Category Archives: creativity

What does teaching well mean to you?

I was reading Allanah King’s blog, and she had posted a slideshow about ‘Teaching well’ which had been created collaboratively by some of our PLP people. Darren Kuropatwa initiated and coordinated the project in Google Docs.  Here is how he explained it:

WANNA PLAY?
I’m thinking of something that has legs to grow but has a low participation threshold. Something along the lines of
Presentation Tennis. I’ll serve the first ball in the next couple of days. Would anyone be willing to be part of my “seed team” to get the ball rolling? I’m looking for a few good people to help me get the ball rolling. Your commitment to this is very small: 1 slide. Details below …

WHAT WE’LL DO
We will collaboratively create a 20 slide presentation (not counting the title slide) called “Teaching Well”. 20 slides in 10 pairs of contrasts: “Teaching well is more like < slide 1 > than it is like < slide 2 >.” or however else you want to create contrast.

Each day one slide is added to the deck that builds on those that came before. The final 4-6 slides must bring the presentation to some sort of close.

For me, it was a truly satisfying experience which demonstrated the richness of collaboration.  The end result is much greater than each person’s individual contribution.  Here is my slide

teachingwell

And this is the complimentary slide by Susanne Nobles

worldcolleagues

Have a look at the slideshow here. This would be a great collaborative project for both students and teachers, used as a slideshow or even printed off as posters.

16 habits of highly creative people

Most people would deny being creative. Have you noticed that? People who display obvious creativity, but who say, ‘Who me? I’m not creative!’  It’s the strange fallacy that in order to be creative you have to be good at drawing or play an instrument like a prodigy.

Ken Robinson talks about creativity. I’ve written previously about his TED talk and his book, The element. He has also written a paper entitled Creativity in the classroom, innovation in the workplace. in response to the following question:

What should be the role of business and industry in the education of today’s youth, and what strategies can realistically be put in place by business now to foster innovation on the widest possible range of platforms?

Ken begins by saying the following:

Businesses everywhere have to compete in a world that’s changing faster than ever. To keep pace they need people who can consistently generate new ideas and adapt to constant change. Many companies say it’s getting harder to find these people. One of the major reasons is education. All over the world, formal education systematically suppresses creative thinking and flexibility. National strategies to raise standards in education are making matters worse because they’re rooted in an old model of economic development and a narrow view of intelligence. For economic, cultural and political reasons, creativity should be promoted systematically at all levels of education, alongside literacy and numeracy.

According to Ken, the problem in the workplace is not a shortage of graduates, but something entirely different:

Companies now face an unusual crisis in graduate recruitment. It’s not that there aren’t enough graduates to go around, it’s that too many of them can’t communicate, work in teams or think creatively.

 Shalu Wasu, a Singapore-based trainer and consultant,  conducts open programs on Creativity and Innovation and Blogging for Business at NUS extension. He offers 16 habits of highly creative people on the Tickled by life website.

1. Creative people are full of curiosity.

2. Creative people are problem-friendly.

3. Creative people value their ideas.

4. Creative people embrace challenges.

5. Creative people are full of enthusiasm.

6. Creative people are persistent.

7. Creative people are perennially dissatisfied.

8. Creative people are optimists.

9. Creative people make positive Judgment.

10. Creative people go for the big kill.

11. Creative people are prepared to stick it out.

12. Creative people do not fall in love with an idea.

13. Creative people recognize the environment in which they are most creative.

14. Creative people are good at reframing any situation.

15. Creative people are friends with the unexpected.

 16. Creative people are not afraid of failures.

Read the full article here.

If, as Ken Robinson says, creativity will be most sought after in work of our students’ future, then what implications does this have for education? Are the above habits of creative people skills that are teachable? One thing that is certain is that none of the habits are tied to measurable content, which is the weight of our present curriculum. Obviously, knowledge of content is necessary for any profession, but it may not be enough to succeed. If you want to be a driving force in any job, you may have to acquire some of the creative habits.

I like #14: Creative people are good at reframing any situation

Reframes are a different way of looking at things. Being able to reframe experiences and situations is a very powerful skill.

Reframing allows you to look at a situation from a different angle. It is like another camera angle in a football match. And a different view has the power to change your entire perception of the situation.

Reframing can breathe new life into dead situations. It can motivate demoralized teams. It helps you to spot opportunities that you would have otherwise missed.

If looking at things from different perspectives is an aspect of creativity, then in order to develop creativity in students, the method of teaching should allow for these different perspectives. There are teachers of English, Mathematics, Science, and other subjects, whose teaching is based on encouraging different perspectives. Do they realise how important this is? Or do they do it simply because it’s the way they think? Think on, we need more teachers like these!

 How would you design a curriculum that developed these habits of creativity?

I’ll finish this post with the quote at the conclusion of Ken Robinson’s paper:

It’s often said that education is the key to the future. It is. But a key can be turned in two directions. Turn it one way and you lock resources away: turn it another and you release them. In education as in business, it’s no longer enough to read, write and calculate. We won’t survive the future simply by doing better what we have done in the past. In the future, we must learn to be creative.

Process, process, process

Kuhlthau

 Kuhlthau, 2004.

The Year 8 immersive big picture project has come to an end. After an intense and productive week, students presented their perspective on what makes the human race worth saving with creativity and technical flair. Though the bell sounded the end of the week, the learning process, I imagine, will continue visibly and invisibly beyond the project itself. 

I’ve always been more interested in the unseen learning, the mental moments and shifts in between the visible structure.  Supported by a 7 day continuum, uninterrupted by regular classes, if learning moments were audible or contained in comic speech bubbles, we would have heard ‘ping!’ and ‘zap!’ and ‘kaboom!’ If learning was a visible chemical reaction, we would have seen from discussion and interaction marvellous blended colours and awesome explosions.

 Watching and assessing the presentations (mainly film or photostory), a  spectrum of topics and creative approaches was noticeable, as well as depth of thought and synthesis.  Some of the presentations were obviously stronger, and others weaker, but sitting next to the teacher who knew the class well, I was able to glean valuable insights such as whether the student had come a long way, pushed boundaries or surprised with hidden talents. Choice and big picture questions had allowed students to connect with topics of interest, and some had run with this. If the idea behind this project (or one of them) was to engender passion-based learning, then this was successful in a good number of final products, but the architecture of learning and teaching is multi-layered, and in the aftermath, there is much to be reflected upon and pulled apart.

These are some of my thoughts throughout the week as I roamed from room to room:

  • the confusion and mess at the start is normal, and should be a warning  point to students and teachers
  • Carol Kuhlthau’s graph of ups and downs in the affective domain during the research process may be useful to provide an insight into what can initially be a frightening undertaking
  • teachers are just as much learners in this situation, and a forum throughout the process would be great support as well as make transparent the learning journey if recorded
  • there was a noticeable difference between some classes in terms of concepts grasped and degree of synthesis, so teacher support in unpacking questions, leading discussion and debriefing at different stages of the process cannot be underestimated
  • time needs to be taken by teachers to equip themselves for this journey
  • assessment encompasses the whole process through recording in One Note and is more valuable than the assessment of just the final product
  • a celebration involving the entire project cohort is an important part of the journey, and although this was done by some teachers to some degree, there was insufficient time to do this properly
  • the learning process will continue silently after the last day, and we should not lose this but provide opportunities for discussion and reflection, and record these.

I’m looking forward to a recorded presentation of this journey, especially comments from students and teachers about how they felt at different stages, and what they learned along the way.

Creativity, a sense of purpose and belonging

In his latest post (6 May), Will Richardson asks this question:

So when I read Jay Cross’s latest piece in CLO magazine, I wondered how many schools could point to someone, anyone, who is in charge of learning. By that I mean someone who manages the culture of the school by focusing not on outcomes as much as how learning is writ large in the system.

Learning is occurring at my school this week. Learning with a capital L. We are coming to the end of a pilot project where the entire Year 8 cohort, along with its teachers, has been involved in researching a big picture question culminating in a multimedia presentation of their choice.  Normal classes have been suspended, and each teacher has stepped into the continuum at different points, providing the support needed at that time. Teachers have been in a unique situation, supporting not content, but skills; and this often meant that they were learning alongside the students, at times from the students. The process seems to have taken on a life of its own, and teachers have reported being surprised that students’ projects are taking shape, and that they are on task and engaged, even excited.  Trust in the students’ abilities and creativity has been growing.

This is the part of the project that gets me going – the learning process of both students and teachers. This is what I hope we can record, make transparent, discuss collaboratively, reflect upon, project into the future with. I’ve been enjoying discussions with teachers at different stages of the project: the initial feeling of not knowing how to begin, being overwhelmed by the enormity of something new and big, the joy and relief with the first successful day, the surprise when students took the task and ran with it, in all different directions, in a variety of ways, the excitement upon seeing things take shape, and the anticipation of the final presentation.

I’d like to record all of this. I think that this discussion is the guts of the learning. It’s exciting to see shared discussion in a shared project, and I wish it would happen more often. For a change, the teachers are not in charge, they are facilitators, they are not in control, but are taking one step at a time, and trusting in the students, they are not keepers of the content, but observers of the process.

This is learning. I hope we can capture this for reflection and evaluation. We can base next year’s project on what we have observed, what we’ve learned. I hope we can come together for discussion, reflection and evaluation, modifying the assessment rubric from experience of what the process has involved. Teachers have been talking excitedly not of perfect products or best products, but of the learning leaps for individual students.

I read Will Richardson’s latest post (6 May) and he says

I wonder how many of us can look at our colleagues and answer the question “How does that person learn?” And think of the leaders in our schools in that light as well.

This week, Year 8 teachers have seen with new eyes how their students learn. I think they’ve had an insight into their own learning process. Learning has been shared by teachers and students alike.What does Will Richardson say about teachers’ learning? In discussing Jay Cross’s latest piece in CLO magazine, Will wonders if any schools have one person

 ‘who is in charge of learning. By that I mean someone who manages the culture of the school by focusing not on outcomes as much as how learning is writ large in the system. Someone who also understands the ways in which social Web technologies accentuate the need for the learning skills we’ve desired all along: creativity, critical thinking, independent thought, collaboration, etc…

And it really is about a culture that supports, celebrates and shares learning.

The Year 8 immersive project has given those involved a taste of the learning culture which supports, celebrates and shares learning.

In the article about Chief Learning Officers in companies, Jay recommends looking at the workplace through different lenses: from the point of view of the anthropologist, the Web 2.0 specialist, the informal learner.

Some of the questions posed through these lenses are:

From the anthropologist:

Are people sharing the information or are they just hoarding?

Are people taking time for reflection, or are they so busy they only live in the moment?

Are they experimenting and taking risks, or are they doggedly following the rules?

Are people working collaboratively or are they in isolation?

Through the Web 2.0 lens:

Are people using instant messaging, social networks, search engines and multimedia resources that are as good as or superior to those they are accustomed to in their homes?

Are discoveries recorded and shared with one another and documented for future use?

Do workers have blogs or other means to express themselves?

The informal learning lens:

Are there comfortable places for people to talk?

Are workers intrinsically motivated to learn and increase their professionalism, or are they waiting for their next class?

Is informal collaboration encouraged?

Are people learning from observing others… and reflecting on experience?

These are questions I’ve chosen which are most pertinent to the school situation. As Will says, do we or should we have a CLO in our schools,

 … people to lead that work, …  who understand deeply the passion-based, self-directed potentials for learning in a connected world, and the importance of a vision for true learner-centered classrooms and curricula for everyone in the building.

Do you have such leaders in your school?

(Now, I’m not sure about this, but it seems that the Chief Learning Officer is like our Training (or Learning) and Development Manager in Australia).

Finding your passion

Of course, I’m referring to Sir Ken Robinson’s book The Element which I’m not going to summarise here because I’ve only just been dipping in and out, chewing bits and gazing out, pondering. What I have taken out with joy, the joy that comes from connecting your life context with the book’s message, is that you have to find your passion. You. You have to find your passion. Yes, your students have to find their passion in order for true learning to happen, but – and now I’m taking over here, so you’re hearing my own rave, not Ken’s – YOU, the teacher, must put yourself before the student, and find YOUR passion. Because if you will, you’ll take off and become a better teacher, and if you don’t, you may never know the teacher you could have been.

For me, finding your passion is synonymous with finding your inner strength. We’re all different, you knew that, I didn’t have to tell you, obviously. When we find what we’re passionate about, and we connect it to what we do and how we do it, then we’ve found an eternal spring. We don’t force things, we don’t find it difficult, we don’t find it boring. We need to trust ourselves.

I’ve had the privilege of working with teachers who have done just that. They love teaching – which doesn’t mean they’re forever stuck in an evangelistic fervour, no, they have their days – and they love the kids they’re teaching (moments, again). They’ve found their passion, and it’s in connecting with students and making a difference in their lives.  Yes, for the English teacher, it’s about the grammar at times, the punctuation, the ability to write a coherent introductory paragraph, but actually, no, it’s about the relationship with the students, a relationship that builds trust, admits to liking the student, develops confidence, unleashes the often hidden talent that is unique to that student.

And I just want to say one more thing – as a teacher you can’ t do any of that unless you’re in touch with your own passion. You need to unlock yourself before you try unlocking anyone else. If you’re bored, you’ll burn out. It’s yourself you need to reignite. You start burning, you’ll heat up those around you.

I apologize for my fervent bombast. I blame Ken Robinson for getting me fired up. Read the book: The element. How finding your passion changes everything.

Or watch this video where Sir Ken Robinson talks about aspects of his book

[youtube=http://www.youtube.com/watch?v=2UooOCbBrj8]

Thinking and writing about biology

Sean Nash created a biology NING. One that even I want to join. Why is that so remarkable? Because I’m not a science person.

Sean Nash has created a NING called ‘Principles of biology: bringing life and living things into focus’. Yes, it’s about science. Yes, it contains lots of scientific facts, but it also approaches the teaching of science in a different way.

When I clicked the Forum tab at the top of the NING, I chose a discussion called ‘Synthesizing Respiration and Photosynthesis’. It doesn’t start with a long dry paragraph full of scientific facts. Instead it goes like this:

Take a good, solid read of this blog post. Read it again after thinking about it for at least five minutes. Then come back to this forum and scribble a bit creative commentary on how our study of photosynthesis and respiration allows you to really get at a deeper meaning of the post entitled: Grinding Grain by Dr. Doyle.

What is remarkable? The topic is introduced by a blog post. A blog is a discursive thing. The blog is called Science teacher: breaking out of the classroom into the world. That already tells you something. The blog begins with a poem about grinding grain by Antipator of Thessalonica, 85 B.C., and it’s descriptive in a way that makes you feel the process physically.

I love the fact that the instructions that go with the reading of the blog post recommend a second reading after a few minutes of thought. Thinking is part of the instructions! And what follows is not a summary, not a copy and paste of facts, but instructions to

scribble a bit creative commentary on how our study of photosynthesis and respiration allows you to really get at a deeper meaning of the post entitled: Grinding Grain by Dr. Doyle.

That’s ‘how’ and ‘deeper meaning’ in the same sentence. Now, brace yourselves, but here’s what follows as instruction:

A description in less than 100 words that is sufficiently creative that at least two classmates leave thoughtful, vote-like comments to… would be worth a measly few (yet potentially powerful) extra credit points to add to your pile.

What’s amazing here?

Description, not summary.

Creative. Enough said.

Requiring response of others. Interaction, whereby your description is required to initiate response in another person. Writing about your response, effecting a response in someone else.

Can this be science?

And here’s the clincher:

What do you get from this? What does it make you think of? Does it allow you to see, or understand anything in a deeper way?

Thinking, evaluating, deeper understanding.

Here is one of the students’ responses:

The knowledge we gained through learning about cellar respiration and photosynthesis really helped to understand what he was saying. As he described what it felt like to turn the wheel, “First my right arm, then my left. I can feel my biceps swell. My legs work, too, shifting my weight back and forth with each pass of the milling wheel. My breathing picks up.” I can now easily understand why he begins to breath more readily, and when he begins to describe photosynthesis, and the creation of the wheat I can really follow what he says instead of being more lost than anything else (paragraph 7). The best place I could see that the knowledge was very relevant was when he begins to show how photosynthesis works in one direction, and that cellular respiration sort of reverses the process ((paragraph 7)

I love the reflection on the learning process at the end of the lesson. There are so many things I love about this way of teaching.

Who said that science was separate from literacy?

Tinkering as a mode of knowledge production

Listen to John Seely Brown’s talk where he addresses the Carnegie Foundation for the Advancement of Teaching, Stanford, CA, 2008.

[youtube=http://www.youtube.com/watch?v=9u-MczVpkUA&feature=player_embedded]

I am what I create is how John Seely Brown defines our new identity.

I’d like to paraphrase what John says in his talk ‘Tinkering as a mode of knowledge production’, and also to offer some of my own thoughts.

Here’s the gist: Since many of the skills that we learn today have become obsolete several years ago, we must find a way to get today’s kids to embrace change, to want to constantly learn new kinds of things, to find a way to play with creating knowledge on the fly by experimenting with things. Notice how different this is to the traditional learning of finite knowledge imparted by the omniscient teacher . How do we initiate this tinkering, this creating of knowledge? John Seely Brown says we need to look for ways to foster the imagination; if there’s no imagination, there’s no creativity. And he places the tinkering learners within a new culture of sharing, in peer-based learning communities, where kids learn from each other. The challenge, he says, is to find new learning environments. We need to go back in time, so to speak, to the comprehensive classroom that had students of all ages in it, where the teacher was the organiser, the facilitator, and where students’ learning was as much from other students as from the teacher. We need to construct an environment where we are constantly learning from and teaching each other. And now for the tinkering.

What is tinkering? John Seely Brown sees it as the creation of something concrete as opposed to abstract or theoretical learning out of context.

Let me take my imagination and build something from it. Build something concrete instead of decontextualised knowledge. Once we’ ve created this concrete thing, we can see if it hasn’t worked, why doesn’t it work, and ask questions: how to build it better. We expect this thing to do something.

Why do we need this new learning environment? We live in a different type of world, one of rapid change. We need to find ways to tinker with ideas, ask good questions, and be able to take criticism. We need to learn in this architectual studio, where all work in progress is made public .

This makes so much sense to me. Currently, as part of our project for the Powerful Learning Practice program in which our school is involved, we have decided to create a NING, a whole-school online learning network, in order to bring the members of our school together, learning from each other, sharing, and making all our processes and projects transparent. In the new learning environment Brown speaks of, we are all able to witness each other’s struggle, understanding the process each of us is going through. What a powerful way of learning with and from each other. As Brown says, when the design is finished, and you overhear the master critiquing another’s design, this has tremendous meaning to us as well because we’ve been part of the process of the each other’s constructing of design. In this distributed learning environment, you learn to accept criticism. You want to be critiqued, you appreciate criticism, you learn from it. Brown sees this as one of the key platforms for lifelong learning and in embracing change.

Today’s networked technology allows us to build distributed communities of practice. Instead of us physically working shoulder to shoulder with others, our avatar is working shoulder to shoulder with others. We have infinitely more powerful tools to craft things, to mash this up. Creativity takes on new possibilties through tinkering – our tools not only allow us to create but also remix. In a short space of time, we can take what we see from others, rework it and recreate it, then give it back to the community for further reworking. How much better is this than isolated learning and creating?

The second message in John Seely Brown’s talk is something I’m very excited about. It’s a positive statement about young people today, and I urge everyone to think about it seriously, because it counters the many negative statements that are thrown out about young people in the age of technology. We are on the cusp of the creation of a new identity. In prior decades a lot of kids grew up thinking ‘I am what I wear’, or what my parents own, or how much money we have. Identity came from material possessions. I’d like to add to that by saying that identity also came from what we did for a living. Our occupation was who we were. It was the name of the occupation that was important, not the internal workings and processes of these occupations.

Here is the most exciting part of Brown’s talk for me : JUST MAYBE, he says, just maybe we are entering into a world now where our own identity gets defined by what we’ve created and what others have added to it.

This is a sense of identity constructed for myself. I passed something onto others, and they have been able to do wondrous things with this as well.

I can relate to this so well. When my children were younger and I was unable to teach full-time for several reasons, I was a ‘housewife’. I was not a teacher, I was not a thinker, I was not someone with creative talents, I was defined by my title. Now that I’m a teacher once again, I’m pushing beyond this title too. In my writing (which is really a remashing of my reading of others’ thinking with my own thinking) in my blogs and personal learning networks, I’m stretching my identity to include much more of my potential, and I’m doing this shoulder to shoulder with many others around the world. Technology is allowing me to recreate myself along with others – unlimited by my geographic location, unlimited by time zones. I’m creating my own identity within a new learning community. I’m a teacher, but what’s most satisfying and comfortable for me, I’m a learner.

As John Seely Brown says THIS IS A DIFFERENT WORLD.

The Mysterious Explorations of Jasper Morello

Love science fiction? Watch this.

[youtube=http://www.youtube.com/watch?v=vORsKyopHyM]

The Mysterious Explorations of Jasper Morello is an amazing, award-winning short animated film which has been nominated for an Oscar and a BAFTA award. The silhouette-style science fiction animation has been developed by director Anthony Lucas, and the story has been inspired by Edgar Alan Poe and Jules Verne. What a combination! 

Quiet Earth gives a synopsis:

 In the frontier city of Carpathia, Jasper Morello discovers that his former adversary Doctor Claude Belgon has returned from the grave. When Claude reveals that he knows the location of the ancient city of Alto Mea where the secrets of life have been discovered, Jasper cannot resist the temptation to bring his own dead wife Amelia back. But they are captured by Armand Forgette, leader of the radical Horizontalist anti-technology movement, who is determined to reanimate his terrorist father Vasco. As lightning energises the arcane machineries of life in the floating castle of Alto Mea, Jasper must choose between having his beloved restored or seeing the government of Gothia destroyed. Set in a world of iron dirigibles and steam powered computers, this gothic horror mystery tells the story of Jasper Morello, a disgraced aerial navigator who flees his Plague-ridden home on a desperate voyage to redeem himself.

The whole film goes for 26 minutes. A great example of steampunk. I’m impressed by how simple animation, silhouette black on white, can evoke such a strong atmosphere and setting. All those dark, heavy machines flying around reminded me of the black hawk helicopters which have been training over my house in the dark without lights. Shiver.

Web 4.0 thanks to GE

One thing leads to another. That happened to me today as it happens so often. The pathways within social networks are as mysterious as they are surprising. I was checking my Twitter updates, and I did what I often do – check out who else is interesting through my own network. So I was checking out @art4change who was conversing with @hrheingold, and I followed a link she had tweeted. I was hoping it would be good, because she had promised: ‘Watch this NOW. Dead serious. It will blow your mind. Thanks @JohnStauffer http://tinyurl.com/cydomk’.

This comes from GE. As John Stauffer says in his post ‘Hangin with Mr Cooper’,

Sit back and prepare to be amazed. No video editing was done to create this, just a flipcam and some Friday afternoon brainstorming with our Creative Director, Robert Cooper….

[youtube=http://www.youtube.com/watch?v=DkqtklABgGQ&eurl=http://blog.ogilvypr.com/2009/02/hangin-with-mr-cooper/comment-page-1/#comment-35235&feature=player_embedded]

Kissing, the pavement and squashing heads on Flickr

I think I’m in Flickr phase. I’ve had my Blue Period, and now I’m in the middle of my Flickr Period.

Today’s obsession will focus on Groups. There are so many interesting, sometimes strange, and varied groups on Flickr. I’ll give you some examples:

Beautiful Kiss

The pavement

Photo by splintered

Prints of darkness  A place where darkness comes to light, a place for smart photos that aren’t too bright…

Photo by Prudencebrown121
Vanishing beauty  As my father would say, “old things, falling down”

Photo by suspiciousminds
In numerical order  In Numerical Order, photographs are posted to the Group in numerical order.

Photo by vin60
Film noir mood  ;

Photo by Sanchi Saez Agurto

I crush your head “Inspired by Kids in the Hall, these will be pix where you take your fingers and squish the head of someone else.”

Photo by Jeff the Trojan

Social documentary photography A place for professional documentary photographers to discuss emerging technology, marketing and the impossible act of making a living through photography.

Photo by Andrew.David
Visit the world travel guide

Photo by Quejaytee

Gossamer glimpse  “this group is intended to showcase photos of (and through) transparent stuff. delicate fabrics, screens, dirty windows and other such veils will ideally fill our photos’ frames.”

Photo by ratsbeyfus
The secret life of plants 

Photo by Sammie Lynne

Graves, tombs and cemeteries

Photo by njpara31

Flickr fan art   “or any kind of artwork featuring the letters ‘F-L-I-C-K-R'”

Photo by alleluja

Macro photography

Photo by jamesdunbar42

Rural decay  Rural Decay, Pictures of Barns, Silos, Farms and other Rural buildings decaying.

Photo by Mattreynolds

Green is beautiful   

Photo by Peter Hajas

Tell a story in 5 frames

Photo by Robx

Colour and colours 

Photo by edi.peck

Whatever the weather  picures of cloud formations, weather patterns, rough seas, etc.

Photo by johnstravel

Altered signs 

Photo by _kriebel_

Apart from wasting (no! it’s not wasting; but it does eat up time) on these quirky little groups, I do believe that a little ingenuity in conjunction with these groups will lead to some interesting classroom projects.

Some of them leap out –  Tell a story in 5 frames

There’s no need for me to spell out the possibilities for an enjoyable project involving choice, creativity, visual literacy, storytelling skills, etc.

What about Rural decay  or Flickr fan art for art students?

Lots of photography ideas for sure. And don’t disregard the quirky ones, eg.

In numerical order and I crush your head.

There are many more groups and definitely many more ideas to be gleaned from these groups. What are your ideas?