be an enjoyable writing exercise in the English, LOTE or ESL classroom.

Once you have an account, you can browse existing stories or just click createand write your own.

I whipped one up in a matter of minutes (so it’s not great) but it looks good! You can read my story here. Once you choose an artist, you just drag the pictures you like onto your page, then keep creating (or deleting) pages until you’ve finished.

You can write your own story or collaborate with a friend.

If you scroll down this page, you can search images by theme.

I like the way you can use somebody’s shared art. The artist I chose is Dwell Deep (Sam) and you can read a little about her here. She has a website and a blog. It’s a good feeling to have created a story in collaboration with an artist.

How does my Art wiki grow

My art wiki is growing fat in places. I thought I’d point to the areas which have expanded the most in the hope of reaching Visual Arts teachers and students.

The blogs page in Blogs and Nings has really expanded. Blogs are my favourite way of finding art resources since they often represent specialised interest areas. It’s a very personal and rich way of discovering art. Blogs are  a labour of love, expressing the unique personality of the author. I can’t think of a more inspiring way to learn.

Here are some examples:

Roberto Bernardi, La Tavolozza , 2010, oil on canvas, 22 x 30″

100 best art blogs Massive list here divided into useful sections (you might have to give up your day job for this)
Art Studio Secrets Some very practical video demonstrations (under ‘Demonstrations’)
Art in the real world “In The Real Art World” alerts you to the best exhibitions of representational “realism” which are on at the moment anywhere in the world.
Sketchcrawl A communal blog for compulsive sketchers
Ephemera assemblyman A beautiful blog of many different examples of art, illustration, design and more.
Urban sketchers This blog features sketches and often equally colorful stories behind the scenes by invited artists correspondents in more than 30 countries around the world. Some are architects and illustrators, others are graphic designers, web developers, painters or educators, all sharing the same passion for drawing on location.
Samuel Michlap Concept artist, illustrator, fine artist and more.
Painting perceptions Perceptual painting is painting life from a personal vision and experience not just recording appearance. As Cézanne said, “Painting is nature seen through a temperament.”
Lines and colors Lines and Colors is a blog about drawing, sketching, painting, comics, cartoons, webcomics, illustration, digital art, concept art, gallery art, artist tools and techniques, motion graphics, animation, sci-fi and fantasy illustration, paleo art, storyboards, matte painting, 3d graphics and anything else I find visually interesting.
Paper forest showcasing great paper stuff, 2D, 3D and animation.

[youtube=http://www.youtube.com/watch?v=c0vZ_TMCeBM]

The Image/Flickr page is bursting with links to wonderful sharing people on Flickr – a cornucopia of imagery to inspire students looking for ideas in different media and styles.

Here’s a small sample:

by Irina Troitskaya on Flickr

Guggenheim Museum’s flickr sets
Flickr photostream by laura@popdesign Laura writes the Animalarium blog.
Flickr origami set2by Eric Gjerde
Flickr origami setby Eric Gjerde
All Eric’s origami and tessellation sets are
here.See Eric Gjerde’s website Origami tessellations
Art21’s flickr photostream
Bibimorvarid’s Art&Design set
Bibimorvarid’s photostream
Papercraft and mail art– by Corduroy Cat
Altered playing cards by Corduroy Cat.
Atcs and inchies by Corduroy Cat.
Corduroy Cat’s contacts and groups on Flickr (lots of stuff to explore here)

The Images/Design page is another rich resource; here are only some of the links:

Ernst Haeckel, Kunstformen der Nature


Blickfang – the eye-catching covers of Weimar Berlin.
Thirty book covers from Poland (from A Journey From My Skull)
Kunstformen der Natur (art forms of nature) by Ernst Haeckel (flickr set saved by Eric Gjerde)
The Grammar of Ornament by Owen Jones. Eric Gjerde has scanned this book and shared it on Flickr.
Styles of Ornament by Alexander Speltz. Tessellation related photo plates from Alexander Speltz’s 1906 book, “Styles of Ornament”. Eric Gjerde has scanned this book and shared it on Flickr.
Digital library for the decorative arts and material culture
Great style illustrations by Iv Orlov
Typographic art
Design Online: Design Online is an electronic library from the University of the Arts, London, containing a digitised record of Design magazine for the years 1965 to 1974. There are around 100 pages in each magazine, which are available as full screen size black-and-white or colour images.

Erwin Poell

There’s so much animation out there,   I love collecting examples. Amazing creativity to be discovered in this section, and fun to watch.

Phosphoro – is an award-winning student 2D animation (Read about it here. )

[youtube=http://www.youtube.com/watch?v=gjt46NsFseU&feature=player_embedded]

Of course, the wiki contains much, much more than this.  Some sections are more comprehensive than others, but you can be sure that I’m always on the lookout for new resources to support the teaching and learning of Art-related studies.

Why don’t you have a look for yourself?


We all need a regular kick in the pants

Antoni-INhabit2

Janine Antoni, “Inhabit,” 2009. Courtesy of Luhring Augustine Gallery

 I agree with the Art21 blog post, Another kick in the pants, that everyone needs the occasional kick in the pants, only I think that maybe we need it regularly. Joe Fusaro says

I use Art21 for a kick in the pants from time to time, whether it’s to inspire my teaching by watching Carrie Mae Weems or to give my studio practice a jolt by listening to Kiki Smith talk about her process for making works of art. I mean, everyone needs an occasional kick in the pants, don’t you think?

Joe goes on to mention TED talks as another source of inspiration, and I have to agree with him –  TED.com and Art21 have been regular sources of inspiration for me too.

TED’s theme is Ideas worth spreading, and its mission is of epic dimensions:

…our scope has become ever broader…. We believe passionately in the power of ideas to change attitudes, lives and ultimately, the world. So we’re building here a clearinghouse that offers free knowledge and inspiration from the world’s most inspired thinkers, and also a community of curious souls to engage with ideas and each other. This site, launched April 2007, is an ever-evolving work in progress.

A clearinghouse that offers free knowledge and inspiration from the world’s most inspired thinkers is an amazing boast, and the reason why so many people either discover TED with joy or continue to return to its rich storehouse.

The scope of Art21 is enormous, and its themes a dream for teachers of art. The series explore such themes as compassion, consumption, ecology, fantasy, humor, identity, loss & desire, memory,paradox, place, play, power, protest, romance, spirituality, stories, structures, systems, time, and transformation. Each theme is tantalising in its scope, eg. compassion – artists explore conscience; reconcile past & present; expose injustice; express tolerance. It makes me wish that Art were compulsory, or at least, not separate from the official literacy which seems only to reside in English. A sharpening of higher order thinking skills will find no better place than the Arts (although it certainly resides in all subjects).

Every day I still find myself explaining, justifying and defending my online activity. I always point out that it’s the connections to people and ideas, information and images, which I would otherwise not discover, that keep me coming back to my laptop. It’s a breathlessly vast source of inspiration and ideas, a regular kick in the pants – pushing my thinking, challenging me, jolting me and enriching my life.

I would recommend Art21 to anyone, not just art lovers, because it provides a window into a world of ideas and creative concepts, and of course, TED.com because of its amazing array of interesting people who have a way of making complex things simply fascinating.

Facebook performance – What are you doing right now?

phonetasticview

Photo of An Xiao

I was reading an article in the New York Times,  Where art meets social networking sites, and came across Debbie Hesse who is an installation artist and the director of artistic services and programs for the Arts Council of Greater New Haven. According to the article, Debbie said she was a lot like others in the late boomer generation,

“trying to learn how to not be left in the dust with the new technology.” But she may be ahead of the pack in employing social networking as the theme for an art show.

Social networking a theme for art?

I figure it’s not entirely surprising. Why shouldn’t artists create something from the ubiquitous social networking phenomenon? Where there’s something happening, it’s natural for someone to analyse it or create something from it?

Debbie organised an exhibition named after Facebook’s communication format, Status Update. More than 50 works of art by a dozen artists were displayed.

But how can art come from social networking?

“Status Update” has turned out to be a somewhat unlikely intersection of digital concepts and conventional art.

Ms. Hesse curated the show almost entirely through Facebook, with the help of Donna Ruff, a Brooklyn artist. She found two categories there, she said: “Artists that are using it as a medium, performing in it, using it as poetry, using it as a canvas. And then artists that are commenting on it as a new form and creating new dialogues about what this means in our lives.”

Rachel Perry Welty is one of the artists who comments on the new way of communication.  For her performance, Rachel used her iPhone to enter a status update every minute for 16 hours.  That is, every sixty seconds Rachel answered the Facebook status question ‘What are you doing right now?’ (which has since been replaced by the question ‘What’s on your mind?’)

I hope artists and art lovers will not scream at me if I raise my eyebrows every so slightly in response to Rachel’s compulsive stream of status updates being called a ‘performance’.  Or maybe I’m just annoyed that I didn’t think of the idea first. Or maybe I should reconsider my concept of art.

Rachel says that, after reading an article about social networking entitled Brave new world of digital intimacy by Clive Thompson, she decided to give Facebook a go.

I’ve found Facebook to be useful as a view to the global artist community, but I don’t send gifts or answer quizzes or throw sheep at people. And I don’t update my status on Facebook anymore after my performance on March 11.

Rachel explains the performance aspect of Twitter on the Art:21 blog:

I use Twitter as an extension of my creative process, in the sense that it’s a view into the daily life of a working artist. As an artist, my project is concerned with the minutiae of life. As humans, we spend most of our time engaged in the small moments (whether we tweet or Facebook about them or not) and in my project I am trying to get people to notice the things they wouldn’t ordinarily. In that sense, Twitter seems like a perfect platform for me. It’s an ongoing performance.

You can follow Rachel on Twitter.

It’s worth reading Rachel’s interview in the blog post, but before you do, I’d like to highlight this paragraph, because it’s something I’ve been thinking about  myself (although not expressing as eloquently):

I had been thinking about and observing how we craft a persona online. I started paying attention and reading people’s status updates in learning my way around Facebook. It struck me that some people must spend more time than others choosing their words, just as some people spend more time getting dressed in the morning. Some are clever and entertaining, some vague or opaque, and others utterly banal. Each statement on its own doesn’t say much, but the collective tells a surprisingly sophisticated story, and forms a portrait of sorts. My performance was a way to make a quick and intense self-portrait. Imposing the limitation of 60 seconds was an attempt to make that more real.

‘Quick and intense’ is another way of looking at Facebook or Twitter status updates. We’re not talking great literature here, but as a snapshot of the mundane, it’s a pretty good window.

I realise that when I look back at my year-long daily photo challenge, threesixtyfivephotos. Each day’s snapshots seem banal and almost ridiculously tedious, but looking back at over 300 days now, I can see that it’s a concise overview of a life which would otherwise just pass by and be largely forgotten.

Rachel’s observations provide much food for thought; I urge you to read the whole article. Forgive me but I can’t resist pulling out one more paragraph:

Afterwards, I thought of Sophie Calle’s work where she follows a stranger throughout his movements in a day. My work was the reverse: I got strangers to follow me throughout my day. Well, into the next day, I found myself silently narrating (“Rachel is getting a cup of coffee,” “Rachel is ready for a nap”), this experience imprinted on my brain like the afterimage from a flashbulb.

And a big question which was asked by the interviewer:

In your statement, you mentioned that you aim “to raise more questions about narcissism, voyeurism, privacy, identity and authority, as issues we consider in a technologically modern world.” What do you see as the role of online social media in society?

That’s a big question. I’m not sure we know yet. Clearly, it’s a way to communicate with a lot of people quickly and without friction. Relationships will be easier to maintain for a long time, for good or for ill. Imagine, as my son will probably experience, never losing touch with your best friend from 3rd grade. (Michelle Turner from Mr. Brentnall’s class at NIS in Tokyo, are you out there?!)Will it make it impossible to shed your identity as you move through life? Will you always be who you once were?

This is a fascinating question and one, I think, which we should all consider, and as educators, raise with our students.

I also recommend you read about how other conceptual artists have represented social networking. An Xiao, pictured above, is one of the group of artists.

As an aside, it’s interesting how the Facebook status ‘What are you doing right now’ has been replaced by ‘What’s on your mind?’ – a move from the external to the internal.  Is Facebook becoming less of a place where you keep an eye on what people are up to, and more of a platform to share thoughts, feelings and reactions?

Can we see the process in the end product?

indoorlanewayproject

Last Saturday my sister (art teacher) and I finally saw the exhibition of work which was the culmination of The Indoor Laneway project. My last post explains the project.

The exhibition space is quite large and the ideas behind the exhibit well thought out. The adolescent bedroom and laneway leading to the main screen showcasing students’ work is effective. We sat on the chairs provided (I felt a little like Papa Bear on Baby Bear’s chair) and enjoyed the mix of styles and perspectives.

As we were going out, I said to my sister, ‘It’s more than it looks’.

That’s not to denegrate it in any way. I thought the exhibition looked professional, and considering the short six-week time period for the whole thing to come together, it was very impressive. It is true about art in general – and many other things too, of course – that there’s more to the whole process than meets the eye, and I think it’s worth thinking about. The Indoor Laneway Project blog solves that problem for students and educators involved, and in this way it holds the valuable stuff – the evolving thoughts, thrown-up ideas and resources, positive feedback, documentation of the process which leads to the final product, but which is almost more than the final product.

I thought I’d pull out some examples of what I mean from the blog:

Eugenia defines the most important part of the experience – collaboration:

Hi Indoor Laneway creators,

I can see you’ve been working hard and exploring the remix idea which is so excellent to see. A big part of this project is about connecting with others even if you live hundreds of kilometres apart and using this blog as a portal – and Terrie and Rebecca it’s so cool that this is the concept you’re using in your portal/portrait work.

Nikita (student from Mooroopna) says:

Hi everybody. I’m Nikita and i was thinking about making a virtual dance video if Daniel was interested…It would be great to have us both filmed in front of a green screen and then all footage is combined here… The most exciting thing about this is it could be the first time that this has been attempted. Hope you guys are really interested in this idea.

Yolander called for a combined effort from the cohort:

We need sounds such as laughter, voices of family and other important sounds that will relate to it, would you be able to assist me in writing this particular way?… Help in researching sounds. (it is easy to spend all day…) We have 8 min of swamp sounds as the birds all wake up for background… 

We would also like to use lots of home bits and pieces from both schools, sporting things and home items and animate them in and out. HELP!!!

Nikita thinks out ideas and process:

I was thinking of the way we could tackle this Virtual Dance video. Firstly we need to find a soundtrack from Jamendo that goes for 3 mins minimum that has an easy beat to dance a simple routine to. Then we should choreograph a simple routine for Daniel and I.

Pros- It will look great when finished.

Cons- It will look a little artifical and the greenscreen size will restrict movement but thats ok.

Kayla and Laura share an idea:

We are working with the other students on this project and we are glad that you like the idea of involving everyone.

We would like to get some Photos and/or short Clips of close ups of eyes or people pointing in and looking from WFS when possible to add to our project.

Emma, Yolander, Tom, Josh, Maddison ask for contributions:

A group of us have decided to concentrate on our original idea of the light beams coming from the computer screen. We would like to have the photos from home going into the computer with Indoor Laneway open on the screen, with the light beams as a way to remix them. We have recorded or sourced sounds that will be appropriate for this project, such as ‘catch it’ when a cricket ball goes into the screen and waves for a surfboard. This idea will incorporate everyones work. Could you please send us HEAPS of high res. photos and if possible with the objects eg. cricket ball, skateboard, guitar, etc. selected out and saved in a .PNG format? That would be really awesome

 These are just some of the extracts from the interactive process at the heart of The Indoor Laneway Project. I think you get an idea of where the strength and value of this project lies.

Will viewers of the exhibition understand the depth of this project? Probably not. If they took time to have a look through the blog on the computers provided in the exhibition, then they’ll have some idea. If they browse the tab ‘Make and create tasks and responses’ on the blog, then they’ll have an even better understanding of the project.

Does it matter? Do viewers need to know every aspect of the process? Well, from an assessment perspective, yes. Surely the entire process would be considered in the final evaluation. This brings me to the question of assessment in general. If we understand that the entire learning journey is valuable, and not just the final product, are we convinced that our method of assessment is appropriate, or should we rethink it?

Clearly, what the kids get out of it is more than the finished product. Their learning experience has been enriched by the challenge of a multi-tasked program, through online collaboration with another school, spurred by a project taking them out of the school to a public audience. I can imagine that the face-to-face meeting would have been fantastic, and building the sets together enjoyable.

Wouldn’t it be good if there were more opportunities for students of every discipline similar to this one?