Tag Archives: writing

Rethinking the value of technology in learning and teaching (and my own role as advocate)

Found on Pinterest – saved from Fiverr

It occurred to me last year, during a ‘lesson’ I was permitted to give to a year 9 English class, that I had marginalised myself as a ‘technology person’. ‘Permitted’ because TLs need to approach teachers for permission to interrupt their class if we want to buy time with students. To do this we need to have a sales pitch, to convince the teacher that what we are going to teach is valuable. Not just valuable, because why would you allow your class to be interrupted if it wasn’t for something that ‘better be worth it’.  And suddenly I realised that I was focusing on the sales pitch to justify my existence as a teacher, to justify the ‘teacher’ in my title ‘teacher librarian’. While pushing to be a relevant, valuable part of learning and teaching at school, somehow I’d become the person who pushed her way in to classes to feature a technology tool.

That lesson didn’t work so well because, although the tool (Thinglink) worked for me, it was blocked for the students – something I should have checked (because the same scenario had taken place so many times over the years, you’d think I’d remember to check). And although the teacher was patient and gave my tech tool the benefit of the doubt, it didn’t end up being the ‘enhanced learning tool’ that I had envisaged. She moved on, and I stayed to witness much more authentic learning and teaching which occurred in a traditional setting, without the aid of technology.

This wasn’t the first time I’d been forced to rethink the value of pushing technology tools but it was the first time I had realised that I didn’t want to be associated with ‘the person who always pushed technology’ or believed in technology as the saviour of 21st century learning and teaching . Rather, I wanted to be in an integral part of teaching and learning in the classroom, I wanted an organic partnership with the teacher, trusting in and respecting her teaching expertise and instincts, and coming in from behind to support and enhance the direction she was taking.

Just today I was tagged in a tweet by Geoffrey Gevalt to join Digiwrimo with my students – an event which is run by the Young Writers Project. This is an opportunity to connect with other writers and so is an example of technology enabling, connecting and enhancing:

We at YWP define digital writing as writing done in digital spaces — often with digital media — that is interconnected by social media and different external audiences.

Unfortunately for us in the southern hemisphere November is the time for end of year exams, and so we miss this opportunity. Neverthless I’ve shared this invitation with students in my Writing Interest Group (WIG), hoping that even one student might take the opportunity to connect to a global writing community.

This is not an instance of technology being an add-on, or even an instance of online learning  where traditional teaching and learning are transferred online just as they are. Digiwrimo connects writers globally and celebrates writing through a community of writers sharing and giving feedback . Although our exam- and VCE-focused curriculum makes it difficult to take up such opportunities, something like this might engage students in a way that writing for submission and marks would not. I believe so anyway.

What is digital writing? (from the Digiwrimo website):

The internet has changed writing. Today, there are more people writing every day — e-mails, text messages, blog posts — and more self-published authors than ever before. Written communication is popular in a way it hasn’t been in a century, and everyone’s doing it. But unlike when writing between two people was quiet and private, much of today’s writing is loud and public, connected through a web of hyperlinks to every other piece of writing out there. With the old masters like Shakespeare, Milton, Melville, Hemingway, and Shelley being translated into code and uploaded onto the web, your blog posts exist right alongside their greatest works.

The school I dream about will shift its focus from prescribed curriculum, outcomes, targets, exams and preparation for exams, but retain and intensify the wonderful teaching I see in classes at my school, with time for deep discussions. Students will have the time to share their writing/work with their colleagues, discuss and give/receive feedback, but also be able to connect to other learners/writers outside the classroom and beyond the school. Technology will be the enhancer/connector but never the forced add-on, never the one-size-fits-all LMS; it will be a connection even as the old-fashioned phone connects voices.

The internet allows us to communicate through our text in new ways; it frees us to join our words with others’, to innovate, and to let our words become our actions. We can live spontaneously through our words, or vicariously, or cooperatively. Our words can form communities, can take a stand, can create at the same time as we create them. (What is digital writing?)

Recently I shared a poem a student had posted in our WIG blog, Unicorn Express. I shared with people and groups I’m connected to on different social media platforms. The post was written by a past WIG member (co-captain). How wonderful that the year 12 student who is no longer part of this group (because of the pressures of year 12) is moved to share something he’s written (and how lovely that he’s found the time to write for himself amidst the final exam preparation).

I was moved by my online buddy, Kevin Hodgson, who not only took the time to read my student’s writing, but commented to encourage the student, and then pulled out words that spoke to him, created a ‘poster’ and then shared it online with me and his own network. This is the human element enhancing the solitary writing experience, this is one of the best examples of the potential of technology.

In conclusion, I’d like to finish with a tweet I just read from Maha Bali:

Saying that any digital tool teaches us digital literacies is like saying a pen or a keyboard teaches us writing. #DigPed #OpenEd16

Amen

The thinking behind the evolution of blogging – 4 case studies (ALIA seminar)

Last Saturday, with barely a whisper for a voice (laryngitis), I presented ‘Blogging: My story’ at an ALIA conference, along with Catherine Ryan (Westbourne Grammar), Karen Malbon (Penleigh and Essendon Grammar) and keynote speaker, Kelly Gardiner, Online Learning Manager, State Library Victoria. It was a privilege to join these people, and to hear what they had to say. Kelly, thank you for settling my nerves with your lovely, relaxed, conversational manner. It was a privilege and pleasure also to meet and chat to everyone who came – on a Saturday! And I have to  mention how beautifully organised the day was – with lovely pastries from a special place in (I think) Seddon. Thanks to ALIA people (Anne Girolami and Karen Marston – as well as Catherine Ryan; I hope I haven’t forgotten anyone, and if so, sorry) and in particular to Anne who saved my voice by regrouping people so that I gave two instead of three workshops. I hope that Kelly’s talk will be available somewhere soon because I’d like to revisit it.

Here’s the visual presentation for my workshop. It doesn’t cover everything I spoke about but it gives you an idea. I wanted to focus on my own story in terms of 4 different school blogs I talked about, so it was more about reflection/evaluation and evolution of my use of blogging in four different contexts.

 

What am I hoping to achieve by encouraging my students to use social media?

What am I hoping to achieve with social media and my interest group, Writing Interest Group (WIG), formerly known as Competition Writing?

Why am I insisting so much on the students’ participation in the comments section of the Facebook Group or the blog, Unicorn Express?

The screen capture below gives a clue. I had shared on Facebook Jason’s blog post (sonnet).

I want the blog to be a publishing platform for student writing. I want students to write for a real audience – both their peers as well as anyone outside the school and even in other countries.

I want students to know their work is being read and appreciated, and that other students will take the time to tell them so, or to leave constructive comments.

My aim is connected learning, interaction and reflection after writing.

I love the fact that former MHS students are still part of the Facebook group and read current students’ work, and even more when they come in to say something about it. That connection beyond the classroom, beyond the year level, the school – that’s what I want for our students.

How do you think Jason Li feels when he reads what Hanford, a former MHS/WIG student, says in the comment section of the Facebook group:

I stay to get the opportunity to read things like that poem!

The story ends #digiwrimo #storyjumper

I don’t know how they did it – I struggled to keep hold of the threads in chapter 10 already and it finished with 26  – but somehow a bunch of people from different parts of the world managed to write a story together. A digital story.

Here we all are. You can click on the circles on our faces (on the Thinglink) to read our chapters:

The final chapter is hilarious. I don’t think you could actually keep a straight face for too long while writing this story; it just becomes more and more absurd. The story is a long and winding one (yes, with Beatles references) so this summary might help.

I love that we come from such different places and come together for this bit of creative fun.

Storyjumper Part 10: The maps #digiwrimo

This is part 10 of a storyjumper for Digital Writing Month.  You can read the other parts here:

Part 1          Bruno’s blog started us off with a personal narrative.
Part 2          Kevin’s blog began the story.
Part 3          Maha’s blog continued…
Part 4          Sarah’s blog…
Part 5          Ron’s blog…
Part 6          Tanya’s blog…
Part 7          Kay’s blog…
Part 8          Ron’s blog…

Part 9          Dana’s blog

You can follow the story here.

What was he waiting for? Why didn’t he knock? *She was more than ready to let him in. She felt her hand dip into her pocket and her fingers feel around for what she knew was there.

They were facing each other.

The first thing she saw was his puzzled expression. Then her eyes traced the fine lashes on his face and down his straight nose to his mouth which was partly open – she guessed from shock – the shock she tried to suppress as she struggled to make sense of their physical closeness in unknown surroundings. What the…!?  In her peripheral vision she guessed they were in a deserted street and it was dusk. Or was it dawn? Nobody in sight. A car parked a little way down the road.

And then she let her eyes follow his arm down to his hand which was clutching a map. And she? She was still holding the map she had been turning over at home, scrutinising. And between her fingers… what? Sand?

Image courtesy of the Lewis Lab at Northeastern University. Image created by Anthony D’Onofrio, William H. Fowle, Eric J. Stewart and Kim Lewis. (See Anthony D’Onofrio on Flickr)

“Where the hell are we?” he broke the silence and her mental musing.

Map found here.

“I..I…I think – I know it sounds crazy – but I think it’s the maps,” she managed to splutter, blushing a little as he came to life, and unnerved now by their physical closeness.

They both turned in the direction of the sudden sound of a car screeching towards them.

“Sarah?” he said, as she jumped out of the car. “What the hell is going on here?!”

“Get in!” Sarah grabbed Kevin’s arm and pushed him into the car.  “Time’s running out! Get in! Hurry up!”

She had no time to lose. No time to think, she swung open the back door of the car as it started moving and flung herself into the back seat, the car accelerating at an unnerving speed.  She knew, somehow, that she had to hold onto the map.

It was difficult to describe what happened next. The scenery flew past them too quickly; it wasn’t normal. Physically she felt squeezed, she felt as if all her organs were compressed, she could barely breathe. And all the time that dreadful shrieking – not just in the ears but everywhere. Stop it, stop it! Unbearable.  And then she realised it was she who was shrieking.

via GIPHY

“Shut up!” screamed Sarah, “what are you doing here? It’s too late; you have to come with us now” as the car came to a sudden stop and she banged her head against the seat in front of her. The seat of the boat she was now in. In the middle of a vast, icy lake. Under a white sky.

“What the hell are you playing at!” Sarah’s face too close to hers.

*The initial motif of Beethoven’s 5th symphony has sometimes been credited with symbolic significance as a representation of Fate knocking at the door

Your turn, Maureen.

 

 

My unofficial geographic CV – I am Australian #digiwrimo

I love Maureen Crawford’s geographic CV which she has written for Kevin Hodgson and opened up for response and remixing to all.

Here is my offering, my geographic CV of sorts:

Somehow I manage to stand without falling

with all the other Australians

at the bottom of the world

or so the map says.

 

I shiver when you, at the top, are walking sleeveless through the park.

I shelter in air conditioned rooms, curtains drawn,

with my European trees burning before they get the chance to turn red

at the same time as you shovel snow and boast about snow days.

I want heat days.

 

In my early schooling I learned about convicts

farewelling England forever

to come to the place of my birth

which was not the birthplace of my parents.

 

My double life was week days a certain kind of world view

and weekends different in language and customs

but I questioned not

and kept the other life quiet.

I danced to Greensleeves in the asphalt playground;

on Saturdays I sang acapella in Russian and recited Pushkin.

 

Tic Tac Toe, here I go, where I land

I do not know.

What shall we do with a drunken sailor?

There’s a green oak-tree by the shores
Of the blue bay; on a gold chain,
The cat, learned in the fable stories,
Walks round the tree in ceaseless strain.

The textbook of my life is sewn together

from pages torn from books in libraries

at opposite ends of the world.

 

I ignore the footy on tv –

my country’s religion,

the races also,

but enjoy the public holiday.

I wonder about the words of my country’s anthem:

Australians all let us rejoice, For we are young and free;

We are not so young, surely,

We are old but some of us have only just arrived

and chosen to forget who lived here first.

 

I question also

For those who’ve come across the seas We’ve boundless plains to share…

 

Along with many others

I remark on the falsehood;

We sing what is not true

but should be.

 

I am Australian.

Here is the Hackpad with everyone’s versions of the #DiGiWriMo unofficial CV.

 

Doing the #twistedpair with teaching colleagues – taking a risk!

Flickr photo by Anktangle

As part of a couple of professional exchange days, I decided to use Steve Wheeler’s #twistedpair idea to invite my colleagues to write. When I say ‘I decided’, I mean I spent several weeks agonising over whether to do something safe or take a risk with the #twistedpair. See this post for the history. Finally I decided to take a risk and go with the writing session although I was convinced that nobody would choose my session over the other, more obviously traditional, professional development sessions.

I promised Steve that I’d report and here it is. I actually had 10 teachers come to my session (with 3 other choices). It was so much fun! With the changeover from the previous session, we actually only had 10 minutes to write after a shortish explanation with examples of #twistedpairs to get people going. We all shared; that was the best part.

Some people were happy for me to share their #twistedpairs (some in the early thinking stages due to time limit):

Professor Dumbledore and Frida Kahlo (group effort by 2 Art teachers) –

  • They are both larger than life
  • They both command an audience
  • They both express themselves through their clothing
  • Big picture philosophy
  • They have an intimidating presence yet they draw people to them at the same time
  • They are both story tellers
  • They are both very open-minded
  • They are both risk takers

Thanks Vanja and Mihaela!1

Joan (English and Performing Arts) wrote about how Ken Robinson and Doris Day inspire her:

Ken Robinson is someone who inspires me because he talks about creativity being central to education. His books The Element and Out Of Our Minds made me shout out loud as I read each new idea on the page. “Yes, I agree with that!’ or “Yes, that’s what I think/do in my classes!”

Doris Day also made me shout – I played Calamity Jane in year 12 and the musical was about a mix of love and feminism. As the character of Calam I got to explore ideas relating to feminism, I was in my ‘element’ as described by Ken Robinson, singing, acting, thinking and discovering things about myself and the world. The song that encapsulates all these things for me had the line about ‘my secret love, not being secret anymore’. “Now I shout it from the highest hill.”

We also heard about how Florence Nightingale and Nike worked as inspirational #twistedpairs for Jenny. We heard about Josh Thomas and Michael Long.  Some #twistedpairs I’ve forgotten because I didn’t force people to hand over their writing.

Alex is happy to share what she wrote:

Here Emily Bronte converses with William Shakespeare.

EB: I want to ask you whether you travelled to all the places that you wrote about. Italy, Africa and India.

WS: No but I was a robber of tales tall and true from the sailors at the docks.

EB: I live in a parsonage in a tiny village. I can’t move beyond my own footprints nor can I escape the influence of my family.

WS: Well of course you are a woman, and remember ‘your name is frailty’, you aren’t to be trusted in the world beyond your father’s house and will always need to be protected from ‘ the slings and arrows of outrageous fortune ‘.

(Excuse me for quoting my own work, but then again, on one else has ever come close)

EB: Too true, by your reckoning and insistence.  I have been gazing into the world of the human heart, having neither knowledge nor opportunity for experience I have had only human behavior as a model. What else might I have written if I had seen the world?

WS: Too many of your Victorian novels have remained in drawing rooms.  Even men were too bound by their own watch chains to look outside. At least you did examine the human heart.

EB: And you were excited by the prospect of defeating Spain and conquering the world. The age of exploration was dawning.

WS: Yet you Victorians in your plump complacency had conquered, but still you didn’t understand. You believed that you were the pinnacle of human civilization and the apex of intellectual life. That no one else could write or rule as well as you could.

Themes: feminism, gendered discourse, colonialism

Motivation: Looking at the contrast in political, social and economic contexts from the epochs represented by these two writers. More of a disciplinary focus, stimulated by the change in VCE Study Design and the introduction of a comparative essay for Year 11 next year.

Thank you for taking a risk with my session. I think we had fun. I learned a lot from all of you. In particular that I am blessed to be amongst intelligent, creative and talented people. I wish the students would see this side of you more often.

If you’re interested in reading what other people have done with #twistedpair see this list.

 

 

Why not #twistedpair for professional exchange?

I’ve mentioned my idea of using Steve Wheeler’s #twistedpair to inspire writing for a professional exchange session at school. I figure teachers are always attending PD which teaches them how to teach or how to use new technology in their teaching. What about just doing something instead of learning how to teach it? Why not? Just an enjoyable session being challenged to write something creative. Steve’s #twistedpair seems perfect. So here’s the slideshow introducing the session. (I hope someone comes to my session. Please come. Yes, I realise it might be threatening.)

Thank you to people whose examples of #twistedpairs helped me explain the challenge in this slideshow.

Mr X is hacked by the rhizome #rhizo15 #rhizostorm

After writing Mr X loses his battle for objectivity I was overwhelmed by the response from the #Rhizo15 community through comments on the blog, in the Facebook group, on Twitter and Google+ group.

blog comment sarah

blog comment barry dyck

blog comment keith hamon

blog comment Aaron

I have to admit I felt elated with so much attention but what really excited me was when Terry suggested it would work as a radio play/podcast.

Hello there. My name is Tania Sheko. Thanks for responding so positively to this short piece of fiction/non-fiction. I’m taking up the suggestion to create something for #rhizoradio (suggested by Terry Elliott and seconded by Simon Ensor) and other suggestions to do a collaborative rewrite eg include a larger cast so we can actually (somehow) create a podcast for #rhizoradio (which is going to be a thing I think). Hope you can join me here!

With Maha‘s well earned influence the Google doc I shared was suddenly populated with #Rhizo15 people (and others?) working together across time zones to hack my ‘story’. So many creative people chatting in the margins of the document about what could work.

blog comment terry

blog comment simon ensor

It was fun watching the little animal-head avatars popping up at the top as people joined in. Kevin Hodgson shared some an introduction on SoundCloud and then Simon Ensor  did a brilliant reading of Mr X – who evolved into Mr Arborescent (or just Arborescent, as Laura Ritchie suggested). The ‘me’ character was named Rhizoka and the narrator became an inner voice (voices in the head). The ‘me’ character then exposed a muliplicity of identities and even spoke in more than one language.

Ronald created an introduction and Simon did a brilliant Mr X (or Arborescent) in a British accent.

I don’t think it’s finished but I sure hope it actually gets acted out as a podcast/radio play. Thank you so much to all who jumped in – it’s been amazing! It’s still open so come in and contribute. I saw Maha talking on Twitter about who might be able to create the podcast so I hope someone will because I’m not sure about how to do that.

matrix

pink floyd

rhizo pun

Thank you, people! So far Maha Bali, Sarah Honeychurch, Angela Brown, Ronald Rudolf, Kevin Hodgson (@dogtrax), Laura Ritchie, Aras Bozkurt, Keith Hamon, Simon Ensor and Barry Dyck. Hope I haven’t left anyone out.  Let me know if I have.

A great way to start #Rhizo15!

The wall has ears. When your students get it and start talking from the heart.

Just when you think you’ve been talking to the wall, you realise unexpectedly that some of your students have been listening when they suddenly start speaking from the heart to their peers and you realise that they get it.

I coordinate the co-curricular group, Competition Writing. I’ve blogged before about this group I inherited along with the title that didn’t sit right for me from the outset. Three and a half years later and the title remains but the philosophy of the group is changing before my eyes. I’ve been talking to my students about the passion for writing and learning community which is what I hope will become the focus of the group despite the title, but talking at students and becoming as a group are two different things.

The co-curricular groups are designed as an opportunity for students to take on leadership roles, and this is one of the reasons why it’s taken so long to get to this point – the start of a more democratic learning community. Students stepping up to the role of captain must have some sort of idea of what behaviour a leader exhibits, and the leaders in my time have been an assortment of personalities but with one thing in common: taking up all or most of the hour-long session with talking AT the students. They feel that they have to step up as experts and relay their ‘expertise’ to the students in a lecture style. Some have used the screen for powerpoint and occasionally videos (spoken poetry) but it’s interesting what their perception of teaching is – and how this implies that their experience as students has been as passive listeners, being taught to.

My library roster has not always allowed me to be present at these meetings (yeah, right? but this year is different) but occasionally I have snuck in and attempted to have a word to the group.  My main objective has initially been to encourage students to share their writing in our blog, Unicorn Express, and I’ve spoken to them about the authentic reading audience – the fact that their writing is published and read by a global audience, not only read by their teacher; the opening up of constructive feedback and response by any reader – all the things that I think transform the act of writing from a prescribed thing to a real thing and which must affect the way writers feel. Yes, students write to improve writing skills and for a good mark, but more than that, everyone surely wants some kind of confirmation, something that affirms their ‘soul’ (and I feel entitled to use this word after reading bell hooks).  All learning surely exists in a space where our whole person relates to others in a holistic way, not just the intellectual side of ourselves, not just the grammatical or stylistic side of ourselves  as writers.

Last year our Writing Competition (always feel I use this word facetiously) leader did a great job running regular fortnightly meetings, with the energy of a confident extrovert. I’m grateful for that, but still I noticed that the students were sitting silently and listening for most of the session. Writing mainly took place outside the meeting. We also have a Facebook group which I created for communication but also in the hope of creating a space for sharing articles and interesting bits of information, ie. learning outside the meeting time.  It’s been a place where I do all the sharing but at least I can see how many students ‘read’ the posts. Despite my constant encouragement, none of the students have inhabited this space as their own, and I’ve been stuck between thinking I should stop posting and thinking that if I did the space would die.

Anyway, back to what I was saying before. Last year, as I read the wonderful writing students posted to the blog, the same students who remained silent in the meetings and gave nothing of themselves away – and weren’t put in a position where they were challenged to – I started thinking that it might be interesting to encourage an introverted student to take the leading role. Yes, that was a risk, and last year’s leader was concerned about this, but it was a risk I really, really wanted to take. Leadership is not always extroverted, and can come from quieter, less confident students. Isn’t the leadership role an opportunity for all students to learn about how they can also be leaders and for the group to see all the many faces of leadership?

So this year we have a very different leadership – one student as captain and two co-captains. I know how talented they are,  but I also know how challenging it is for them to stand up in front of the whole group (which is quite large) and win the attention and respect of the students. Having nominated them I have to trust them, and I do, but I also have to discipline myself not to step in too much and to let them run with it.

Last Friday the new captains ran their first meeting.  They did a spectacular job, and my heart melted listening to how they talked about the purpose and philosophy of the group. They had been listening all the time! They completely understood what I had been talking about and trying to model with the blog and Facebook group. In about ten minutes (because they wanted to spend most of the meeting writing together) they said that, although members would have the opportunity to earn diploma points (all co-curricular groups did) and to enter writing competitions, they hoped that the group would be more about sharing the passion of writing and becoming a writing community (I’m paraphrasing). They encouraged students to post drafts to the blog, and talked about the writing process as the most important part of writing, and how feedback during this process was invaluable. They encouraged frequent writing and posting without worrying about imperfection or incompleteness. In the same way, they encouraged students to make themselves at home in the Facebook group (MHS Competition Writing) as a space to share whatever they found interesting or were passionate about. I was so proud; I was exhilarated!

And then they gave a writing prompt (‘A man walks into a bar and sees’) with a short time limit, and everybody wrote, and then brave people read their writing out. It wasn’t brilliant but it wasn’t expected to be. I felt the satisfaction in the group of being given the opportunity to write together, and then to share. I asked if students were comfortable to leave their writing (a short paragraph) with me, that I would post everything to the blog.

Speaking to the captains at the end of the meeting once everyone had left, they told me how nervous they were before the meeting, and I told them how fantastic they were, how they so naturally and beautifully responded with generosity to those students who read out their pieces, and how well they had prepared by thinking carefully about what they wanted to achieve in the session. Everyone had been involved in writing activity, and the expectations of the group had escaped the traditional confines beyond diploma points into the realm of joyful sharing of writing passion.

I’m excited about this group and look forward to see how it develops, and to documenting the progress of the writing community.

The wall has ears. Just when you think you’ve been talking to the wall, you realise unexpectedly that some of your students have been listening and that’s when learning happens.

Because #MOOCMOOC and Connected Courses have been about community building above everything (at least in my opinion), I am passionate about assisting my students to feel the joy of connected learning even as they learn within a program.