Tag Archives: reading

Melbourne – Centre for books, writing and ideas

November 28, 2009 Tania Sheko 2 Comments

Did you know that UNESCO bestowed on the city of Melbourne the title of City of Literature as part of its Creative Cities Network?

Maybe you did, but did you also know that the Arts Minister, Lynne Kosky, announced two days ago the creation of The Wheeler Centre: Books, Writing, Ideas. It has been named after the founders of the Melbourne-based Lonely Planet travel guides.

From 2010, Melbourne will have a new kind of cultural institution. The Wheeler Centre. A centre dedicated to the discussion and practice of writing and ideas. Through a year-round programme of talks and lectures, readings and debates, we invite you to join the conversation.

The city of Melbourne is home to an impressive collection of literary organisations, including the Victorian Writers’ Centre, Express Media, the Australian Poetry Centre, the Melbourne Writers Festival, Emerging Writers’ Festival and the Centre for Youth Literature.

These organisations will reside at 176 Little Lonsdale Street, a newly renovating wing of the State Libray of Victoria. I still remember the Melbourne Public Library housing the National Art Gallery, the Museum of Melbourne and the Planetarium.

Now it is the home of the Wheeler Centre for Books Writing and Ideas.

Browsing the Wheeler Centre’s website, I discovered a remarkable short animated film for the New Zealand Book Council.

[youtube=http://www.youtube.com/watch?v=F_jyXJTlrH0]

No doubt some wonderful initiatives will be coming from these literary organisations, like the Summer School Novel Writing workshop in January 2010 organised by the Victorian Writers’ Centre.

And if you ever doubted the connection between reading and writing (as if you would), you’d be advised to read what the Victorian Writers’ Centre writing tips state at the top of the list:

A few good tips to develop your writing.

Every experienced writer reads widely. Professional writers always recommend reading as a way for the writer to learn their craft. Reading widely can enhance your writing technique, broaden your scope, multiply your ideas and deepen your understanding of literary form in all its variety.

And if you’ve ever been confused by punctuation rules, think about following the great French author, Gustav Flaubert, in his ‘musical’ rules for punctuation:

Flaubert’s rule was that a pause of:

one beat equals a comma

two beats equals a semi-colon

three beats a colon

four beats a full stop

That’s what I call simple rules of punctuation.

Thanks to CMIS Fiction Focus for the alert.

art, Children's books, debate, reading

Have we understood picture books yet? What is YA literature?

October 19, 2009 Tania Sheko 5 Comments

Shaun Tan and Markus Zusak, two of Australia’s favourite and most talented authors/illustrators, have received international acclaim by winning in two of the major categories at the Deutsche Jugendliteraturpreis, Germany’s most prestigious awards for children’s and YA books.

Shaun Tan received first prize for the Picture Book category for his Tales from outer suburbia and Markus Zusak won the Youth Jury prize for The Book Thief.

According to Tim Coronel in Publishing Perspectives, the award jury commented on Tan’s book that

‘the way that pictures and words work together in this carefully designed book is perfect.’

The Youth Jury also commented on Zusak’s story that

‘many individual stories of the experience of youth in the Second World War have been written, but none match up to the narrative of this book.’ That’s a serious recommendation, especially from a German judge, considering the enormous output of literature on this subject.

The whole problematic issue of picture books and their audience continues to generate debate. In our school library, the picture books shelf conceals many illustrated stories worth deeper analysis in the classroom, but few will remember this as they pass them by.

Shaun Tan describes his picture books on his website:

They are best described as ‘picture books for older readers’ rather than young children, as they deal with relatively complex visual styles and themes, including colonial imperialism, social apathy, the nature of memory and depression.

Understanding Shaun Tan’s thinking behind his picture books is a key to understanding just where Tan’s books belong. Michelle Pauli has written a very interesting article about Shaun Tan in The Guardian. Although Shaun’s books depict ‘a surreal world of bizarre animals, skew-whiff buildings, dreamlike landscapes and invented languages’, his books are far from fairy tales or pure fantasy, and that is because ‘Tan’s worlds, however fantastical they may appear on first glance, have their own internal logic. It is what he describes as “groundedness”, and he regards it as crucial to the success of the stories’.

“By itself, just to draw crazy creatures has limited appeal – if I had to give up one thing it would be the wild imagination. When the work becomes too detached from ordinary life it starts to fall apart. Fantasy needs to have some connection with reality or it becomes of its own interest only, insular. In The Lost Thing, to have creatures flying around is unsatisfactory without the context. It works because it exists in opposition to the world in the rest of the story.”

The fact that we still cling to narrow categories, such as ‘picture books’ and ‘Young Adult’ not only confuses readers but also pre-judges and precludes books from taking their place in the world of serious literature. Yes, many people understand and appreciate the complexity of Tan’s picture books and graphic novels (The arrival), but many more won’t give them a second chance when they see the children’s book award sticker or don’t even see them at all if they’re displayed in the children’s section of the book shop. As Tan says,

One bookseller in Australia took the children’s book award sticker off The Red Tree as he felt he could sell more that way, and sold an extra 30-40 copies a month. It’s about simple things like font size – people think they can judge the age a book is for by the font size and assume that it’s for little kids if it has a big font, but that’s silly. I don’t worry too much about those things as the creator because I figure that the books will find their own audience and sometimes I like the idea that they can give adults a surprise pleasure.

It’s interesting how readers feel there must be a definite meaning within the symbolism of Tan’s books. Tan himself avoids being pinned down to a single interpretation.

Tan is reluctant to delve too deeply into the “meanings” of his fables. Towards the end of The Lost Thing he writes, “Well, that’s it. That’s the story. Not especially profound, I know, but I never said it was. And don’t ask me what the moral is.”

If artworks cannot be pinned down to a clear and definitive interpretation, then picture books of Tan’s calibre are surely written and illustrated with the same infinite possibilities in mind. How could an artist have predicted, for example, all the interpretations that would come out of his or her painting? One thing is for sure – so-called children’s books, such as those by Shaun Tan and Markus Zusak, are fertile ground for rich discussion.

This has been cross-posted at Fiction is like a box of chocolates.

Education, learning, reading, Teacher librarians, teachers, teaching

What do you say to a student who says your reading blog updates are spam?

September 4, 2009 Tania Sheko 20 Comments

What do you say to a student who says your reading blog updates are spam? And what do you say when more than one student sends you an email like this one

Could you please stop spamming me. You are cluttering my inbox and inhibiting me from working.

Now, there are several things bugging me about this email and those like it.

I know that students receive many emails aimed at a general audience and that my weekly email is only a drop in that ocean. Emails about sport they’re not involved in, activities, general information, etc. I get the feeling that these emails are just deleted on a regular basis (or left to gather dust, so to speak). I might be paranoid but I think the emails I’ve been receiving are symptomatic of the way students see staff who work in the school library. Now, I may not be about to describe the situation in your school, but I’ve seen a few school libraries where teacher librarians, librarians and library technicians are considered similarly. To some extent, students don’t consider library staff in the same way they consider teachers. Hence, the email without any greeting or mention of my name – something I’ll bet they would never do to any subject teacher.

Some teacher librarians claim that they teach a class (at least) so that they’re seen as ‘real teachers’. That makes sense. It’s a good idea if you can. Currently I teach a year 7 English class collaboratively on a regular basis, and I enjoy the ongoing relationship with the students, getting to know them in a way I wouldn’t when I come into classes here and there to support information literacy or reading promotion.

But if I taught more classes regularly, I wouldn’t have the time to spread myself around the school, offering my expertise across the curriculum to different year levels at point of need. A teacher librarian’s skills are diverse, and as we keep up with changes in education (which respond to changes in the workplace and the world in general), we have the potential opportunity to become involved in rich ways. As an example, I’ve been teaching within a ning for the first time, experimenting with enriching learning possibilities for the year 7 class I’ve mentioned. I’ve been constantly developing resources within wikis for English and Art, and I’m about to begin the same type of support for Maths and LOTE faculties. This is a time-consuming, out-of-hours, but ultimately satisfying job. I can do it because I’m not having a full load of face-to-face teaching. I love this work, and I believe teacher librarians have a lot more to offer now than they ever used to. I know many colleagues will agree with me on this.

The other thing that I find problematic when I think about the student’s email to me is the view that reading is not relevant to him. Information about books and related films, animation and the such, belong to the library, and are not relevant to this student’s subject-based focus. I think this reflects the problematic nature of developing a reading culture in the school. I started the fiction blog in order to begin to address this very important aspect of school life. I absolutely believe that developing a strong reading culture within the school community, including everyone in that community, is essential to and will have direct bearing on every other aspect of education. For a start, research demonstrates that reading is directly associated with academic results. And why wouldn’t it be? The more you read, the more you understand, the more ideas and perspectives you glean, the broader your outlook and access to diverse information will be, the more you will engage in discussion to further develop your ideas, practise delivery of what you want to say, etc. You get the point.

And yet, reading is still associated with libraries and librarians. That’s what we do. Other people do other things but we just read books. At least that’s the common perception.

This is what I want to change. I take responsibility for perceptions of reading and librarians such as those expressed by the above-mentioned email. I intend to work through this problem until I’ve made some progress. Not single-handedly, of course. My colleagues and I are united on this one. I admit it’s hard not to take emails like this one personally. But I also think that disciplining the student, as important as it is, will not solve the problem. The problem of reading’s relevancy to learning must be analysed, and the approach of the teacher librarian to this problem, as well as to the role of libraries in schools, must be worked through. Otherwise, if we are seen as not being essential, or even worse, irrelevant, to learning and teaching in schools, we’re in trouble.

21st century learning, blogging, creativity, Education, learning, Literature, reading, teachers, teaching

What would happen if maths and language arts teachers swapped jobs?

August 16, 2009 Tania Sheko 2 Comments

bobrobertasmith

Art21 blog has given me an interesting idea in their latest post:

Last year the Guardian asked its sports and art writers to swap pieces for a day. Tennis correspondent Steve Bierley reviewed a Louise Bourgeois (Season 1) exhibition, which Bob and Roberta Smith fell in love with and subsequently made into a text-based painting.

Hmmm…

But how can we translate that into the school environment? I mean, the idea is something I’ve been playing with for a while – wouldn’t it be good if school didn’t separate learning into subjects?

Life isn’t like that, so why….?

In my job as teacher librarian I write a blog to encourage reading – I’ve mentioned it before – well, it’s not only about reading but all that goes with it. Thinking, discussing, idea-broadening, understanding – you know what I mean. Ideally, I’d love for the blog to create a reading (thinking, etc.) community, one that links people within the school through interests and discussion, but also links the school community with the wider community. I’ve also spoken about this before. Yes, I have so far included a couple of book recommendations/reviews by teachers who aren’t librarians. This is good, this gives the students the idea that people outside of the library read and enjoy reading. But …. they’re English teachers.

What I would really love is if sports teachers wrote about their reading. Yes, sports teachers. Maths teachers. Legal studies teachers.

So what kind of swap could I do? Do you think it would be easier for the maths/science teachers to talk books than the other way around? At first I thought yes. What’s left of my own maths/science knowledge, the little I gained in secondary school? I wouldn’t really like to go there. But then I remembered Sean Nash. He blends Science with the Arts. I was overwhelmed by his approach when I first discovered Sean’s blog, and I continue to be overwhelmed because it’s so inspiring, and I don’t see many educators do it.

Sean’s wife, Erin, shares his way of looking at a blended curriculum. Have a read of Erin’s profile on Sean’s biology ning where she says:

The best thing about the study of biology is:: The opportunity it provides for invoking curiosity and questioning in students and instructors alike. There are so many interesting topics in Biology that, ultimately, bring about questions that just aren’t currently answerable, and this provides so many awesome possibilities for critical thought and analysis. I could have taught English or Biology, and I was drawn to science because of that one big question, “WHY?”

Isn’t this also the point of literature? The WHY and WHAT IF? What if a character lived in a particular time/situation? How would that character live out his/her life? And WHAT IF this complication arose? WHY would he/she act in that way/make those choices? Personal choices, ethical choices, any choices.

I frequently reflect on what I’m trying to achieve in writing the fiction blog. Why is it important to stretch students’ – and for that matter, teachers’ – concept of what a reader is like, why we read, why books grab our attention, how books and films get our reactions and lead us into discussion or debate. It’s not a library thing, it’s not an English thing – and yet, it is literacy. The kind of literacy that is important for all of us across disciplines and beyond school. Sean Nash sums it up excellently when he talks about the connection between science and literacy in his comment to my post:

Science and literacy had certainly better go together. We are in a heap of trouble as a species as it is. We can’t afford to continue to create a scientifically-illiterate populace. Where science and literacy are separate, science is but mystery and mythology to even our brightest.

21st century learning, blogging, Education, networking, Teacher librarians, teachers, teaching, Web 2.0, writing

The research process is full of twists and turns

August 9, 2009 Tania Sheko Leave a comment

whichway

Photo courtesy of Hulalulatallulahoo p

My younger son, currently in Year 9, is taking part in an interesting research project outside of the school. His school has made a smart decision to run several programs which take the students out of the classroom and textbooks. This makes a lot of sense at a time when disengagement with normal classroom routine is possibly at its peak. Putting young people in a different learning environment, giving them a bigger-picture problem to solve, and a choice about how they are to present their findings, is a smart move. In his case, my son’s school has joined with La Trobe University and some of its lecturers, tutors and student teachers, in order to support a two-week research project.

What interests me as an educator and teacher librarian, is the affective aspect of the research process. After a week, my son is feeling overwhelmed and insecure; he feels he’s a failure because he hasn’t come very far. As I talk with him about how he’s feeling, I wish that a discussion of these feelings were part of the support given to the students.

It was a relief to me when I read Carol Kuhlthau’s research into the affective stages of research. I’ve written about this in a previous post. I discovered it was normal to feel confused and overwhelmed at the start of your research because you hadn’t defined what the question was. It was normal to feel the same way before you had found relevant information to support your research. It was normal to feel happier and more confident having found those resources, but also to plummet again when you faced the task of synthesizing this information into some sort of argument or presentation. And so, as each new stage of the process is faced, it would be so good to acknowledge that the way you’re feeling is to be expected.

Reflection is a good thing, and leads to self-awareness. The more you understand how you’re feeling, the less frustrated you’ll feel. Instead, you’ll be able to navigate these different stages of information seeking and synthesis, or any other learning process.

I wonder how we deal with this as educators. How can we identify how students feel and empathise with them, or provide context, if we don’t understand our own internal processes? I’m not sure that teachers’ busy schedules, with the ongoing face-to-face teaching of classes, interspersed with constant correction and preparation, allow them the time to stop and reflect. And that’s a great shame.

Blogs are an excellent way to routinely reflect on teaching practices, and document highs and lows, problems and celebrations. On the one hand, blogging has been embraced by so many people that there seems to be a hundred blogs for every topic imaginable. Blog writing is often made fun of, in the same way as superficial twittering. On the other hand, there are few educators in my school who blog, who see the point of blogging, or who regularly read blogs.

Recently, as I’ve mentioned before, I started a blog to record the progress of my collaborative teaching of a year 7 English class with Maria. It’s called English@wfc and it’s a space for me to write down what we do in class, how the students responded, how Maria and I felt, what worked and what didn’t, and what we learned from this. For me, this is a valuable exercise; it doesn’t take long, but it’s useful both for me and, I hope, for teachers if they would read it.

This blog also has a list of links to English-related blogs – all fantastic. Some of them are

Steve Shann’s blog, Birds fly, fish swim
Jennifer Clark Evans’ blog, My continuing education
Susanne Nobles, Still learning.
Susan Carter Morgan, scmorgan.
Rob Currin, Teach, inspire, share.
Sean Nash, Nashworld.
Marie Salinger, Just in time
Hiram Cuevas, Give me ludicrous speed.

As a teacher, I’m so much more comfortable and happier to function as a learner, continuing my own education and understanding, learning as I go, learning from others, with students – instead of just being the provider of information or the so-called expert. I appreciate looking into others’ teaching experiences, just as I enjoy writing out my own.

I hope that, as a parent, I’m able to support my son in his research agony through discussion, broadening his understanding and developing self-awareness. I hope that, as a teacher, I can provide the empathy and wisdom to go with the provision of information.

Children's books, Literature, reading, Teacher librarians

Melbourne Writers’ Festival

July 9, 2009 Tania Sheko 2 Comments

The Melbourne Writers’ Festival 2009 has something for everyone. Here is the line-up for under 18s.

Read about more details here.

This is an excellent opportunity for schools and school librarians to engage and extend young readers.

We hope the program will assist to enrich your own reading experience, and promote the ways in which writing and reading are engaged in our schools.

Here is an opportunity to learn more about your favourite authors, as well as discover new talents:

We have an array of talent for your enjoyment and edification, and I hope you’ll spend some time with both our better-known authors, as well as with those who are on the rise. As in past years we’ve mixed the new with the established so that you can tell your friends and colleagues that you saw them here first!

Go to the website for more detailed information.

This is great timing for Book Week, August 22 – 28. There’s a good reason why Melbourne is the City of Literature. An excellent opportunity to take books and reading out of the library and amongst the people.

Just discovered that there is a Melbourne Writers’ Festival blog. You may be interested in the possibility of being among the first to see Neil Gaiman’s Coraline on film.

Join us for a very special Melbourne Writers Festival fundraising event, which will be –

Introduced by Shaun Tan (award-winning creator of The Arrival)
Screened at Cinema Nova, 380 Lygon St, Carlton on Tuesday 21 July 2009 at 6.30pm sharp
Raising money for the MWF Schools’ Program

Coraline is created by cult author Neil Gaiman, directed by famed stop-motion animation expert Henry Selick, and voiced by the talents of Dakota Fanning, Teri Hatcher, Jennifer Saunders and Dawn French.

author

John Green at the State Library of Victoria

May 31, 2009 Tania Sheko 10 Comments

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Amazed is how I would describe how I felt at today’s author talk. I kept thinking, the response from the audience is more like what you would expect for a rock star or a popular comedian. John Green, author of YA books such as Looking for Alaska and Paper towns, bounded into the Village Roadshow Theatrette at the State Library with the energy and enthusiasm that his online followers would know, and was greeted by an impressive and prolonged cheering.

And this is where he is perhaps more like the rock star, or at least the comedian, because John Green doesn’t just write books, he relates to his readers as a person, and he does this through a number of online exploits – a blog and videos, amongst other things.

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As a teacher librarian, I’m always thinking about how to engage students in reading, so I started writing a blog which would hopefully seem less like an academic, teachery (just made up the word – still fresh from John Green’s way of talking) thing, and more like something from popular culture that young people would read. When using the blog to talk to students about what’s worth reading and why, the best thing has been the availability of John Green’s nerdfighters.com videos on his Vlogbrothers YouTube channel. They’re very funny, extremely entertaining, quirky, witty and intelligent. Very popular was the video where he filmed himself carrying out a challenge to climb onto a table. John is incredibly afraid of heights, and Justine Larbalestier had dared him (publicly) to stand up on a table for money that would go to a charity of his choice. He did this at home and filmed himself. Now that’s putting yourself out there. And this is, in my opinion, John’s secret. He puts himself out there – through his blog, ning, videos, etc. He doesn’t present an author persona, he actually extends what he writes about by having discussions with his readers about what he thinks, what he believes, and why he does that. And it helps, of course, to be so dynamic, so genial, and so funny.

[youtube=http://www.youtube.com/watch?v=GWjYcWoaSbI&feature=player_embedded]

As a last-minute thing, I asked my 15 year old son if he wanted to come with me. I was really expecting most of the audience to be made up of librarians, so it was surprising to see that most were adolescents.

Today is food for thought. I’d like to incorporate more of what John Green does on my reading blog. He brings to authors a fresh, personal face, not the usual brief biography readers usually get.

Here’s what he says about what makes a good book. My camera isn’t flash, so you’ll have to excuse the poor quality. John says that a book doesn’t belong to the writer, it belongs to the reader. The reader decides the value. He says it’s a good book, in his opinion, if it makes him think, wonder about, and feel; if it has emotional complexity; if it makes him re-examine the map he’s drawn of his world. Good books, he says, have real and lasting value.

[youtube=http://www.youtube.com/watch?v=ntuQUe9TYI8]

What I think makes John Green a successful writer, is that he doesn’t underestimate his readers’ intelligence and maturity. He says that you can’t write a book that is too smart or complex for teenagers, because they are capable of reading critically and thoughtfully. He gives the example of the popularity of The book thief, by Markus Zusak , which maintains high sales.

[youtube=http://www.youtube.com/watch?v=JCpQ6JRqUf8]

I’m happy that I managed to get a ticket to the second of two sold-out meetings with John Green in Melbourne. There were many people in the audience from outside of Melbourne, one even who had travelled from New Zealand. John seemed sincerely thrilled that so many had come to see him.

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My son isn’t an avid reader, but he wanted to buy Paper towns after hearing John talk about the book, and not only the book, but his thoughts and ideas that went into the book. We bought the book, and when Maxim went to get it signed, John made him laugh by saying that he wanted to trade names with him. Good on you, John, for doing such a great job in relating to young people in such a real way.

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If you’re interested, have a look at John’s ning, and the videos that he and his brother, Hank, regularly create.

21st century learning, author, creativity, Education, learning, Literature, networking, reading, Teacher librarians, technology, Web 2.0

Shakespeare on Facebook

February 19, 2009 Tania Sheko 4 Comments

[scribd id=4907297 key=key-10nxnctst7rgc6yw9e62]

This made me laugh. Some of my favourite Hamlet statuses:

Hamlet wonders if he should continue to exist. Or not.
Hamlet added England to the Places I’ve been application.
Ophelia loves flowers. Flowers, flowers, flowers. Oh look, a river.

I wonder if other versions exist. This could be a creative writing idea. You actually do need to know about the play to be able to write the statuses.

Photo courtesy of Sakypaky on Flickr

Our Head English teacher is using Facebook in the hope that it will allow boys who don’t usually contribute in class to have a voice in front of their peers. How do you explain to cynics your choice of Facebook as a platform for learning?

Adolescents have moved to Facebook for networking and communication. I’ve become a Facebook addict myself. One of its offerings is a non-threatening form of communication with a potentially large group. Another is the satisfaction of belonging to a group. It’s more accepting and democratic than face-to-face interaction – it doesn’t judge you by your appearance, age or abilities. You can choose your own hours. You can stand back and observe, or you can jump in and lend your voice.

Transfer all this to a learning environment, and you have a potentially brilliant scenario. Those who are slower to respond to discussion will not be pushed out. There’s time to think, respond, edit. The teacher can set the stage and then creep back to give control to the students. Hopefully, students will feel more comfortable to ask questions, give suggestions.

Those of you who’ve been reading my blog will know that I believe we should use technology and social media in creative ways to facilitate learning and engage students. Not for its own sake, and never without good reason. Recently my webpage on the school library intranet has evolved into a blog ‘What’s new in fiction?’ I’m so over people saying things like ‘Oooh, a blog! You’re really into all that technology stuff!. Well, no… I’m not. I’m not into it. I’m just looking at what possibilities it has for engaged and creative learning and teaching. Here is a list of things I appreciate about the fiction blog when talking to classes about books and reading:

It evolves nicely; each post introduces a new book, author, series, etc.
I can use casual, relaxed language, with even some humour
I can include pictures (book covers, author photos, etc.) and videos (book or film trailers, interviews, etc.)
Colour, font size, layout make a difference
I can include links to author and series websites, transcripts, extracts, maps, etc.
There is choice in what the students read, how much, when, etc. Compare that to a teacher’s talk;
Authors become real people as students link to interviews, blogs that reveal everyday chat or writing processes, weaknesses, personality, background, musical tastes, etc.

(OK, the above points are not unique to blogs)
Here come the blog-specific points:

The students read and write comments, ranging from the non-threatening two-word comment, to the more elaborate or passionate response;

Reading peer comments is more satisfying than listening to teachers’ views (hence Facebook idea);

Other people in the school community can write a post or book review, eg. non-librarians (leading the students to the realisation that it’s not just librarians who read, and that reading is ipso facto not solely a librarian’s past-time;

These other people could be students of all ages, teachers, teachers who wouldn’t normally be associated with reading by students (don’t take offense, but I’m thinking sport teachers, science and maths teachers, male teachers…)

The combination of different readers, each with their own reading preferences, their own way of writing, provides students with a kaleidoscopic view of what’s interesting to read;

Students take ownership of the blog by writing or commenting, by suggesting content, and the school community becomes involved in what was previously a librarian’s domain.

Reading is actually discussing, arguing, agreeing and disagreeing, thinking, wondering, escaping; and you know all this because of the discussion;

Reading becomes collective, cool, broader (you realise that tastes vary greatly and it’s okay to have your preferences; reading can be student-directed and even fun.

What I regret is that my fiction blog is a closed blog on the school intranet. It serves its purpose, but misses out on further possibilities and connections.

What are your views about using Web 2.0 tools like blogs and Facebook in teaching and learning?

Literature, reading

1000 books you must read

January 28, 2009 Tania Sheko Leave a comment

malcolm-mcdowell-as-alex-001

Malcolm McDowell in A clockwork orange directed by Stanely Kubrick. Photo from The Guardian.

The Guardian has created the definitive list of must-reads: 1000 novels everyone must read.

Selected by the Guardian’s Review team and a panel of expert judges, this list includes only novels – no memoirs, no short stories, no long poems – from any decade and in any language. Originally published in thematic supplements – love, crime, comedy, family and self, state of the nation, science fiction and fantasy, war and travel – they appear here for the first time in a single list.

What I like most about this massive fiction recommendation are the genre synopses which make me want to start reading right here and now and not stop until I’m finished. To give you an example, here’s what you’ll read about science fiction and fantasy:

It is sometimes assumed that science fiction, fantasy and horror must mean spaceships, elves and vampires – and indeed, you’ll find Iain M Banks, Tolkien and Bram Stoker on our list of mind-expanding reads. Yet these three genres have a tradition as venerable as the novel itself. Fiction works through metamorphosis: in every era authors explore the concerns of their times by mapping them on to invented worlds, whether they be political dystopias, fabulous kingdoms or supernatural dimensions. JG Ballard, the writer who brought SF into the mainstream, has remarked that “Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century.” Ballard’s visions of “inner space”, Orwell, Huxley and Atwood’s totalitarian nightmares, Kafka’s uneasy bureaucracies, Gibson’s cutting-edge cool – all are examples of a literature at the forefront of the collective imagination. Every truly original writer must, by definition, create a new world. Here is a whole galaxy of worlds to explore.

What follows is a truly impressive list of synopses under genre headings. Here’s an example:

Isaac Asimov: Foundation (1951)

One of the first attempts to write a comprehensive “future history”, the trilogy – which also includes Foundation and Empire (1952) and Second Foundation (1953) – is Asimov’s version of Gibbon’s Decline and Fall of the Roman Empire, set on a galactic scale. Hari Seldon invents the science of psychohistory with which to combat the fall into barbarianism of the Human Empire, and sets up the Foundation to foster art, science and technology. Wish-fulfilment of the highest order, the novels are a landmark in the history of science fiction.

You’ll also find Susanna Clarke’s article on Imagined worlds, including these authors – Lewis, Tolkien, Pullman, Pratchet and Le Guin. Her introduction is enough to draw me in:

The children’s author Anthony Horowitz recently pointed out that all books are doors – when we open them we expect to be somewhere else. All books are doors; and some of them are wardrobes.

Michael Moorcock reviews the best dystopias:

George Orwell: Nineteen Eighty-four (1949)
Ray Bradbury: Fahrenheit 451 (1953)
Frederik Pohl & CM Kornbluth: The Space Merchants (1953)
Angus Wilson: The Old Men at the Zoo (1961)
Thomas M Disch: Camp Concentration (1968)
Margaret Atwood: The Handmaid’s Tale (1985)
Joanna Russ: The Female Man (1975)

Top 10 novels that predicted the future is an interesting read. Don’t hesitate, go to this website and run off and read!

Literature

Reading in the margins with others

January 19, 2009 Tania Sheko 2 Comments

goldennotebookproject

I’ve been involved in a discussion lately about different types of reading. Most people have agreed that reading a novel is very different to reading a website or anything else online. Some people think that deep thinking and understanding are becoming extinct since reading online has distracted a large part of the population. People are concerned that online reading is superficial, and that commenting revolves around less than challenging subject matter.

Well, today I discovered a very interesting project which combines serious literature with the trappings of online interaction. It’s called The Golden Notebook project.

Doris Lessing’s The golden notebook was digitised by HarperCollins. The book was allowed to be reproduced in digital form in its entirety without any cost.

Here is some information from the website:

What is this?
It’s an experiment in close-reading in which seven women are reading the book and conducting a conversation in the margins. The project went live on Monday 10 November 2008.

Why are you doing it?
It’s part of a long-term effort to encourage and enable a culture of collaborative learning.

What do you hope to learn?
We don’t yet understand how to model a complex conversation in the web’s two-dimensional environment and we’re hoping this experiment will help us learn some of what we need to do to make this sort of collaboration as successful as possible.

How come only the seven women can comment in the margins?
Good conversations are messy, non-linear and complicated. The comment area, a chronological scrolling field just isn’t robust enough to follow a conversation among an infinite number of participants. Seven may even be too many. [Note: the forums are open to everyone and we do hope that readers beyond the initial seven will join the fray there both as regards the text and the process. We really want to know what you think works and what doesn’t.

The seven women authors are profiled on the homepage. Towards the bottom of the page you can see recent comments, pages with the most comments, and recent discussions.

A reading schedule is included

We’ve developed a reading schedule; so for the next six weeks, you can follow along with the readers and discuss the same passages that they’re dissecting.

The blog, a collaborative one amongst the women, is fascinating. Here’s part of a post on reading by Nona Willis Aronowitz

For me, what is inspiring and magnificent about reading is the sense of communion with one single other human mind. No other artform, I think, is so direct, so unmediated, so simple. There’s no need for lighting, makeup artists, camera operators or directors. There’s no studio or network calling the shots. No orchestra or actors have to interpret the work. I don’t even have to be in the presence of the artist’s personal handiwork. A scattering of printed characters on a page or a screen and I am in the presence of another person’s creation.

Here’s a short section from Naomi Alderman’s post

A recent story in The NY Times asked if stories have a future. If we’re blogging, texting, doing rapid response communicating, who cares about the narrative, tortoise slow and painfully digressive? Naomi’s comment that she needs to come up for air now and then from TGN to overcome the characters’ depressive tendencies makes me wonder WHY DO WE READ? What do we get from books; what are we getting from Lessing? I have just moved from NY to Portland, Oregon with 140 book boxes, the collected treasures of a life spent in books. In each box I am finding approximately one book per 30 worth saving. Looking at them all with fresh west coast eyes, I’m not sure what these books have given me. I can tell you what they’ve taken away: an ability to live a good life OUTSIDE of books.

I’m thinking about the possibilities of a pared down project for students. How would this look?

Fascinating… fascinating….

Brave New World