Tag Archives: Education

So much has happened…

It’s been quite a while. This happens, not unlike Covid19. Life takes over even well versed routines and plays around with dimensions of time. Time has passed – so much time that this space, previously so comfortable and welcoming for me, feels foreign and resists writing. And yet, I’m here now.

The photo above is one of the spots my husband and I liked to visit, in our 5 km range during lockdown last year. We visited this year too during our recent shorter lockdown. Lockdowns loom until we are all vaccinated. In Australia that process is slow and not yet available to all…

Work has thankfully been an environment of positive changes and exciting proposed futures. In the library and also in the school as a whole, (with a new principal and new head of library) an alignment with my own values and beliefs about what education should and could be has taken place. Quiet internal celebrations.

Reflections later, but for now a snapshot of the webinars we’ve been creating. These were initiated by our beloved head of library, Monica, as a way of making things happen during lockdown, and have continued to be a fabulous way of drawing on the talents of students and student leaders and giving them a voice and platforms for the sharing of their expertise, but also an effective way for us to do the same. Sadly we can’t share these webinars because of student privacy, but I’ll just share screenshots of the topics we’ve covered.

Enough from me for now. I hope to reignite my desire to write and share.

The ‘teacher’ in ‘teacher librarian’

Earlier this week, through Twitter, I became acquainted with Lisa Hinchliffe, Professor/Coordinator for Information Literacy Services and Instruction in the library at the University of Illinois at Urbana-Champaign, and an affiliate faculty member in the university’s library school.

While perusing her writing, this paragraph resonated with me:

Careful consideration to constructing the learning environment and not only focusing on teacher performance has been a mantra for my instructional design practice since then.

This is a particularly interesting area of investigation for me as a teacher librarian because it helps me articulate what the ‘teacher’ in ‘teacher librarian’ might be about. When people ask me where I work and I say Melbourne High School, they assume I’m a teacher, and when I say I’m a teacher librarian, they say, oh, you’re in the library, and I feel as if they’ve put me into a box, like a music box that, when opened, keeps the ballerina firmly attached to her space, rotating clockwise only to one tune. They’re more likely to refer to me as a librarian; definitely not a teacher – not a real one anyway.

Nothing could be further from the truth, in fact, because (and I feel like telling them this, but it’s too long and sounds defensive), my role is just as integrated in education as a teacher’s only it doesn’t necessarily play out as the teacher at the front of the class which the teacher owns. 

Everything I do is connected with the teaching and learning that happens in the school: I work across the curriculum, I teach transferable skills, I create curricular content and educational resources, and I depend on collaboration with teachers and students. Nothing useful would eventuate if I didn’t collaborate – that is, have conversations, come into classes, watch how teachers teach, watch how students learn, etc. If I didn’t do that, if I didn’t have that insight and developing understanding, then my work would be detached from the work of teachers and learning of students, and I would be exactly what most people think I am – in a world of my own, the library world, ‘not doing any work’, as some teachers like to joke (it’s getting tired). I do a version of what all teacher librarians do. It might play out differently for each of us, depending on our areas of expertise and the demands of our students and teachers, but teaching and learning is our common focus.

Of course, the big one in terms of being accepted as a real teacher is that you assess student work and write reports – and that’s sad because teachers’ talents do not reside in this tiresome task.  It’s sad that the marking becomes the overriding signature of teaching.  Teachers know that it’s much more than this but it seems that the time and energy assessment and associated administrative tasks take is what is exhausting teachers and taking them away from what they actually want to do: teach. And teaching comes in many forms; teacher librarians do it a different way but we still do it.

So, big rave, but ‘teacher performance’ is what most people equate with ‘teaching’ and ‘being a teacher’. If I don’t ‘teach class on my own’, if I’m not standing there talk-teaching, if I’m not marking or writing reports, then I’m not a teacher; I must be a librarian.

Sigh.

‘The learning environment’ that Lisa mentions is really something that I’m interested in unpacking, and I think I’m in the position of understanding it well because of my whole-school involvement with teaching and learning. This whole-school, cross-curricular focus is what gives teacher librarians a unique edge.

All teachers know well that learning happens everywhere, anytime and not just in the classroom during the class. I have a form this year, for the first time, and I try to inject as much learning (in the broadest sense) as possible into those 10 minute daily sessions. The blog that I started for my students is a virtual time-capsule which I hope they’ll appreciate once they leave school. It’s a mish-mash of photos of students, recorded interviews with them, short panel sessions about what they think, whiteboard surveys of inane content, interspersed with creative short films and animation, gifs, memes (whatever I think they might respond to), and some academic guidelines along the lines of study skills and sharing of our online resources for some of their subjects. Mostly the blog is an experiment, and the main aim is to create community, to let them know I care about them, not just their academic pursuits, hopefully support them when they do something they’re proud of, enable them to support each other.

The ‘learning environment’ is exactly what the library is about. Of course, the whole school is a learning environment but the library is a more concentrated one.  Unlike classrooms which are utilised by specific teachers and classes, the library is a space for everyone – across age groups, academic levels, and areas of the curriculum. The library designs its spaces and purpose within these spaces very carefully, in response to the needs of its users – never static, always acting on ongoing reflection and observation, always experimenting.

The word ‘library’ has been contentious for a long time – some prefer ‘learning commons’, some ‘media centre’, others insist the traditional ‘library’ is still the most apt name. Perhaps. It does come with a lot of baggage, but then even new words acquire the baggage over time. In the past I’ve been annoyed when ‘library’s’ main connotation was a space for books but these days I doubt that anyone would have that limited view for either school or public library. Both are open, welcoming spaces and both are synonymous with learning and community. When people come into the library, they may not be aware of all the different teaching and learning contexts that play out throughout the school day but they certainly understand the main gist of ‘librarian’.

However, it’s the ‘teaching’ part of ‘teacher librarian’ which may not be entirely clear.  I’ve pulled out two quotes from Lisa’s powerpoint (linked from her blog post):

“Teaching: Any activity that has the conscious intention of and potential for facilitating learning in others”.  Robert Leamonson

“Good teaching is the creation of those circumstances that lead in significant learning in others”. Donald L. Finkel in ‘Teaching With Your Mouth Shut’.

We, teacher librarians, are all about the conscious intention of and potential for facilitating learning, and the creation of circumstances that lead to learning in our students. It’s in the way in which we organise our spaces, watching to see that our design works best for individual, collaborative, supported and any other kind of learning. It’s in the way that we select and promote our resources, and how we get to know each student so we can offer assistance with a resource, a skill, or just have a caring conversation. It’s in the way that we connect students to significant events that might otherwise go unnoticed, or to brilliant people whom they may not have heard about, enriching our students’ lives and reminding them of what or who is worth celebrating, which issues we might unpack together, or how much fun we can have dressing up as our favourite literary characters when we might learn something we didn’t know without even knowing we were learning.

It’s time to broaden our understanding of ‘teaching’. Only then can the ‘teacher’ in ‘teacher librarian’ begin to be understood.

Constant Moyaux (French, 1835–1911)
View of Rome from the Artist’s Room at the Villa Medici, 1863
Watercolor on paper

 

The outcomes of my life (today) – feverish thoughts

Southern Garden by Paul Klee

I’m sick at home and have been in two stages over 3 weeks. Unable to do anything cerebral,  I sit and take in the room and the view outside my windows.

There are things I appreciate:

The tea tree sways in the wind and sunlight re-enacts this movement in the shadows on a blanket at the end of the couch near the window.

Intermittent bird song and the sound of wind.

The feel of the breeze on my arms.

The sunlight illuminating the pink blossoms of an indoor plant.

The sensation of lemon and ginger tea soothing my throat.

The ‘silence’, as much as it can be.

These are outcomes for me based on external conditions: light, architecture, placement of objects, my position, my awareness, my appreciation.

I did not perceive these same things yesterday because:

I felt sicker.

The weather was different.

I wasn’t receptive to many things.

I wasn’t able to feel pleasure.

What I will not do is put these conditions in a spreadsheet and try to control future experiences. I will not create numerical data to ensure moments of pleasure for the next time I’m sick. I will not expect it to be the same next time. I will not assume these conditions will be experienced in the same way by others. I will not expect that everyone is privileged enough to be sick in similar conditions.

I will not write a policy for How to Feel Better During a Prolonged Virus.

Doing the #twistedpair with teaching colleagues – taking a risk!

Flickr photo by Anktangle

As part of a couple of professional exchange days, I decided to use Steve Wheeler’s #twistedpair idea to invite my colleagues to write. When I say ‘I decided’, I mean I spent several weeks agonising over whether to do something safe or take a risk with the #twistedpair. See this post for the history. Finally I decided to take a risk and go with the writing session although I was convinced that nobody would choose my session over the other, more obviously traditional, professional development sessions.

I promised Steve that I’d report and here it is. I actually had 10 teachers come to my session (with 3 other choices). It was so much fun! With the changeover from the previous session, we actually only had 10 minutes to write after a shortish explanation with examples of #twistedpairs to get people going. We all shared; that was the best part.

Some people were happy for me to share their #twistedpairs (some in the early thinking stages due to time limit):

Professor Dumbledore and Frida Kahlo (group effort by 2 Art teachers) –

  • They are both larger than life
  • They both command an audience
  • They both express themselves through their clothing
  • Big picture philosophy
  • They have an intimidating presence yet they draw people to them at the same time
  • They are both story tellers
  • They are both very open-minded
  • They are both risk takers

Thanks Vanja and Mihaela!1

Joan (English and Performing Arts) wrote about how Ken Robinson and Doris Day inspire her:

Ken Robinson is someone who inspires me because he talks about creativity being central to education. His books The Element and Out Of Our Minds made me shout out loud as I read each new idea on the page. “Yes, I agree with that!’ or “Yes, that’s what I think/do in my classes!”

Doris Day also made me shout – I played Calamity Jane in year 12 and the musical was about a mix of love and feminism. As the character of Calam I got to explore ideas relating to feminism, I was in my ‘element’ as described by Ken Robinson, singing, acting, thinking and discovering things about myself and the world. The song that encapsulates all these things for me had the line about ‘my secret love, not being secret anymore’. “Now I shout it from the highest hill.”

We also heard about how Florence Nightingale and Nike worked as inspirational #twistedpairs for Jenny. We heard about Josh Thomas and Michael Long.  Some #twistedpairs I’ve forgotten because I didn’t force people to hand over their writing.

Alex is happy to share what she wrote:

Here Emily Bronte converses with William Shakespeare.

EB: I want to ask you whether you travelled to all the places that you wrote about. Italy, Africa and India.

WS: No but I was a robber of tales tall and true from the sailors at the docks.

EB: I live in a parsonage in a tiny village. I can’t move beyond my own footprints nor can I escape the influence of my family.

WS: Well of course you are a woman, and remember ‘your name is frailty’, you aren’t to be trusted in the world beyond your father’s house and will always need to be protected from ‘ the slings and arrows of outrageous fortune ‘.

(Excuse me for quoting my own work, but then again, on one else has ever come close)

EB: Too true, by your reckoning and insistence.  I have been gazing into the world of the human heart, having neither knowledge nor opportunity for experience I have had only human behavior as a model. What else might I have written if I had seen the world?

WS: Too many of your Victorian novels have remained in drawing rooms.  Even men were too bound by their own watch chains to look outside. At least you did examine the human heart.

EB: And you were excited by the prospect of defeating Spain and conquering the world. The age of exploration was dawning.

WS: Yet you Victorians in your plump complacency had conquered, but still you didn’t understand. You believed that you were the pinnacle of human civilization and the apex of intellectual life. That no one else could write or rule as well as you could.

Themes: feminism, gendered discourse, colonialism

Motivation: Looking at the contrast in political, social and economic contexts from the epochs represented by these two writers. More of a disciplinary focus, stimulated by the change in VCE Study Design and the introduction of a comparative essay for Year 11 next year.

Thank you for taking a risk with my session. I think we had fun. I learned a lot from all of you. In particular that I am blessed to be amongst intelligent, creative and talented people. I wish the students would see this side of you more often.

If you’re interested in reading what other people have done with #twistedpair see this list.

 

 

Why not #twistedpair for professional exchange?

I’ve mentioned my idea of using Steve Wheeler’s #twistedpair to inspire writing for a professional exchange session at school. I figure teachers are always attending PD which teaches them how to teach or how to use new technology in their teaching. What about just doing something instead of learning how to teach it? Why not? Just an enjoyable session being challenged to write something creative. Steve’s #twistedpair seems perfect. So here’s the slideshow introducing the session. (I hope someone comes to my session. Please come. Yes, I realise it might be threatening.)

Thank you to people whose examples of #twistedpairs helped me explain the challenge in this slideshow.

Creativity for learning in higher education

It seems I don’t know my place.

Again I’m sneaking into an online course designed for educators in higher education. ButSandra Sinfield, Senior Lecturer in Education and Learning Development, LondonMet @danceswithcloud, one of the Open Course team, said it was okay, so I’m doing it.

The course is called Creativity for learning in higher education and I’m not sure exactly what to expect but I like the idea of creativity in education and I’m also interested in working with people online around the topic.

Within this course, enablers and barriers to creativity in higher education will be explored, together with related pedagogical theory and literature. Participants will experience learning through play, games, models and stories and will actively experiment with such approaches. This will help them further develop their understanding, knowledge, skills and practices in these areas. Students will be able to critically reflect on their practice and identify opportunities to design, implement and evaluate an imaginative and creative innovation that fosters curiosity, and maximises meaningful active engagement and discovery learning.

I particularly like this sentence:

“Participants will experience learning through play, games, models and stories and will actively experiment with such approaches.”

Sounds like fun.

Outcomes are good too:

On successful completion of this open course, students will be able to:

  1. Critically discuss creative teaching and teaching for student creativity, as a driver for student engagement and learning in their own professional context.

2. Develop and implement an innovation in their own practice and appreciate how their own creativity was involved in the development and implementation process

3. Critically evaluate their innovation.

4. Appreciate and recognise unanticipated outcomes that cannot be predicted in advance.

The open course will incorporate the following themes:

  • Conceptualising creativity in higher education
  • Enablers and barriers of creativity in higher education
  • Learning through play, games, models and stories
  • The role of curiosity and other intrinsic motivations for engagement
  • Developing creative methods and practices
  • Evaluating a pedagogical innovation

The course is part of P2PU.

The Peer 2 Peer University is a grassroots open education project that organizes learning outside of institutional walls and gives learners recognition for their achievements. P2PU creates a model for lifelong learning alongside traditional formal higher education. Leveraging the internet and educational materials openly available online, P2PU enables high-quality low-cost education opportunities.

Let’s go! Trust me to join another online course in the last few days of my term break.

We host a Teachmeet @MHS #tmmelb

Last Saturday we hosted a TeachMeet in the school library. A TeachMeet is an informal gathering of people working in the education sector coming together to share ideas and expertise. It’s a great way to hear about what educators are doing in the primary, secondary, tertiary and public (eg museums) sectors. TeachMeets happen all over the world and meetings are held wherever people are happy to host. The format is simple – you can turn up or you can volunteer to present for either 3 or 7 minutes. There is usually a break for refreshments halfway through and it’s also customary for the hosts to suggest a nearby venue for drinks or dinner after the Meet. And it’s free!

Using bots to teach kids coding (Steve Brophy)

You can see in the wiki that we had a decent number of people attending, from a range of educational backgrounds. I always find that, as a secondary school educator, I learn so much from the primary teachers, from e-learning leaders, from people who work in public libraries and museums. And since the sharing sessions are so short, there is time for what’s most important – the conversations. Many people are also on social media so it’s a good chance to keep in touch later on Twitter or through their blogs, for example.

Order of presentations (see TeachMeet link for shared presentations):

Steve Brophy @stevebrophy Ivanhoe Grammar School K-12: Paper and programming

Bernadette Mercieca @bernm9  Xavier College E-Learning coord/teacher: What are we doing to help early career teachers flourish?

Eleni Kyritsis @misskyritsis Firbank Grammar School: Student Inquiry

Jan Molloy @janpcim Immigration Museum P-tertiary:   #AskACurator Sept 16 Getting involved

Catherine Morton @gorokegirl Melbourne High School Teacher Librarian and Fiona Matthews Whitefriars College Lead Coach – Learning, Teaching and Technology : One Conversation at a Time: Peer Coaching

Kim Yeomans @kimyeo St Martin of Tours primary TL: Connecting with authors via Twitter.

Tania Sheko @taniatorikova Melbourne High School How to really get to know people online.

Mel Cashen @melcashen Princes Hill: My reflection from camp

Kristy Wood @Kristy_M_Wood Primary teacher K-6: Teacher wellbeing

If you are interested in learning more about the presentations – since you can’t really get much from the titles – I would encourage you to go to the wiki where some people have already shared links to their presentations next to their names in the program. I’m sure there will be more shared later so check in again.

When I wrote a blog post about my talk – how to really get to know people online – I shared it on Twitter with a few people whom I’d met in an online course (MOOC), Rhizo15. These were people I had mentioned in my post. The morning before the TeachMeet I noticed some feedback from these people (none of them in Australia) which I was able to quickly add to my slide presentation. It was a lovely example of how these relationships continue to evolve long after the course (MOOC) has finished. After the TeachMeet I noticed Kevin Hodgson had even created a comic for us – very special.

The best way to see some of the ideas and passion shared on this day is to look through the Storify below which captures some of the tweets and photos on Twitter.

View the interaction about this TeachMeet on Twitter (Storify).

Tune in to RhizoRadio! #rhizo15 – the podcast

So finally I can share the RhizoRadio play I’ve been talking about. The best fun I’ve had for a long time. People, you are so much fun! Huge thanks to Kevin Hodgson for doing the hard (and long) work of putting it together so skillfully. Love the music in the background (Kevin’s) – and I’m not talking about the faint violin in the background (my son, Maxim, practising at the other end of the house). The image is also selected by Kevin. Don’t you love all the languages!

I just want to say that if this isn’t a great example of both connected and rhizomatic learning, I don’t know what is. A play shared, an idea, responses, and suddenly people from all over the place are coming into a Google doc where characters are born, educational theory is interwoven, different tongues start speaking and creativity builds upon others’ creativity. Thanks so much everyone. (How many countries were involved in this?)

How many years does it take to change a light bulb? What about schooling?

Alec Couros shared this video. It’s a clever advertisement about lighting. Main message:

Our homes have changed radically over the past century. So why do we still use lighting that’s based on 19th century technology? Well, that’s all about to change.

Isn’t this an apt metaphor for education, specifically schooling? I really think so. So many aspects of life have changed  but the way we view learning and teaching in most schools and many tertiary institutions has changed very little since the Industrial Age.

I know that some educators reading this post will disagree, even be offended. It’s not that we don’t have expert, committed teachers. It’s not that students learn nothing; of course they do.  It’s just that the internet has opened up access to information, and the new opportunities to connect to information and people, the ability to create something online, to collaborate, to ask questions, to learn outside the classroom/course, to follow your passion, to drive the learning, to make a difference – all these things have changed the game. We can teach content well, we can also teach specific skills, but what are we doing to teach students how to learn what they will need when they leave school – because that is unknown to all of us. Learning how to learn – we’ve heard it all before, but what does it mean? If teachers were forced to be learners in an unknown learning environment, would it make any difference to their perception of their role?  When we’re used to teaching what we know and have known for years, are we out of touch with what it’s like to be bewildered learners?

We don’t know what our students will need to know throughout their working lives but we should recognise that the learning will be continual, and they won’t be in cosy classrooms with dedicated teachers. The curriculum is unknown. The only thing we know for certain is that being able to navigate the learning journey is imperative.  Will our students feel lost or will they know how to find the people they need to help them? Will they know what questions to ask, and will they feel comfortable developing their learning networks, or will they feel they have failed because they are not used to initiating their own learning journey?

There isn’t a simple solution to this but there is the possibility of changing the game.  Right now I’m enjoying the personal interactions in Connected Courses. I’m learning so much from other people through conversations, sharing of information and projects, of digital tools and research methods. Many blogging their way through this course have said what I’m about to say. Much of the learning is not explicitly related to a task. The incidental learning is getting me going – motivated, that is, to go in for more. Yes, there’s a structure, recommended readings, topics and videos to watch, but there is a choice of what, how much and when we do something. There’s company – that’s the best part. There are platforms like Twitter (#ccourses), Google+ (#ccourses), Facebook and others, where we can go. So as soon as we read something, as soon as we watch a webinar (in real-time or archived), in which we meet the facilitating people – and these people are contactable through social media – we have the opportunity to jump into one of the many platforms and say what we think, ask questions, benefit from other viewpoints, gather further information from our network, initiate or join projects or create things (eg #dailyconnect).

Why can’t learning be like this for our students? Why don’t all teachers enjoy a professional community like this one?

(Why can’t I stop asking rhetorical questions?)

I’d like to finish with a slab of transcript text from Anant Agarwal’s TED talk: Why massive open online courses (still) matter. (Thanks to Yin Wah Kreher’s post).

Here he is talking about peer learning.

Let me tell you a story. When we did our circuits course for the 155,000 students, I didn’t sleep for three nights leading up to the launch of the course. I told my TAs, okay, 24/7, we’re going to be up monitoring the forum, answering questions. They had answered questions for 100 students. How do you do that for 150,000? So one night I’m sitting up there, at 2 a.m. at night, and I think there’s this question from a student from Pakistan, and he asked a question, and I said, okay, let me go and type up an answer, I don’t type all that fast, and I begin typing up the answer, and before I can finish, another student from Egypt popped in with an answer, not quite right, so I’m fixing the answer, and before I can finish, a student from the U.S. had popped in with a different answer. And then I sat back, fascinated. Boom, boom, boom, boom, the students were discussing and interacting with each other, and by 4 a.m. that night, I’m totally fascinated, having this epiphany, and by 4 a.m. in the morning, they had discovered the right answer. And all I had to do was go and bless it, “Good answer.” So this is absolutely amazing, where students are learning from each other, and they’re telling us that they are learning by teaching.

Students learn really well with a great teacher and a finely tuned class but they can also take a more active part, and the collective whole can become better than the one-to-many model.

 

 

The only answer to the best questions is another question – Michael Wesch

Photo source: Jesse Stommel

The only answer to the best questions is another question – Michael Wesch expressed this in his article Anti-teaching: confronting the crisis of significance (2008).

Michael goes on to say ‘Great questions are rarely asked by students in an education system facing a crisis of significance. Much more common are administrative questions: “How long does this paper need to be?” “Is attendance mandatory?” Or the worst (and most common) of all: “What do we need to know for this test?”

Assuming that we all agree that the above-mentioned questions are a symptom of an education system that has failed our students, what kinds of questions should we ask to propel us into a direction which engages students in learning that is not aimed at marks? 

When marks are the most important goal of education, it follows that there is a right and wrong answer, or at least the answer teachers favour – which is the best way to stand in the way of genuine questioning and meaningful learning.

As a teacher librarian, one of my roles is to support students in the research process. What I don’t think works is presenting the research process as formulaic, a process that is sure to work if you follow the given prompts. Research is more like the behaviour of a detective uncovering truths when following clues. It is a thinking and reasoning path which leads anywhere and everywhere. There is no single path. 

Today I was helping several students who were researching an ‘Old Boy’ who fought and died in the First World War. As one of the tasks within the Civics and Citizenship curriculum, students are given a list of questions to answer about the veteran: What is his name? his rank? When was he born? Where was he buried? and other questions. Sometimes there is no easy way to find the answers to these questions; you have to persevere and think about piecing together what you have found, making connections and intelligent guesses.  

What kind of questions did these students ask me? 

“I’m finding conflicting information – what should I do?” “What is the right answer?” What do you think I should write?”

The learning here is not just about the veterans and the war, it is also about the nature of research, it is about the critical process in discovering information. It’s about developing the confidence to make conclusions based on the collected data, and it’s about understanding what you need to find out, and finding the language to express your uncertainty when you ask for help. 

I’m completely comfortable admitting I don’t know the right answers with certainty. I usually tell the students that I trust their instincts and that they’re heading in the right direction, that there are many questions that lead the research. In preparing our students for tertiary study, we need to remind them that research will always be difficult, and that it’s okay to feel confused and disheartened when facing a great unknown. Learning is process; let’s not forget the process.