Category Archives: creativity

People are brilliant

Long school holidays have given me the time to browse online to my heart’s content. I’m overwhelmed by the constant stream of what everyone is reading, writing, thinking, commenting, asking, creating and sharing. How would I know about any of these things otherwise? I wouldn’t.

Examples of people’s creativity are shared online all the time. I love the way technology combines with basic skills like drawing and paper folding in this video. The creator of the following animation describes this as ‘a shot at animating the old flip book’.

I can’t upload the video so here’s the link.

parkour motion reel from saggyarmpit on Vimeo.

Thanks to @mizminh

We all need a regular kick in the pants

Antoni-INhabit2

Janine Antoni, “Inhabit,” 2009. Courtesy of Luhring Augustine Gallery

 I agree with the Art21 blog post, Another kick in the pants, that everyone needs the occasional kick in the pants, only I think that maybe we need it regularly. Joe Fusaro says

I use Art21 for a kick in the pants from time to time, whether it’s to inspire my teaching by watching Carrie Mae Weems or to give my studio practice a jolt by listening to Kiki Smith talk about her process for making works of art. I mean, everyone needs an occasional kick in the pants, don’t you think?

Joe goes on to mention TED talks as another source of inspiration, and I have to agree with him –  TED.com and Art21 have been regular sources of inspiration for me too.

TED’s theme is Ideas worth spreading, and its mission is of epic dimensions:

…our scope has become ever broader…. We believe passionately in the power of ideas to change attitudes, lives and ultimately, the world. So we’re building here a clearinghouse that offers free knowledge and inspiration from the world’s most inspired thinkers, and also a community of curious souls to engage with ideas and each other. This site, launched April 2007, is an ever-evolving work in progress.

A clearinghouse that offers free knowledge and inspiration from the world’s most inspired thinkers is an amazing boast, and the reason why so many people either discover TED with joy or continue to return to its rich storehouse.

The scope of Art21 is enormous, and its themes a dream for teachers of art. The series explore such themes as compassion, consumption, ecology, fantasy, humor, identity, loss & desire, memory,paradox, place, play, power, protest, romance, spirituality, stories, structures, systems, time, and transformation. Each theme is tantalising in its scope, eg. compassion – artists explore conscience; reconcile past & present; expose injustice; express tolerance. It makes me wish that Art were compulsory, or at least, not separate from the official literacy which seems only to reside in English. A sharpening of higher order thinking skills will find no better place than the Arts (although it certainly resides in all subjects).

Every day I still find myself explaining, justifying and defending my online activity. I always point out that it’s the connections to people and ideas, information and images, which I would otherwise not discover, that keep me coming back to my laptop. It’s a breathlessly vast source of inspiration and ideas, a regular kick in the pants – pushing my thinking, challenging me, jolting me and enriching my life.

I would recommend Art21 to anyone, not just art lovers, because it provides a window into a world of ideas and creative concepts, and of course, TED.com because of its amazing array of interesting people who have a way of making complex things simply fascinating.

What have I learned from VCE?

This article in The Age resounded with me – Surely there’s a better test was written by Alexandra Adornetto, Year 12 VCE student at Eltham College and, at 17, already an author of a popular children’s trilogy starting with The shadow thief.

Of Alexandra’s initial questions,

How have I been shaped by my learning experiences? What skills have I developed that are valuable and transferable in the workplace? What lessons have I learned about the value of education?

– I wonder most about the last one: What lessons have I learned about the value of education? Or even, what have I learned about learning?

Alexandra’s answer is negative; she sees students having to work

within a system that reduces achievement to a game where strategies are more important than ideas.

Her cynicism flows from the fact that

the sum total of my education will soon amount to nothing more than a figure — an ENTER score that will determine which percentile I fall into statewide and which courses I will be eligible to apply for.

I agree with Alexandra when she says that

the system fails to recognise the diversity of skills and most subjects do not allow students to demonstrate skills in a form other than a written exam.

I’ve started reading Rethinking rubrics in writing assessment by Maja Wilson, which, at one point, talks about decontextualised teaching of literacy through ‘separate literature, speech, and composition courses’. In the past ‘Reading, speaking, and writing were simply a means to dialogue with professors, peers, and the community at large about matters of public interest.’

Andrea Lunsford (1986) describes an integrated, language-rich environment that supported powerful literacy.

Classroom activity… was built around “oral disputation.” One  student chose and presented a thesis, often taken from reading or class discussion, and defended it against counterarguments offered by other students and the teacher. In addition, students regularly gave public speeches on matters of importance to society, in forums open to the entire college and the surrounding community… the students learned more from their peers than from their teachers … this model of oral evaluation and the form of student speaking societies provided an audience, a full rhetorical context, and motivation for discourse, features woefully lacking in later “set” essays and written examinations.

Maja Wilson goes on to imagine how ideal this kind of learning would be. This would be the antithesis of the VCE as we know it, and as described by Alexandra. Instead of receiving ‘a static score from faceless evaluators’, a student could receive a type of assessment ‘not to rank’ the written content, but purely as feedback to aid learning and develop abilities.

Assessment would be free to interact positively with learning since ranking … was not its main objective.

In her article, Alexandra goes on to point out the many skills students possess in activities they do outside of school which are not taken into consideration in the VCE assessment.

Life skills, innovative ideas and community involvement — what intelligent nation needs these? It’s obviously much safer to work towards the goal of conformity. Here is just the beginning of a list of skills that exam results cannot possibly hope to reflect: interpersonal skills, the ability to entertain, how articulate we are as speakers, our ability to work as part of a team, the ability to deal with challenges and invention.

I’ve often thought the same, and when I see the curriculum packed to bursting with content that teachers struggle to cover, I’m not surprised that they often lament the lack of time to develop important skills.

It doesn’t take long to figure out that our current system does not reward creativity or cater to the diversity of skills and abilities possessed by students. What it does reward are formulaic learners and those with a good memory.

I don’t claim to be an expert, but I noticed a difference between, for example, the Psychology course offered within the VCE  and that within the International Baccalaureate. VCE Psychology seemed to be largely a matter of content memorisation, whereas IB Psychology involved higher order thinking.

Alexandra comments:

Other knowledge-based subjects such as legal studies, psychology and history ask us not to apply knowledge but simply to recall and regurgitate the contents of our hefty textbooks.

It’s interesting how Alexandra’s suggested solutions harken back to the older system of assessment described by Wilson in her book:

Clearly an overhaul of the current system with a review of its goals and objectives is in order. Until universities take a radical look at their selection procedures, nothing is likely to change. How much more sensible would it be to include an oral exam (where you might talk through your ideas or your achievements) as a percentage of our final assessment?

I like the way Alexandra thinks, I like her suggested alternatives:

Perhaps the presentation of a folio of achievements would go a long way in presenting us as individuals with a unique contribution to make. Perhaps a hands-on project in a preferred area of study should be a compulsory assessment task.

Yes, Alexandra is cynical about the merits of VCE, and grim in her description of the final exams:

As for us, we will be writing furiously for three hours, surfacing only to check the clock and take periodic sips from our water bottles from which we have assiduously removed the labels in compliance with yet another inane regulation, designed to eliminate cheating.

What do you think? Is she being too harsh?

As for me, I hope that this year’s VCE students will at least be able to demonstrate the extent of their study efforts, not like the poor girl during this year’s English exam whose watch stopped, freakishly, at the same time as the wall clock, and was caught out at the end with only two thirds of her examination paper completed. So much frustration and upset – two years of effort spoiled by a fateful turn of events.

I recommend The English Companion ning which has a rich discussion between Maja Wilson and educators of her book.

Facebook performance – What are you doing right now?

phonetasticview

Photo of An Xiao

I was reading an article in the New York Times,  Where art meets social networking sites, and came across Debbie Hesse who is an installation artist and the director of artistic services and programs for the Arts Council of Greater New Haven. According to the article, Debbie said she was a lot like others in the late boomer generation,

“trying to learn how to not be left in the dust with the new technology.” But she may be ahead of the pack in employing social networking as the theme for an art show.

Social networking a theme for art?

I figure it’s not entirely surprising. Why shouldn’t artists create something from the ubiquitous social networking phenomenon? Where there’s something happening, it’s natural for someone to analyse it or create something from it?

Debbie organised an exhibition named after Facebook’s communication format, Status Update. More than 50 works of art by a dozen artists were displayed.

But how can art come from social networking?

“Status Update” has turned out to be a somewhat unlikely intersection of digital concepts and conventional art.

Ms. Hesse curated the show almost entirely through Facebook, with the help of Donna Ruff, a Brooklyn artist. She found two categories there, she said: “Artists that are using it as a medium, performing in it, using it as poetry, using it as a canvas. And then artists that are commenting on it as a new form and creating new dialogues about what this means in our lives.”

Rachel Perry Welty is one of the artists who comments on the new way of communication.  For her performance, Rachel used her iPhone to enter a status update every minute for 16 hours.  That is, every sixty seconds Rachel answered the Facebook status question ‘What are you doing right now?’ (which has since been replaced by the question ‘What’s on your mind?’)

I hope artists and art lovers will not scream at me if I raise my eyebrows every so slightly in response to Rachel’s compulsive stream of status updates being called a ‘performance’.  Or maybe I’m just annoyed that I didn’t think of the idea first. Or maybe I should reconsider my concept of art.

Rachel says that, after reading an article about social networking entitled Brave new world of digital intimacy by Clive Thompson, she decided to give Facebook a go.

I’ve found Facebook to be useful as a view to the global artist community, but I don’t send gifts or answer quizzes or throw sheep at people. And I don’t update my status on Facebook anymore after my performance on March 11.

Rachel explains the performance aspect of Twitter on the Art:21 blog:

I use Twitter as an extension of my creative process, in the sense that it’s a view into the daily life of a working artist. As an artist, my project is concerned with the minutiae of life. As humans, we spend most of our time engaged in the small moments (whether we tweet or Facebook about them or not) and in my project I am trying to get people to notice the things they wouldn’t ordinarily. In that sense, Twitter seems like a perfect platform for me. It’s an ongoing performance.

You can follow Rachel on Twitter.

It’s worth reading Rachel’s interview in the blog post, but before you do, I’d like to highlight this paragraph, because it’s something I’ve been thinking about  myself (although not expressing as eloquently):

I had been thinking about and observing how we craft a persona online. I started paying attention and reading people’s status updates in learning my way around Facebook. It struck me that some people must spend more time than others choosing their words, just as some people spend more time getting dressed in the morning. Some are clever and entertaining, some vague or opaque, and others utterly banal. Each statement on its own doesn’t say much, but the collective tells a surprisingly sophisticated story, and forms a portrait of sorts. My performance was a way to make a quick and intense self-portrait. Imposing the limitation of 60 seconds was an attempt to make that more real.

‘Quick and intense’ is another way of looking at Facebook or Twitter status updates. We’re not talking great literature here, but as a snapshot of the mundane, it’s a pretty good window.

I realise that when I look back at my year-long daily photo challenge, threesixtyfivephotos. Each day’s snapshots seem banal and almost ridiculously tedious, but looking back at over 300 days now, I can see that it’s a concise overview of a life which would otherwise just pass by and be largely forgotten.

Rachel’s observations provide much food for thought; I urge you to read the whole article. Forgive me but I can’t resist pulling out one more paragraph:

Afterwards, I thought of Sophie Calle’s work where she follows a stranger throughout his movements in a day. My work was the reverse: I got strangers to follow me throughout my day. Well, into the next day, I found myself silently narrating (“Rachel is getting a cup of coffee,” “Rachel is ready for a nap”), this experience imprinted on my brain like the afterimage from a flashbulb.

And a big question which was asked by the interviewer:

In your statement, you mentioned that you aim “to raise more questions about narcissism, voyeurism, privacy, identity and authority, as issues we consider in a technologically modern world.” What do you see as the role of online social media in society?

That’s a big question. I’m not sure we know yet. Clearly, it’s a way to communicate with a lot of people quickly and without friction. Relationships will be easier to maintain for a long time, for good or for ill. Imagine, as my son will probably experience, never losing touch with your best friend from 3rd grade. (Michelle Turner from Mr. Brentnall’s class at NIS in Tokyo, are you out there?!)Will it make it impossible to shed your identity as you move through life? Will you always be who you once were?

This is a fascinating question and one, I think, which we should all consider, and as educators, raise with our students.

I also recommend you read about how other conceptual artists have represented social networking. An Xiao, pictured above, is one of the group of artists.

As an aside, it’s interesting how the Facebook status ‘What are you doing right now’ has been replaced by ‘What’s on your mind?’ – a move from the external to the internal.  Is Facebook becoming less of a place where you keep an eye on what people are up to, and more of a platform to share thoughts, feelings and reactions?

Michael Gerard Bauer joins our writing project

mgbphoto1a

This is cross-posted on my English class blog and fiction blog.

A little while ago I wrote on my English class blog about my hopeful expectation that Michael Gerard Bauer would accept my invitation to join our creative writing project after we listened to Lemony Snicket’s The composer is dead.

It’s a brilliant, witty and hysterical story narrated by Lemony Snicket himself. The entire production is fun – the story with its personified musical instruments presented as murder suspects (boisterous trumpets proclaiming loudly and with a certain arrogant rudeness), its alliteration (’we conquered the concert’; ‘battered the band’), and its playful use of language (the percussion instruments ‘percussed’, and ‘employed xylophoniness and cymbalism’).

Similar to Peter and the wolf, the story skilfully weaves plot around descriptive information about the orchestra. The boys seemed transfixed by the story, although the musical interludes may have been a bit much for some.

As a creative writing exercise, the boys will be writing their own story –

The … is dead

based on a group of inanimate objects who are suspects in a murder mystery.

Well, to our absolute delight, Michael generously agreed, and very quickly wrote a brilliant and witty piece which I’m going to share with you now.

Police Investigation Report by Chief Inspector Iva Noclue written by Michael Gerard Bauer.

It started out as just another routine investigation, but all that changed when I opened the fridge door.

The body was there lying before me. It was wrapped in plastic, naked, plucked and headless. It was obviously the work of a madman. I examined it more closely: female chicken, size 20, possibly from Ingham, and judging by the aroma – marinated.

You have to deal with some sick people in this job.

I immediately set out on the trail of the killer. I threw open the chiller door.

‘Freeze!’ I shouted. Luckily everyone already had.

I approached my first suspect. He claimed he was a famous rap singer called Ice Tray. I didn’t like his attitude at all. He was cold and hard and refused to answer my questions. He seemed very set in his ways.

I decider to move on. I found my next suspect lurking at the back of the freezer.

‘You, what’s your name?’
‘Ice-cream.’
‘Really? Why? Did you see something?’
‘What are you talking about you idiot?’
‘I want to know what made you scream. Did you witness the murder? It was Ice Tray wasn’t it?’
‘No you fool. That’s my name, Ice-cream. Strawberry Ice-cream. But what’s this you say about a murder?’
‘That’s right sister. There’s one dead chicken downstairs. You see or hear anything suspicious? Notice any strangers hanging about?’
‘Yes as a matter of a fact I did. Yesterday a whole family of eggs moved in down there.’
‘Right. Was that was before or after the chicken bit the dust.’
‘How would I know if I’m not the murderer?’
‘Good point. I’ll work it out myself. Hmmmmm let’s see, what came first, the Chicken or the Eggs? This could be a tough case.’

I left the Freezer but not before I arranged for Ice Tray to come to the Station the next day for a more thorough interrogation.

My investigation continued. I questioned all the Eggs but they refused to crack. (Just between you and me I think some of their brains were scrambled – or possibly fried.) Then I grilled the Cheese but got nowhere. Next came the Honey. She was a real sweetie but she couldn’t tell me anything either. I was getting nowhere so I decided to offer the Bread a hundred dollars to help me find the murderer. He refused. Said he already had plenty of dough.

My chief suspect was still Ice Tray but there was another guy who made me suspicious – wouldn’t tell me his real name. First he said he was called Vegemite, then he reckoned his name was iSnack2.0 then it was Cheesybite. I decided I’d run those aliases through the computer when I got back to the Station.

Only when I was about to call it a day did I noticed the trail of what looked suspiciously like blood spots. They led me right to a tall red haired chap who went by the name of B. B. Q. Sauce. Of course he claimed he was innocent like the rest of them. Said it was just a nose bleed or something. But then B.B. told me something that got me interested. He said he’d seen Chicken getting friendly with some unsavoury characters recently, said he often saw Chicken mixing with Avocado or Chicken with Mayonnaise or Chicken with Salad and once he’d even seen Chicken with Sweet and Sour sauce!

The case was getting more and more complex and rumour had it that Gladwrap was involved in some sort of big cover up. Then, just when it looked like I’d never get to the bottom of the Chicken case, there was a major break through.

I was interrogating Ice Tray the next day under the hot lights at the Station when to my amazement, he went totally to water. I figured that was as good as a confession so I locked him away in the freezer and threw away the key.

I never did work out how Ice Tray actually committed the murder. I mean it must have been quite difficult with him not having any arms or legs or eyes or ears or brain or any visible means of support or movement, but you could just tell by looking at him that he was obviously a cold-blooded killer and a hardened criminal.

Ice Tray – his heart might have been made of ice, but I saw right through him from the start.

Our boys have been collectively brainstorming possible characteristics for their group of inanimate suspects, but as you can imagine, first time round, it’s challenging.

Thankyou so much to Michael for taking the time and donating his creativity so that our students can learn from an expert, so that they feel special, and appreciative of the privilege they’ve received.

As I’ve said many times before,

technology makes possible the connections between people which would otherwise not have occurred.

This is a great example.

Don’t bag Facebook

 

Photo courtesy of phillipsandwich on Flickr

This is for all the people who think (and write) that young people use Facebook to waste their time with pointless dialogue, flaunt themselves inappropriately, engage in banal chat about drinking or bully others online.

Here’s a thread started by my 16 year old son who loves classical music and composing. Statistically, you could say he would be a target for derisive comments, and yet, read for yourself:

Maxim is composing his 8th symphony in B minor “Sinister”about an hour ago

good man maxim

cool

Bloody talented composer here. 🙂

I like! I like!! I like how’s already been pre-nicknamed

Maxim Yeah, it’s gonna be really dark and ominous. The very beginning has cello, bass, contrabassoon and bassoon with a dark unison theme. I got the inspiration from Borodin’s 2nd symphony for that.

YAAAAAAAAAAAAAAAAAY!!!! You must send it to me when you’re done!

Maxim Yes, but it may take a while.

can you please send it to me aswell???

YAAAAAY!!

Maxim Sure! Maybe 1 mvt at a time. This’ll take me a pretty long time.

YAAAAY!! It took brahms over a decade to make his first symphony… Take your time

Maxim Not that long, maybe a month or 2 I meant.

cool!

are there 1000 performers?

Maxim Is that a piece of music? Or are you asking whether my symphony requires that many players? Mine probably wouldn’t require 1000 players.

Well it does now!! It will include a huge choir!! And an orchestra at least 3 times the size of a normal one! YAY!!
(there’s a challenge maxim!)
Mahler’s 8th Symphony is also called “Symphony of a Thousand”. One of the best performance experiences I have ever had. Check out the ending: http://www.youtube.com/watch?v=uYM54vhLYTU&feature=player_embedded#t=20
Maxim  Oh, ok. Thanks.

My older son says that his friends often share links and information about new bands or where to get sheet music. They’ll find sites which teach you how to play an instrument; they use Facebook to help each other learn or create.

For those who focus on the negative aspects of social networking, think again. There will be negative interaction online, just as there is in life, but platforms like Facebook have enabled young people to connect in new ways, to learn from each other.

Can we see the process in the end product?

indoorlanewayproject

Last Saturday my sister (art teacher) and I finally saw the exhibition of work which was the culmination of The Indoor Laneway project. My last post explains the project.

The exhibition space is quite large and the ideas behind the exhibit well thought out. The adolescent bedroom and laneway leading to the main screen showcasing students’ work is effective. We sat on the chairs provided (I felt a little like Papa Bear on Baby Bear’s chair) and enjoyed the mix of styles and perspectives.

As we were going out, I said to my sister, ‘It’s more than it looks’.

That’s not to denegrate it in any way. I thought the exhibition looked professional, and considering the short six-week time period for the whole thing to come together, it was very impressive. It is true about art in general – and many other things too, of course – that there’s more to the whole process than meets the eye, and I think it’s worth thinking about. The Indoor Laneway Project blog solves that problem for students and educators involved, and in this way it holds the valuable stuff – the evolving thoughts, thrown-up ideas and resources, positive feedback, documentation of the process which leads to the final product, but which is almost more than the final product.

I thought I’d pull out some examples of what I mean from the blog:

Eugenia defines the most important part of the experience – collaboration:

Hi Indoor Laneway creators,

I can see you’ve been working hard and exploring the remix idea which is so excellent to see. A big part of this project is about connecting with others even if you live hundreds of kilometres apart and using this blog as a portal – and Terrie and Rebecca it’s so cool that this is the concept you’re using in your portal/portrait work.

Nikita (student from Mooroopna) says:

Hi everybody. I’m Nikita and i was thinking about making a virtual dance video if Daniel was interested…It would be great to have us both filmed in front of a green screen and then all footage is combined here… The most exciting thing about this is it could be the first time that this has been attempted. Hope you guys are really interested in this idea.

Yolander called for a combined effort from the cohort:

We need sounds such as laughter, voices of family and other important sounds that will relate to it, would you be able to assist me in writing this particular way?… Help in researching sounds. (it is easy to spend all day…) We have 8 min of swamp sounds as the birds all wake up for background… 

We would also like to use lots of home bits and pieces from both schools, sporting things and home items and animate them in and out. HELP!!!

Nikita thinks out ideas and process:

I was thinking of the way we could tackle this Virtual Dance video. Firstly we need to find a soundtrack from Jamendo that goes for 3 mins minimum that has an easy beat to dance a simple routine to. Then we should choreograph a simple routine for Daniel and I.

Pros- It will look great when finished.

Cons- It will look a little artifical and the greenscreen size will restrict movement but thats ok.

Kayla and Laura share an idea:

We are working with the other students on this project and we are glad that you like the idea of involving everyone.

We would like to get some Photos and/or short Clips of close ups of eyes or people pointing in and looking from WFS when possible to add to our project.

Emma, Yolander, Tom, Josh, Maddison ask for contributions:

A group of us have decided to concentrate on our original idea of the light beams coming from the computer screen. We would like to have the photos from home going into the computer with Indoor Laneway open on the screen, with the light beams as a way to remix them. We have recorded or sourced sounds that will be appropriate for this project, such as ‘catch it’ when a cricket ball goes into the screen and waves for a surfboard. This idea will incorporate everyones work. Could you please send us HEAPS of high res. photos and if possible with the objects eg. cricket ball, skateboard, guitar, etc. selected out and saved in a .PNG format? That would be really awesome

 These are just some of the extracts from the interactive process at the heart of The Indoor Laneway Project. I think you get an idea of where the strength and value of this project lies.

Will viewers of the exhibition understand the depth of this project? Probably not. If they took time to have a look through the blog on the computers provided in the exhibition, then they’ll have some idea. If they browse the tab ‘Make and create tasks and responses’ on the blog, then they’ll have an even better understanding of the project.

Does it matter? Do viewers need to know every aspect of the process? Well, from an assessment perspective, yes. Surely the entire process would be considered in the final evaluation. This brings me to the question of assessment in general. If we understand that the entire learning journey is valuable, and not just the final product, are we convinced that our method of assessment is appropriate, or should we rethink it?

Clearly, what the kids get out of it is more than the finished product. Their learning experience has been enriched by the challenge of a multi-tasked program, through online collaboration with another school, spurred by a project taking them out of the school to a public audience. I can imagine that the face-to-face meeting would have been fantastic, and building the sets together enjoyable.

Wouldn’t it be good if there were more opportunities for students of every discipline similar to this one?

Art students collaborate – Indoor Laneway Project

Sometimes things happen in schools. Days and lessons go by and pile up but occasionally an exciting kind of learning takes place. Marie Salinger, art teacher and Director of Learning Enhancement at Whitefriars College (my school), has been a catalyst for this kind of learning. Marie has taken the plunge with her Year 11 Studio Arts class – diving into unchartered waters and taking on the challenge of long-distance, shared learning with Mooroopna Secondary College many kilometres away. Did I mention they had less than a term to produce a show for the public? I’m talking about the Indoor Laneway Project.

Marie talks about how she feels about the project

I am feeling so energised and excited about the Indoor Laneway Project and am especially enjoying the chance to tap into some wonderful, rich resources so easily. Working with Dan West (the Arts Centre) and Eugenia Lim (ACMI) and having access to their wealth of experience, knowledge, technical expertise and creative talents has been a huge incentive and is adding a whole new level of excitement to my work in the classroom. I have also noticed a big shift in how the students are approaching the set tasks. They feel that there is a real purpose to their work and are very aware that they will be addressing a much larger audience than would usually be the case. Normally we might have the opportunity to display their artwork around the school as well as at our VCE exhibition in October. Displaying student work in this way for the school communitiy is great but now we have the chance to show our artwork to anyone, anywhere in the world, who is interested . A daunting but also very exciting possibility.

In the About section of the Indoor Laneway Project’s website, you’ll read this:

Education at the Arts Centre Presents Indoor Laneway – an online collaborative arts project. Its intention is to allow regional and metropolitan secondary school students to develop digital sound and art work.

 Under the mentorship of an established media artist and school based digital media educators, participants remix and re-contextualise each others work and collectively assemble sound and images to explore artistic practice that focuses on key concepts of: 

  • Self
  • Home
  • Global and Local Positioning
  • Connection
  • Exchange 

Over two weeks in September, the Indoor Laneway will establish a virtual space in the Arts Centre’s BlackBox where work generated will be displayed, results disseminated in a public forum and location based performances will take place.

Of all the outcomes listed in the About page, this is one which resonated with me:

  • encourage within participants a community of collaborative creation and a sense of unity working towards a common artistic outcome;

Talking to Marie during the very short span of several weeks before the opening, she spoke of a sense of excitment and engagement amongst the students, and a noticeable increase in productivity and bouncing off others’ ideas. On the day that the two classes met at the Black Box in the Arts Centre to build the sets, I would have loved to be there to witness the shared activity which prepared for a real exhibition in a well known Melbourne Arts space and open to a real audience. I have a feeling this will be something the students will always remember.

Reading Marie’s blog posts, you can sense her involvement in the students’ engagement with the project:

It is so wonderful to see these young students bouncing ideas around. They are so creative and innovative and I am loving the vitality that surrounds the project. There is a lot of dialogue going on about the actual exhibition space and how we might use it to display the very large, diverse and amazing art mountain that has developed from the Indoor Laneway Project.

I’m looking forward to seeing the exhibition this Saturday. Congratulations to Marie, to students and art teachers of Whitefriars College and Mooroopna Secondary College, for your amazing, inspiring work! A real example of authentic learning beyond the walls of the classroom and out of the textbook. Learning from each other, creating together and exhibiting to the world.

Great quotes about learning and change – Flickr group

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Yes, another post about Flickr. This time, I’ve discovered the Group Great quotes about learning and change. The image/quote above has been added by canesinthecup. If you look at the rest of canesinthecup’s photostream, you’ll find more quotable quotes, such as this one:

teachersfailing

 This Schopenhauer quote is a favourite of mine and was added by colemama:

extraordinary

Darren Kuropatwa, an educator I’ve known since my involvement with Powerful Learning Practice Program, and who is a mentor to me, used a powerful Seth Godin quote for this slide:

educationgodin

I like his choice of Jared Klett’s image – very apt. Darren took the quote from a blog post by Seth Godin which has resonated with him.

It was actually Darren who initiated a collaborative slideshow within the PLP cohort. Darren selected the theme Teaching well for the slideshow. PLP cohort members were invited to sign up on a Google Document for a slide. 

We will collaboratively create a 20 slide presentation (not counting the title slide) called “Teaching Well”. 20 slides in 10 pairs of contrasts: “Teaching well is more like < slide 1 > than it is like < slide 2 >.” or however else you want to create contrast.

Each day one slide is added to the deck that builds on those that came before. The final 4-6 slides must bring the presentation to some sort of close.

The final product demonstrated, in its collaborative opportunity, that we are much more than the sum of our parts. It was fun to browse Flickr  in search of an image which would best illustrate the idea expressed. I still hope to do this with a class.

Darren included a few instructional slideshows. One of them is Brain Rules for Presenters. Another is Dodging Bullets in Presentations. And also Taking Your Slidedeck to the Next Level. All excellent guides to visual accompaniment to a conceptual presentation.

In a PLP discussion, Darren recommended his friend lynetter‘s  Digital changes everything on Flickr. She has 3 sets. One of them is Interesting Snippets which she explains is

my personal dumping ground for various cool quotes, the odd stat, as slides to talk around when describing how things are changing online and in media & communications generally.

It’s a great collection of visually supported quotations.

lynetter

So much to be discovered on Flickr. It really is more than just a bunch of pictures.

Pictures take me back to the story

Who doesn’t love illustrations? That’s a rhetorical question. I doubt that anybody would take offense to illustrations being interspersed amongst the text of a story.

The Guardian treats its readers to a taste of a new series of recently  illustrated children’s classics.

Walkers have put together some of the world’s greatest children’s literature with the best contemporary illustrators to create a beautiful and accessible collection of classics for a new generation. Here we gather together images from the first five titles in the Walker Illustrated Classics series.

Even if you’ve read these classics, the illustrations may entice you to have another look. For me, the fresh visual interpretation is even more enticing considering how well worn these stories are.  I’m curious as to how an illustator can create a new perspective when so many have done the same and so successfully. And of course, who can resist discovering the work of ‘the best contemporary illustrators’? The Guardian gives us a taste of the first 5 titles in the series accompanied by the illustrators’ reflections – a sure hook to wanting to see the rest.

Paul Howard illustrated Classic poetry and reveals his initial apprehension:

The idea of illustrating classic poetry terrified me at first – I can’t remember jokes let alone poems from my school days and consequently think of myself as a ‘poetus ignoramus’. To my great surprise this worked in my favour and I found myself embarking on a fantastic voyage of discovery.

Childrens-Illustration-poetry

Howard’s personal challenge to tackle poetry could be an inspiration for the current reading generation for whom poetry has become largely engimatic.

When I was battling to understand some of the poems, Michael Rosen would read them to me aloud. Listening to him was like clearing a misty window and letting the sun pour in.

Helen Oxenbury’s unmistakable style brings a contemporary realism to Alice in Wonderland.

I admire Tenniel’s original illustrations enormously, but I find his typically Victorian style rather stiff …

Childrens-Illustration-Alice

Inga Moore’s reflection provides a fascinating honesty:

The Secret Garden is one of the greatest books for children of all time and it took me a long while to pluck up the courage to illustrate it. What made me think I could do it justice? I knew a merely decorative approach wouldn’t do for a work with such depth of meaning so I decided to bring out as much of its meaning as I could in my pictures, carefully placing them next to the words they illustrated in the hope that the two together would make a more vivid whole …

I love the atmosphere of this picture, and the attention to detail (notice the tiny red bird high in the tree).

Childrens-Illustration-secretgarden

Nicola Bayley combines contemporary realism with the exotic in her interpretation of  Rudyard Kipling’s Jungle book.

For me, illustrating a classic is treading a fine line between authenticity and beauty.

Childrens-Illustration-Junglebook

Chris Riddell brings his own style to the classic Don Quixote:

Very early on I decided not to be daunted by the size of the book and to approach light-heartedly, in an attempt to reflect the satire and humour in the work. Don Quixote is a great big book that satires great big books, an epic romance that pokes fun at epic romances. I looked at the paintings of Velázquez, and used costumes and settings from his great Royal portraits to give the illustrations a 17th-century feel, but I also wanted a fantasy feel to the illustrations, so the giants and monsters came out of my imagination …

Childrens-Illustration-DonQuixote

In light of Anne Fine’s recent outspokenness about the grimness of contemporary Young Adult fiction, Walker’s collection of contemporary illustators’ re-envisioning of well loved classics, may be just what we need. As much as I love the honesty and power of modern fiction for young people, I don’t mind revisiting my old fantasy haunts, entering the rich, illustrated world which has always been such a tantalising, albeit temporary, escape from the everyday. If, as children, we fed our imagination and creativity with favourite illustations of fantastic tales,  why shouldn’t we revisit now and then to take nourishment?