Tag Archives: SLAV

Re-designing thinking (on libraries) – Hamish Curry (notosh) #slav

Yesterday Marie and I attended a SLAV workshop facilitated by Hamish Curry (notosh) : Re-designing thinking on libraries.

I don’t have time for a well written post at the moment so I’m going to share my unedited notes and photos, including screenshots which will give you an insight into the process we went through during the workshop. A big thank you to Hamish Curry who ran a dynamic, engaging workshop with lots of depth and substance. I hope to share this with my library colleagues as well as other teachers in the school (and obviously here).  You can also look at Notosh’s ‘The Design Thinking School‘ online. I think it would be fantastic to have Hamish work with us at MHS, either as a whole school or in faculties.

I did feel a bit like I was going to explode while attempting to listen, participate, take notes, while sharing on Twitter and Instagram.

Great video demonstrating the importance of time given for creativity and problem solving.

A few screen shots. Please go full screen with the presentation.

More about Hexagonal Thinking on the notosh website.

If you want a more comprehensive, orderly set of notes, please look at Marie Buckland’s.

Seeing is thinking, feeling, understanding – let’s not neglect visual literacies

Pablo Picasso

The SLAV conference, ‘Transliteracy, multiliteracy, makerspaces: how can you participate?’ I attended recently (16 August) gave me much to think about, as they always do.  The featured address, ‘Ways of seeing’: The visual in Australian curriculum by Helen Kent and Catherine Reid from Melbourne Graduate School of Education, University of Melbourne, highlighted an often neglected area of  focus on important visual literacies at the secondary level.

There does seem to be a stronger focus in schools on the analytical responses, and I am concerned that students are missing out if we ignore the visual aspect in favour of what we see as the more important textual analyses. I agree with Helen and Catherine that we need a response to the aesthetics, not just analysis, in our approach to the curriculum. Visual literacy is extremely important in the 21st century, and is particularly engaging to students, and must include affective responses if we want to develop emotional intelligence.

What happens to children who are surrounded by rich visual content in their early childhood and primary years who enter secondary school where this is suddenly cut off?  My guess is that, firstly, engagement decreases, and secondly, they miss out on developing the essential skills that come out of visual analysis. It’s not realistic to pretend that we live in an exclusively text-centred world, especially with the immediacy of images and multimedia at our fingertips now.

Are we mistaking visual literacy as being tied exclusively to the Visual Arts? The occasional comic prompt in an English paper? I realise I need to look again at AusVels to see where exactly I can find opportunities for students to articulate an emotional and aesthetic response – History, Civics and Citizenship, Maths and Science, for example, offer the opportunity for aesthetic responses, so I need to have a closer look.

Some takeaways which I’ll follow as leads for futher investigation:

  • First We See: the National Review of Visual Education which recommends  a whole new pedagogy to deal with visual literacies
  • the term ‘wreading’ – interconnected fluid process of learning reading and writing
  • Do we need a new term ‘Visualcy’  which describes the connection between literacy and numeracy ?

What we should be looking for is a pedagogy that enables emotional response to visual prompts. We have the Arts and teachers of the Arts to look to in learning about how to develop visual literacy in our students.

One of the questions which arose from the session was ‘Can we assess students’ emotional responses?’ I would be interested in a good conversation about this with people who have a keen interest or experience. In any case, as our speakers said, what is curriculum for? If it’s to guide us in addressing goals and skills acquisition, and if ‘viewing’ is one of the strands, then we should seriously develop this more in our curriculum to align ‘viewing’ with the other strands. Interesting to note that the rationale doesn’t emphasise enough the importance of visuals in Indigenous culture.

                                                                                                                    Rene Magritte – Ceci n’est pas une pipe

I haven’t summarised the entire content of the two talks, and I don’t intend to. I’d like to share resources I’ve been creating that might be helpful for anybody thinking about resourcing Visual Literacy in their schools. At this stage, my resources are targeted at English teachers, but I’ll make an effort to keep my eye out for visual prompts for different domains. Some of these below may possibly be adapted for others but I haven’t looked at this specifically yet. The images can be deconstructed, used as writing or discussion prompts, but these are just some of the suggestions – it’s really up to the focus of the teacher in deciding how the images can be used. Often they can be used for more than one purpose or approach. So, it’s over to you to think about how some of my collections can be used. Don’t be shy to share your ideas in the comments section of this post. It would make my day.

An old blog, Storyteller, with various writing prompts, including visual.

My Pinterest boards (selection) –

Art Inspiration

Awesome

Banned books

Bigger Picture

Clever

Imagine

Looking out

Lost

Maps

Mathematics

Old stuff

Photography

Story

Visions of the future

Words

Well, that’s it from me. For now. Hope you’ll share your ideas – look forward to the conversation.

Mobile Technologies – Apps Showcase

Here’s my presentation at the SLAV conference – Activate: Learning with Emerging Technologies on Monday 17 October 2011.

Educational iPad/iPhone Apps Showcase[slideshare id=9762475&w=425&h=355&sc=no]

View more presentations from Tania Sheko

I’ve added the link to the presentation on my school LibGuides page for iPad/iPhone apps here. The 2 pages of links to resources for iPad/iPhone apps are worth checking out and I’ll be continuing to add resources here.

I’m really happy with LibGuides in terms of organising and sharing resources for the school. So much better than the old Dreamweaver library websites, easy to use and share, easy to collaborate in, as well as to ‘borrow’ things from other creators (with permission, of course!)

A big thank you to Natalie Elliott (@nataliee_1) from Toorak College for agreeing to join me for the second half of the presentation. Natalie talked about her experiences in setting up and managing iPads in her school. I was happy to provide this practical aspect for the technicians.

This presentation was modified from a previous one which I wrote about here.

Making learning personal and social – Presentation at SLAV conference

Last Friday I had the privilege of sharing some of what I’ve been doing with blogging at my schools at the SLAV conference, Celebrations! An eye for literacy. I believe SLAV hosts the most informative and inspiring conferences, deepening our understandings and broadening our horizons.

Unfortunately we were running late with this session, and at least half of my presentation had to be cut. I wasn’t able to fully develop my presentation of the topic:

Social networking: giving students an online voice. In this session you will explore the initiatives of threeschool libraries and the use of social networking to buildcommunities of readers. What worked – and why it’s worth having a go.

That’s why I’ve embedded my slideshow and accompanying text in case anyone is interested in the complete presentation.

[vodpod id=Video.4904357&w=425&h=350&fv=]

Here is the link to the accompanying text.

The educators in my session were inspiring in their presentations – Tricia Sweeney and Michael Jongen (Our Lady of Mercy College, Heidelberg) talked about Twitter and Facebook to engage students, and Rachel Fidock (Mooroopna Secondary College) talked about Google Lit Trips.

Thanks to SLAV for the opportunity to share some of my work with teachers and students. Like the others, I was incredibly nervous but ended up enjoying the experience. Sharing of ideas and experiences is very satisfying.

My slideshow is also embedded in my wiki.

Where have I been and what have I been doing

That’s a rhetorical question, by the way. To make me feel a little appeased in my guilt for blog abandonment.

A few things have been happening, and these things would normally require a detailed and possibly time consuming write-up. Hence my blog absence. This is, sadly, not going to happen at a time when too many other things need to be done.

So…

Monday night I was one of the lucky ones to find a seat in BMW Edge for the free talk by Bill Henson (The light and dark and the shades of grey) to open the Melbourne Art Fair. Notice I didn’t say ‘the controversial Bill Henson’, the reason being that his talk was not, as some may have expected, a political or moral justification for the (fairly) recent censorship of his art (not photography, which is merely the medium). Surprisingly, his extremely esoteric talk used broad brushstrokes to paint a picture of civilisation shaped by centuries-old art, architecture, literature and music. I won’t attempt to summarise his talk but I think that one of his main themes was the need to expose young people to the history of our civilisation, to the breadth of artistic expression, in order to open up thinking, questions and discussion, and maintain a fuller context for the formation of understandings. Some may have expected a bitter, insecure man, lashing out at critics, as claimed in The Age article (written, surely, during Bill’s talk – or even before) which I read when I got home from the talk. These people were disappointed, then, because Bill’s composure and lack of defensiveness was noticeable.

We should be wary of governments and interest groupswho try to impose restrictions on the free exercise of theartistic imagination. Our zeal to protect innocence should not come at the cost of violating artistic experience.

If we believe that art is a high form of education, thatits basis is moral and its goal truth, then we should resistthe impulse that would deny the artist the right to deal with what may sometimes be ambiguous, complex anddisturbing.

Artists can seem like holy fools, they can seem likedevils. They may exhibit the cunning of the insane orthe illumination of the saint. But genuine art is the greatbridge between the inner world in each of us and theordinary world in which we live. Art shows us the truthand it should never be the quarry of the witch-hunter orthe social engineer. Any attempt to make the world betterby destroying or shackling art represents a repudiationof the truth.

(Not all reviews of Henson’s talk were unreasonable; this one wasn’t.)

So, that was that. And since then, I’ve enjoyed many conversations with various people about censorship, art and the education of young people.

The recent School Library Association of Victoria PD is another potential essay in the making. But I’m tired, so suffice it to say, I was immensely satisfied with the line-up of speakers, particularly the guest speaker, Joyce Valenza, and our own Adrian Camm.

The Bright Ideas blog has covered the main information and links from this day. I would just like to say that Joyce  is a passionate educator who surely never sleeps because how else would she have managed to create such amazing resources. It wasn’t hard work at all listening to Joyce – she’s blessed with a vibrancy and creativity which makes everything look deceptively easy. Take a look at her wikis and look up the rest of her stuff too.

Adrian, I’m not a games person, but after your talk, I might consider conversion…

What else?

Well I’ve taken up the challenge at Kew High School of running a couple of PD sessions introducing Web 2.0 tools for authentic and connected learning and teaching. Since I’m new to Kew, it’s an entirely different experience presenting to people I don’t know, feeling uneasy about the fact that I can’t read their faces to ascertain their reaction to my assault on them. My Whitefriars experiences, on the other hand, were based on relationships and the gradual introduction and integration of Web 2.0 technology, often in context of a class which I taught collaboratively over a period of time. I much prefer ‘preaching’ to people I know, so that the conversation comes from a knowledge of how these people think and with respect for their individual styles as teachers.

Well, that’s enough for this post. Apologies for the rave.