Tag Archives: wikis

Where have I been and what have I been doing

That’s a rhetorical question, by the way. To make me feel a little appeased in my guilt for blog abandonment.

A few things have been happening, and these things would normally require a detailed and possibly time consuming write-up. Hence my blog absence. This is, sadly, not going to happen at a time when too many other things need to be done.

So…

Monday night I was one of the lucky ones to find a seat in BMW Edge for the free talk by Bill Henson (The light and dark and the shades of grey) to open the Melbourne Art Fair. Notice I didn’t say ‘the controversial Bill Henson’, the reason being that his talk was not, as some may have expected, a political or moral justification for the (fairly) recent censorship of his art (not photography, which is merely the medium). Surprisingly, his extremely esoteric talk used broad brushstrokes to paint a picture of civilisation shaped by centuries-old art, architecture, literature and music. I won’t attempt to summarise his talk but I think that one of his main themes was the need to expose young people to the history of our civilisation, to the breadth of artistic expression, in order to open up thinking, questions and discussion, and maintain a fuller context for the formation of understandings. Some may have expected a bitter, insecure man, lashing out at critics, as claimed in The Age article (written, surely, during Bill’s talk – or even before) which I read when I got home from the talk. These people were disappointed, then, because Bill’s composure and lack of defensiveness was noticeable.

We should be wary of governments and interest groupswho try to impose restrictions on the free exercise of theartistic imagination. Our zeal to protect innocence should not come at the cost of violating artistic experience.

If we believe that art is a high form of education, thatits basis is moral and its goal truth, then we should resistthe impulse that would deny the artist the right to deal with what may sometimes be ambiguous, complex anddisturbing.

Artists can seem like holy fools, they can seem likedevils. They may exhibit the cunning of the insane orthe illumination of the saint. But genuine art is the greatbridge between the inner world in each of us and theordinary world in which we live. Art shows us the truthand it should never be the quarry of the witch-hunter orthe social engineer. Any attempt to make the world betterby destroying or shackling art represents a repudiationof the truth.

(Not all reviews of Henson’s talk were unreasonable; this one wasn’t.)

So, that was that. And since then, I’ve enjoyed many conversations with various people about censorship, art and the education of young people.

The recent School Library Association of Victoria PD is another potential essay in the making. But I’m tired, so suffice it to say, I was immensely satisfied with the line-up of speakers, particularly the guest speaker, Joyce Valenza, and our own Adrian Camm.

The Bright Ideas blog has covered the main information and links from this day. I would just like to say that Joyce  is a passionate educator who surely never sleeps because how else would she have managed to create such amazing resources. It wasn’t hard work at all listening to Joyce – she’s blessed with a vibrancy and creativity which makes everything look deceptively easy. Take a look at her wikis and look up the rest of her stuff too.

Adrian, I’m not a games person, but after your talk, I might consider conversion…

What else?

Well I’ve taken up the challenge at Kew High School of running a couple of PD sessions introducing Web 2.0 tools for authentic and connected learning and teaching. Since I’m new to Kew, it’s an entirely different experience presenting to people I don’t know, feeling uneasy about the fact that I can’t read their faces to ascertain their reaction to my assault on them. My Whitefriars experiences, on the other hand, were based on relationships and the gradual introduction and integration of Web 2.0 technology, often in context of a class which I taught collaboratively over a period of time. I much prefer ‘preaching’ to people I know, so that the conversation comes from a knowledge of how these people think and with respect for their individual styles as teachers.

Well, that’s enough for this post. Apologies for the rave.

Oops I did it again – I created another blog

Photo by lutykuh on Flickr

Readers may have noticed that my posts are becoming more scarce. Or you may not – you may have given up and dropped checking this blog. Sure, I’ve been reposting from my other blogs – in particular, currently from Through global lenses. But I’m struggling to write regular, disciplined posts about current educational issues.

You know what it’s like when you juggle so many balls that you end up dropping some. That’s what it feels like for me now. Once this blog was the only online writing I was responsible for. Then it was followed by others, some of which I update regularly, for example, my reading blog Fiction is like a box of chocolates, my global Flickr project blog, and my personal photo blog.

Add to this several school-based projects (including nings and wikis) – all good! – and the blog I’m about to start for Kew High School, and you begin to realise the sad truth about my lack of single focus.

Can this be a good thing? How do you manage multiple voices? How do you manage an RSS feed that’s groaning and threatening to burst at the seams? How often do you tweet? Often enough to attract a response? Do you ever get the chance to read a book?

Life is never boring….

Social media for lawyers (and regular people)

@ggrosseck shares some excellent links on Twitter and this is one of them.

[slideshare id=3619005&doc=researchinginaweb2-0worldfinal-100402045408-phpapp01]

I agree with @jennyluca who commented that this presentation is just as relevant to educators. The humour doesn’t detract from the truths expressed; I think it’s very effective. I like the way it addresses people’s attitudes to social media and in a light-hearted way before going on to all the benefits.

It also asks important questions such as Do I really want to be in a community? and supplies altruistic and selfish reasons. There’s a lot more depth to the coverage and more specific information than is often included in write ups about social media.

For a person who is trying to make sense of social media, it’s very helpful. For example, in explaining the social bookmarking site Delicious, it informs that

clicking on a link will show all the people who recommended it and under what categories (tags).

and provides a snapshot of a Delicious user’s page.

The most effective aspect of this presentation is the fact that it addresses the whys, eg. Why bother blogging?

A range of social media is covered, including Twitter, blogs, wikis, Delicious, RSS feeds and more. It really gives a good overview as well as answering specific questions people may have, finishing off with ‘So what does all this mean?’ and a list of links to further information .

I’m impressed by the depth of this presentation and would like to collaborate with somebody in producing a similar one for educators. Any takers?

Have you learned to share?

parrotsharing

Photo courtesy of Eliselovesprada on Flickr

Marie Salinger just shared with me an excellent blog post written by Andrew Douch, No learning for unauthorised persons.   Andrew expresses his disappointment in the fact that many teachers are reluctant to share what they create for their students’ learning. I recommend that you read the entire post.

In my comment following Andrew’s post, I mention that my role as teacher librarian automatically puts me in the position of finding and sharing resources, and that I don’t see why I shouldn’t share outside my school, or even outside my country. Since forming a personal learning network on Twitter, Facebook, Delicious, Diigo and similar networking platforms, I’ve realised that what I share with others is a drop in the ocean compared with what I receive. If only all teachers would experience this.

My blogs and wikis are also a way of sharing ideas, resources and discussions which would otherwise only be shared with a couple of colleagues or not at all. It seems that blog authors find all manner of things useful and edifying, and write about these. I’ll often share resources this way, or even re-post from someone else’s blog if I think it’s worth passing on and giving my two cents worth.

More problematic is the sharing of material which I’ve read in a hard-copy publication. Currently, I’m reading the current edition of Fiction Focus: New titles for teenagers published by Curriculum Materials Information Services, WestOne Services, Department of Education and Training, Western Australia. It’s a teacher librarian’s treasured resource, providing excellent critical reviews of adolescent fiction, as well as reviews of resources of professional interest to teachers. I’m also reading the Centre for Youth Literature Newsletter published by the State Library of Victoria.

It’s frustrating for me to read these excellent resources and not share them online. What may normally occur is that we read them and take out ideas and resources for our own practice, or at best, email a few teachers if we think there is something of interest for them.

So what’s problematic? Well, it’s common practice to re-post online content written by someone else because you can give a synopsis and hyperlink to the actual resource; you don’t have to do more than give a quick summary of the original post since the reader can go directly to the source for more detailed information.

Not so in this instance. I would really like to feature some of the articles in these publications, but how much should I say? I don’t want to overload my readers, and I can’t presume they will obtain the hardcopy publications. I’m not sure if the publishers will consider my efforts a breach of copyright.

For example, there’s an excellent special feature in Fiction Focus, Wow websites – book inspired web wonders, which links to Young Adult fiction websites which

use high quality art and web design to create spaces and interfaces that reflect the character of the fiction that they represent,

providing

spaces for young readers to do what they have always done: play, discuss and imagine…

I applaud the promotion of such websites because I’ve realised that reading becomes an experience when adolescent readers become involved in the art, interactive activities and games, author blog and videos. Providing such websites increases the chances of hooking young people into reading fiction.

themortalinstruments

Here are the links to author websites provided by this article:

P.B.Kerr’s site, Quertyuiop

Angie Sage’s Septimus Heap series

Cassandra Clare’s Mortal Instruments series

Anthony Horowitz’s Alex Rider series

Charlie Higson’s Young Bond series

Robert Muchamore’s Cherub series

For Picture Book authors, there are links to the following websites:

Shaun Tan

Matt Ottley

Chris Priestley’s Tales of Terror   Gothic feel site

Darren Shan

The Bad Tuesdays

Scott Westerfeld’s new Steampunk-inspired website

The selected works of T. S. Spivet by Reif Larsen

The CMIS Fiction Focus blog include more extensive links to more blogs and websites of young adult authors and illustrators.

Fiction Focus also has an excellent article on Steampunk,

a sub-genre of fantasy and speculative fiction. At the core of steampunk is the notion of altered history (often Victorian and London-Victorian at that) combined with technology that is historically impossible, and therefore all the more intriguing.

There are great links included, so you can see my dilemma – I’d like to share all these wonderful resources with people, but I really think they should subscribe to the magazine, or even, the magazine should go online. CMIS has also given us a taste of Steampunk in their blog which is worth adding to your RSS feed reader, but I can’t resist including all the Steampunk blog links given here as well.

Brass Goggles

The Steampunk Home

The Clockwork Century

Steampod (podcasts)

Antipodean Steampunk Adventures  with an Australian slant

The Antipodean League of Temporal Voyagers

Do read the Fiction Focus blog post about Steampunk.

And guess what? From May 2010, the Centre for Youth Literature Newsletter will be going online. Yes!

 

Can intelligent literature survive in the digital age?

The Independent featured an article with this poignant question – can intelligent literature survive in the digital age? As the article says, ‘Is the paper-and-ink book heading the way of the papyrus scroll?’ This is indeed a question worth devoting more than a couple of minutes to.

The crucial question is – whether all our online reading – the fragmented, stylistically-challenged emails and microblogging – has taken its toll on our attention span? Nicholas Carr of ‘Is Google making us stupid?’ fame has added to the debate by claiming that the internet is responsible for his downward spiral in longterm concentration: ‘Once I was a scuba diver in the sea of words. Now I zip along the surface like a guy on a Jet Ski.’

Scott Karp, who writes a blog about online media, claims he used to be a voracious reader, but has now stopped reading books altogether. Is the internet to blame? Other people quoted in this article admit that they are now unable to concentrate on more than a couple of paragraphs at a time, and that they skim read, rather than read and think deeply.

A recently published study of online research habits , conducted by scholars from University College London’ claims the following:

‘It is clear that users are not reading online in the traditional sense; indeed there are signs that new forms of “reading” are emerging as users “power browse” horizontally through titles, contents pages and abstracts going for quick wins. It almost seems that they go online to avoid reading in the traditional sense.’ Still, the article does maintain that we are reading more now than when television was the preferred (only?) medium. Personally, I find it difficult not to skip around when links abound and I’m torn between too many tantalising directions.

Carr supports this behaviour with the following observation:
‘When the Net absorbs a medium, that medium is re-created in the Net’s image. It injects the medium’s content with hyperlinks, blinking ads, and other digital gewgaws, and it surrounds the content with the content of all the other media it has absorbed. A new e-mail message, for instance, may announce its arrival as we’re glancing over the latest headlines at a newspaper’s site. The result is to scatter our attention and diffuse our concentration.’

But is this fear of change typical of the fear each generation experiences?
‘In Plato’s Phaedrus, Socrates bemoaned the development of writing. He feared that, as people came to rely on the written word as a substitute for the knowledge they used to carry inside their heads, they would, in the words of one of the dialogue’s characters, “cease to exercise their memory and become forgetful.’ That may be so, but in today’s ‘information age’, it would be foolish to try to carry all the knowledge we read inside our heads, especially when access is so easy.

If the internet and Google are wired for quick knowledge-access, then surely, we realise that we don’t just read for knowledge. We read fiction, for example, as we regard art, to enter into a transformed, deeper(?) reality; to savour language and perceptions; to gain insight into the human condition; to gain moral, social and philosophical truths; to experience many things besides.
Are we losing/have we lost something in our move to 21st century literacies? Is it a matter of a lost language or genetic traces that will never be repaired? Even avid readers will necessarily read less traditional, hard-copy literature, if only because they are also keeping up with blogs, wikis and RSS feeds? Are we becoming ‘pancake people’, as the playwright, Richard Foreman, suggests?

Now, according to The Independent, many serious writers complain that challenging fiction doesn’t appeal – “difficult” novels don’t sell. To sell now, ‘books evidently need to be big on plot and incident, short on interior monologue.’ What are the consequences for teachers and librarians, trying to encourage young people to read? Are we trying to keep grandma alive? And besides, if we admit it, our own reading patterns are changing to some extent. And yet, websites that give exposure to books can only increase readership. Just think about all the literature you might be tempted to read after reading somebody’s passionate review or after searching Google Book Search.

If only you had the time or could get off the internet!

Deletionpedia

Paul Stewart (thanks Paul) put me onto Deletionpedia, a wonderfully annihilistic-sounding encyclopedia. Rhonda Powling has blogged about Veropedia, a verified Wikipedia, so I thought it would be interesting to check out Deletionpedia, an archive of more than 63,000 pages which have been deleted from the English-language Wikipedia. As with histories within any wikis, it’s interesting to see changes made, and you can browse through different deletions, such as pages deleted after more than 1000 days on Wikipedia; pages deleted more than 200 times; pages deleted this month, etc. The process of editing becomes transparent. Deletionpedia also provides ‘page of the month’, ‘list of the month’, and ‘category of the month’.

Did you know that Wikipedia allowed reuse of its content, including pages it has deleted, using the GNU Free Documentation License? To comply with this license, Wikipedia rescues the full edit history of its pages. Wikipedia splits up the archive into ‘we don’t like’ and ‘we do like’. And so, ‘we don’t like’ copyright violations, serious libel problems or offensive material; and ‘we do like’ interesting or quirky pages, including creative writing, opinions and original research (which do not belong in a wiki).’

All of this works by automated script following a Wikipedia user tagging something as appropriate for deletion. The tagged pages are uploaded to a temporary store; the deletion log is checked and the deleted pages are uploaded from the temporary store to Deletionpedia. A forthcoming feature is the addition of a rating system for easy identification of interesting pages.

What wonderful -Pedias await us in the future?

Bravo Hawkesdale

isn't he cute

I realise that many people would have discovered ages ago what Hawkesdale College has been doing with blogging, but since I’ve only just looked through properly, I have to do my little rave because otherwise I’ll burst. It’s so fantastic!

The Hawkesdale K-12 blog : Techno7 (Our first year 7-12)
is about students and teachers blogging through the 7-12 school journey.
What’s on the blog?
• There’s a page for each subject, plus extras, eg. study skills, etc.
• Each student has a blog for each subject
• Each teacher has a blog following their Web 2.0 journey, posting stuff for students, or just ideas, findings, etc. Continue reading Bravo Hawkesdale