Tag Archives: collaboration

Leading from the margins. Teacher librarian work.

 

My role as teacher librarian is like plasticine. I rarely try to explain what it is because it’s different for every TL and different for me from day to day, and so it’s complicated and  nobody wants a long-winded answer.

Broadly speaking my role is to support and enhance teaching and learning in the school, or more correctly, to support students and teachers and enhance what they do, because it’s not a program, it’s a human to human interaction.

When I collaborate with teachers, it is different for each collaboration. That’s obviously the same for every TL. I might have an idea, a vision, but I need to start from where they are, from what they are doing and from what they want to do. Conversation is absolutely the most crucial first thing with a lot of listening from me. And then questions to clarify my understanding.

I realise that I should remain as open as possible to the the way this collaboration might go because that’s the only way a true collaboration can work, and the only way we leave room for the best possible work to happen.

Recently I asked permission from an English teacher to sit in on one class – it was a year 10 English class – on a regular basis. I wasn’t sure how to explain it to her, but I knew that I wanted to be there to observe her and her students, to see the teaching and learning processes, to understand her teaching style and see the content and skills being taught.

Often teacher librarians do one-off lessons, sometimes without knowing the names of most of the students, not knowing anything about them. Typically we perform  a specific job eg we help students with their research process in one of their assignments. I call this a performance. We often feel put under pressure to perform well because this might be the only time we see these students all term or even all year, or else we don’t want to disappoint teachers in case they don’t ask us back. The pitfall is if we try to cram skills and content in a way that is often doomed to fail. Maybe fail is a harsh word, but it’s our only chance to make a difference, to prove ourselves, to convince students and teachers that what we do is valuable.

I believe that real teaching and learning is possible only when there is a developing human relationship between students and teachers. How is this possible in a short one-lesson performance? I don’t think it is. And so teacher librarians are often trying to brainstorm ideas which will enable a more organic relationship with teachers and students in the classroom.

Back to the English teacher – I did feel a little odd just sitting there in the first couple of classes, doing nothing but taking notes.  I wasn’t sure at this stage what I would do with these notes if anything at all but I just kept taking them in the hope that something would be revealed to me. Although I knew the students were studying poetry, I knew that the exact shape of the learning in that room was as yet unwritten.

A class is a process, an independent organism with its own goals and dynamics. It is always something more than even the most imaginative lesson plan can predict.

Thomas P. Kasulis (Source)

Eventually I decided to quietly create a blog and just add them there. There were three posts for three lessons and I added a couple of images and a video. The students are reading poetry and going through the process of annotating the poems and constructing their understanding together, guided by the teacher.

I wasn’t sure what the teacher would think of the blog – which I started without asking permission, but only as an experiment – like throwing some lines onto a page, just testing possibilities. I emailed the link to her and her response was positive. She remarked on the value of the audiovisual aspect. Blogging does work even just for the documentation of what happens in class. It’s neat, sequential, easy to add images/videos, and is an excellent archive.

This is a good start, I think. Good to show rather than tell and wait for the confirmation. There’s so much more to blogging but better to wait and let it unfold. Best to take the cue from the teacher. Patience and communication will hopefully lead the way to a fruitful collaboration.

When I read ‘leading from the margins’, without knowing the context, I thought to myself ‘that’s what I’m doing – I think’. Hope I’m not being presumptuous. I’m trying to shift things in small ways and I’m doing this not from any position of importance or power but just from a quiet, unremarkable place.

Someone might ask: Is what you’re doing, strictly speaking, the role of a teacher librarian? I hear that voice in my head sometimes. Should I really spend time ‘sitting’ and waiting for something I know not in advance to start stirring that will inform my collaboration in this class?

Collaboration is a good thing, yes?  A lone teacher can do a great job but out of class teachers communicate with their colleagues. There is nothing odd about two people in the classroom although I can see how habitual ownership of the class by one teacher can result in rigidity. I bring to the collaboration a passion for connecting students with each other and beyond the classroom. A blog can make that happen. Firstly it allows a student to connect with himself, to write out his thoughts and construct his understanding. The blog follows the development of this process and archives it, allowing retrospective reading. A blog is a published writing platform and invites readers. Suddenly the student is not just writing for the teacher in order to receive corrections and marks, but has a reading audience. At the very least the readership of his classmates. And beyond that the possibilities of interaction beyond the classroom.

I’ve been blogging for over 8 years and connecting to people across the world – people who share my interests and love of learning together – so I understand what’s possible. Talking about it usually doesn’t win teachers over but showing what’s possible and going slowly will have a better chance. I hope.

I’m leading from the margins and that’s okay.

Of course Sean Michael Morris and Jesse Stommel’s slideshare includes heaps more than I’ve touched on here, so take a look at it.

Makerspace reflections

The humble beginnings of our makerspace in the library – a collaborative effort between Steve Draper, Evan Watkins, Pam Saunders and me – have got me thinking about alternative learning spaces other than the traditional classroom, eg student-driven learning, passion-driven learning and hands-on, collaborative learning. 

Much has been written about the importance of tinkering, play and unstructured learning which takes problem-solving, collaborative learning and risk-taking into an unthreatening space. Although we obviously can’t throw out what we do in the classroom in favour of hands-on, unstructured activity, I’m still convinced that a conversation about this kind of learning will be valuable. Of course, students in the visual and performing arts do it all the time. And don’t get me started on that; we should try to understand the value of the Arts for the playing out of the learning process, and not just look at it with the career as end point. 

 

Updating the makerspace activity. LittleBits have brought different groups of students throughout the day. We could do without the little horn but never mind.

The conversation coming from a group of students tinkering away is an interesting one. I’ve been thinking about the difference between this space and its offered activities and the traditional classroom. The boxes of bits and pieces catches the attention of passing students who might come and see what it’s about. You can almost hear the cogs whirring in the brain as fingers turn bits around to make sense of how each bit works. A relaxed conversation follows, with questioning and ‘what ifs’ going in any direction, free from the confines of predetermined outcomes. The students own the activity. They choose how they stay, whether or not they read the manual.

Experimentation does not involve high-stakes risks. Right and wrong hold no judgement; it’s just a matter of trying a different way if it doesn’t work the first time. And there’s always someone to ask if you’re stuck.

There’s an element of mindfulness here; the activity relaxes as it engages. There is potential to bring together students who have not come together before. And most of all it’s a happy space.

Can we envision this kind of space for a classroom?

Mr X is hacked by the rhizome #rhizo15 #rhizostorm

After writing Mr X loses his battle for objectivity I was overwhelmed by the response from the #Rhizo15 community through comments on the blog, in the Facebook group, on Twitter and Google+ group.

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blog comment barry dyck

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blog comment Aaron

I have to admit I felt elated with so much attention but what really excited me was when Terry suggested it would work as a radio play/podcast.

Hello there. My name is Tania Sheko. Thanks for responding so positively to this short piece of fiction/non-fiction. I’m taking up the suggestion to create something for #rhizoradio (suggested by Terry Elliott and seconded by Simon Ensor) and other suggestions to do a collaborative rewrite eg include a larger cast so we can actually (somehow) create a podcast for #rhizoradio (which is going to be a thing I think). Hope you can join me here!

With Maha‘s well earned influence the Google doc I shared was suddenly populated with #Rhizo15 people (and others?) working together across time zones to hack my ‘story’. So many creative people chatting in the margins of the document about what could work.

blog comment terry

blog comment simon ensor

It was fun watching the little animal-head avatars popping up at the top as people joined in. Kevin Hodgson shared some an introduction on SoundCloud and then Simon Ensor  did a brilliant reading of Mr X – who evolved into Mr Arborescent (or just Arborescent, as Laura Ritchie suggested). The ‘me’ character was named Rhizoka and the narrator became an inner voice (voices in the head). The ‘me’ character then exposed a muliplicity of identities and even spoke in more than one language.

Ronald created an introduction and Simon did a brilliant Mr X (or Arborescent) in a British accent.

I don’t think it’s finished but I sure hope it actually gets acted out as a podcast/radio play. Thank you so much to all who jumped in – it’s been amazing! It’s still open so come in and contribute. I saw Maha talking on Twitter about who might be able to create the podcast so I hope someone will because I’m not sure about how to do that.

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Thank you, people! So far Maha Bali, Sarah Honeychurch, Angela Brown, Ronald Rudolf, Kevin Hodgson (@dogtrax), Laura Ritchie, Aras Bozkurt, Keith Hamon, Simon Ensor and Barry Dyck. Hope I haven’t left anyone out.  Let me know if I have.

A great way to start #Rhizo15!

Exploring ways teachers and students can use Pinterest

First day back at school term 2 is a curriculum day for us at Melbourne High School. The theme is ‘knowing highly able students and ourselves’. Apart from set keynotes we have the choice of running sessions and also selecting to attend others’ sessions. Mihaela Brysha (Head of the Visual and Performing Arts faculty) and I will be running a workshop about Pinterest. I’m sharing the presentation slides here.

I’ve been banging on about Pinterest for so long, you’d think I had shares in the company. For example, here, here, here, and here. Some of the earlier slides I’ve re-used from earlier presentations.

Pinterest is often overlooked by educators because it looks like a bit of fun with no substance. The power of Pinterest lies in the ability to find people who have curated the stuff you want. And then see who they are following. Although it’s an image-based platform – and that’s what makes it a preference for those who prefer visual collections – it’s also a good way to collect text-based things online as long as you can attach them to a picture. I use Pinterest and Diigo equally, sometimes saving the same thing to both. Diigo is more sophistocated in its options, allowing keyword searches, but also collaborative annotation. I just haven’t had much success selling it to teachers. When I want to share a collection of online resources with teachers, I often use Pinterest because it’s easy to see the contents at a glance. Of course, now everyone needs an account before they can even view what’s on Pinterest.
Meanwhile I find it difficult to comprehend that most teachers and students are happy either saving things to folders on their computers and therefore needing a USB, or going through their history. Come on people, there are much better ways to do that! And easier ways to share.

Co-learning – our students are doing it now

We have just moved into Unit 5 of Connected Courses:   About co-learning. I’m thinking about it as I sit in the school library during exams.

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Photo source

The library is the playground for study before exams. Classes have been cancelled and the signs of playground are all over the library – noise, noisy groups, grouped learners, learning clusters, clustered distractions, distracted discussions, discursive learners…

Many students have chosen not to stay home because they predict being distracted. (They know themselves. They have acted.) Wouldn’t the noisy playground be a distraction in itself? How do you remained focused in such an environment? (They are alert. They are engaged. It is social. They interact. There is laughter.)

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We sometimes talk about study habits to students. Of course, there are students who need help, lots of help, learning how to study. We talk about study habits. Do we study? How long ago have we studied? Do we watch our students studying? I see study habits in action now. The library space has become a learning space with energy – not from us, but from our students. They have taken over. It’s how it should be.

Do you have an exam today?

No, I just came in to help a friend. Now I’m going to get onto my own study.

The technology is being used. Apple TVs, screens are being used for small group presentations. (Nobody told them how to do it.) Whiteboards are being filled with mathematics and diagrams. One student standing and teaching (yes, teaching) and others sitting attentively, listening, putting up their hands to ask a question (Yes, really). Have we modeled this?

We step back. We observe. They are learners and teachers. It’s uplifting.

Art is not just pretty pictures: The deep process of artistic creation

My topic today is Art as a subject in schools. I wonder if we sometimes underestimate or misunderstand the role of Art in a student’s learning. It’s so much more than making pretty pictures. Art personifies learning through a transparent process of deep exploration and problem solving – with an end product to show for it. Just as with literature, the end product can be unpacked to reveal the influences which were part of the creative process. Fortunately this is not a purely scientific process but one which invites the exploration and interpretation of the viewer. Art is a model for problem solving in other areas of learning. We should hold onto Art, and not be fooled into thinking that it is less valuable than subjects which are associated with occupational success. We need Art.

I visited a year 9 class today to see the students happily working on large representations of themselves based on their exploration of the unit ‘Home and Place’. My part in this project was the collaboration with Mihaela Brysha, Head of Art, in resourcing the project  in our library website (Libguides). I’m including the project brief:

This unit explores ideas about belonging and is designed to question our relationship and interaction with:

  • Others
  • Pop culture
  • Consumerism
  • Cultural beliefs,
  • Personal histories
  • The natural world

The aim of the exploration is to make and visually interpret personal statements about what home and place means to you and how it shapes personal and cultural identity.

Australian artists Patricia Piccinini, Fiona Hall, Gordon Bennett, and Howard Arkley address some of these ideas from very different perspectives, influences, art forms, aesthetics, materials and techniques. The study of their ideas and studio art practice as well as interpretation and analysis of their artwork aims to provide stimuli for the exploration of ideas, content and techniques for practical explorations.

The online resources were a starting point for further research into these artists:

Fiona HallGordon BennettHoward ArkleyPatricia Piccinini

The art of Gordon Bennett strikes a chord with many of our students whose families come from different countries. Bennett’s art depicts the cultural tension between his ties to his Indigenous roots and his association with Western culture.

I loved the size of these art works, their bold colours and strokes, delicate details, diverse imagery and visual storytelling. I loved the energy and focused activity in the classroom, the productive interaction between students and teacher. I took photos.

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I’m looking forward to the hanging of these in the art show. Well done, boys, and well done, Mihaela.

What leadership has meant to me

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This year, by default, I’ve been head of library at Melbourne High School. At no point have I desired this position, and I’m happy to say that we have a wonderful head of library all set to go next year, Pam Saunders, who is currently head of library at Princes Hill. However, despite the trials and tribulations of being default head, I have to admit that I’m grateful for the new experiences which I would never have deliberately chosen but appreciate retrospectively.

I came across this paragraph about a particular style of leadership which describes the my style perfectly – only I didn’t know it was a style; I was just following my gut feeling –

In teams one of the more effective styles of leadership is the participative style. This style of leader seeks to work with team members and encourages collaboration. The participative leader consults and looks for consensus when making decisions. This style of leadership welcomes suggestions from the team and does not respond by merely paying these suggestions lip service but genuinely considers how these suggestions can be used.

In terms of the participative style of leadership, I’m glad I went with my gut feeling and amazed by the diverse talents of my team. You really don’t know the extent of what people are capable of until you trust them (and thus empower them) to take responsibility for their areas of expertise. I think it may have taken a bit longer for them to trust me, and the time is takes for each person can’t be rushed. At this point, despite the dramas we’re experiencing every day in the midst of our refurbishment and changes to stocktake since we’ve adopted RFID, I’m feeling quietly happy knowing that we’ve had an awesome year, and that so much good has happened as a result of our collaborative efforts.

Next year I hope to focus more deeply on a meaningful use of social media in student learning. I’m also keen to develop my research skills to a stage where I feel qualified to prepare our students for university. I’m in two minds about whether I should contact research librarians at universities or Masters students who would have deep knowledge of the research process. Any suggestions will be greatly appreciated.

Are we teaching our students the skills they need for their future?

Are we teaching our students the skills they need for their future?

Do we know what these are and if we do, are we aligning these to our curriculum? Are we making the shift necessary for this to happen?

Dr. Tony Wagner, co-director of Harvard’s Change Leadership Group has identified what he calls a “global achievement gap,” which is the leap between what even our best schools are teaching, and the must-have skills of the future: * Critical thinking and problem-solving * Collaboration across networks and leading by influence * Agility and adaptability * Initiative and entrepreneurialism * Effective oral and written communication * Accessing and analyzing information * Curiosity and imagination

[youtube=http://www.youtube.com/watch?v=NS2PqTTxFFc&w=420&h=315]

Here are the 10 future work skills identified by The Institute for the Future for the University of Phoenix Research Institute.

  1. Sense Making
  2. Novel and Adaptive Thinking
  3. Transdisciplinary
  4. Social Intelligence
  5. New Media Literacy
  6. Computational Thinking
  7. Cognitive Load Management
  8. Design Management
  9. Cross Cultural Competence
  10. Virtual Collaboration

For teacher librarians, these skills clearly identify our areas of expertise at a time when some principals are making decisions to reduce staffing in school libraries, or replace teacher librarians with librarians or technicians, indicating their loss of faith that teacher librarians are an essential part of the teaching staff. Our strength lies in working with teachers to embed these skills in student learning, to encourage collaborative platforms and relational learning through the connections made possible by social media platforms, to embed critical, digital and information literacies into student learning.

Read more about the skills our students must have for their future here and here. Please share more if you have them.

Year 9 Art project on paper, iPad and Pinterest

                              

Our year 9s have been working through a project in art which combines the best in hands-on activity, iPad technology and social media. Mihaela designed a project in which students worked through a process starting with research of patterns from different cultural backgrounds and culminating in the students designing their own patterns using the iPad app, iOrnament, and creating an oversized paper plane decorated with their pattern designs.

The research process encouraged students to dip into a rich and diverse cultural store of patterns before deciding on the designs of their own, and including some of the elements of water, fire, earth, air and wood. They were to select one or more of these elements to fuse with the theme of rejuvenation of the spirit and sense of self.

I relish my partnership with Mihaela, Head of Art at Melbourne High School. Every teacher librarian appreciates the teacher who is happy to collaborate, and in my case the partnership is built on respect, reciprocal interests, love of creativity and experimentation,  a desire for excellence, and determination to create a challenging process leading to a synthesis of understanding and original design. After we chatted, I was clear about what Mihaela wanted for the students and how I could support the project. I created libguides with visual examples and links to further resources to get the students started and hopefully inspired.

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My research into examples of patterns within a broad range of cultural contexts was a joyful task for me. Pinterest is a rich online resource which allows the discovery and collection of an enormous number of high quality visual examples. I searched The Grammar of Ornament on Pinterest and was overjoyed with the results.  I referred the students to the Symbol Dictionary online for a bit of research on symbolic background. Delving into the how and why is always fascinating, and often informs the direction of research.

I didn’t want to overwhelm the students so I limited my pattern examples to some of the main cultural sources, but also linked to Pinterest boards I was creating along the way. If the students chose to, they could continue to browse collections of general patterns, and also African, Australian Indigenous, Chinese, Indian, Islamic, Japanese, Maori, Mexican, Moroccan, Russian and Turkish.  One of the advantages of using Pinterest is that you can continue to add visual examples to the collection without changing the link, so students will be able to view a continuously edited collection with one url. Students can also search within Pinterest itself. Design of online resources presents the challenge of depth without overwhelming the user, and a reasonable number of external links for further research.

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The students were also introduced to four artists for whom patterns were an intrinsic part of their art works. I created Pinterest boards for Shirin Neshat, Ah Xian, Ginger Riley Munduwalawala and Sangeeta Sandrasegar.

     

It’s a shame that the quality of the images in the following slideshow is not fantastic. I’ve included some general art study, such as colour theory, amongst the Pattern mix. Although you can’t read some of the text, you get an idea of the type of process journalling they have done.

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The best part of this project, as far as I’m concerned, is the richness of the process. This is what I love about art – it is an example of the kind of process which should be embedded in all subjects. I was intent on documenting this patterns project in a blog post because it makes transparent what is most valuable about learning – the process of research (wondering, browsing, getting lost, refining search), working and re-working ideas and techniques, synthesizing found and created concepts and ideas, evaluating and reflecting and much more. Wouldn’t it be a smart world that required all students to study Art?

Learnist – a bit like Pinterest and a little bit like Scoop.it

learnist

I might be late to the party, but I’ve just discovered Learnist. It looks a lot like Pinterest so I was excited from the start. It combines a few bests, including images, easy collaboration and sharing and educational content. And, as always, what I really like about it is finding people who take the time to curate quality resources. The excitement is in the lucky dip aspect; I like to search specific things but the unexpected joy of discovering something you didn’t set out to find is what makes this addictive for me.

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Once you start browsing the categories, you’ll realise how open-ended these are. It’s interesting to see what interests people. I’d like to experiment with Learnist as ‘wider reading’ for students. Wouldn’t it be nice to give them time to browse within a general theme or topic to find something that catches their interest instead of prescribing their focus?

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Learnist is very user-friendly. As with many social networks, it allows you to browse, rate and comment, as well as find out a little about people and follow them or their boards. Learnist has enough statistics at a glance to give you an idea of whether the board has attracted many viewers or commenters. You can add a suggested site to a board or a tag – very similar to Pinterest and Scoop.it. It’s also easy to share a link with Facebook, Twitter, Pinterest, Google+, LinkedIn or email the link. It would be valuable to create a shared Learnist board with your faculty, or even create a cross-faculty board, or better still, one for the learning literacies we should be embedding across the curriculum, for example, digital citizenship or critical literacies.

Basically, Learnist allows people to learn with and from each other. That’s the way I like to learn. And the mix of text, image, video and audio is a great way to engage learners.