Tag Archives: online

Is the book dead? Is reading dying?

dogreading

Photo by Sansanparrots on Flickr

Another article about whether reading – in the way we have known it – has changed forever; and is reading books becoming extinct as we are lured by  online offerings.

People of the screen by Christine Rosen in the online journal The New Atlantis: a journey of technology and society is certainly worth reading. It tackles this subject with a wide net, and even though you may not agree with everything that is stated, it is an excellent basis for discussion.

 The article deals with many aspects of the reading issue. Here it talks about the decline of reading for pleasure:

In 2007, the National Endowment for the Arts (NEA) published a report, To Read or Not To Read: A Question of National Consequence, which provided ample evidence of the decline of reading for pleasure, particularly among the young. To wit: Nearly half of Americans ages 18 to 24 read no books for pleasure; Americans ages 15 to 24 spend only between 7 and 10 minutes per day reading voluntarily; and two thirds of college freshmen read for pleasure for less than an hour per week or not at all. As Sunil Iyengar, director of the NEA’s Office of Research and Analysis and the lead author of the report, told me, “We can no longer take the presence of books in the home for granted. Reading on one’s own—not in a required sense, but doing it because you want to read—that skill has to be cultivated at an early age.” The NEA report also found that regular reading is strongly correlated with civic engagement, patronage of the arts, and charity work. People who read regularly for pleasure are more likely to be employed, and more likely to vote, exercise, visit museums, and volunteer in their communities; in short, they are more engaged citizens.

Here is an interesting take on the type of personality apparently suited to online reading:

 For centuries, print literacy has been one of the building blocks in the formation of the modern sense of self. By contrast, screen reading, a historically recent arrival, encourages a different kind of self-conception, one based on interaction and dependent on the feedback of others. It rewards participation and performance, not contemplation. It is, to borrow a characterization from sociologist David Riesman, a kind of literacy more comfortable for the “outer-directed” personality who takes his cues from others and constantly reinvents himself than for the “inner-directed” personality whose values are less flexible but also less susceptible to outside pressures. How does a culture of digitally literate, outer-directed personalities “read”?

I disagree with the contention that screen reading discourages contemplation; in fact, the commenting in blogs, for instance, creates a string of contemplative replies. That this type of contemplation is interactive is surely a positive outcome.

There is too much in this article for me to cover it in a short post. The advantages and disadvantages of the Kindle are discussed, the attention span of young people, the changing nature of libraries, research and librarians’ roles, as well as the future of literature with the advent of hand-held devices that save books as iPods do with music, creating mashups of the paragraphs within different books.

Have a read. Tell me what you think.

Different kinds of reading – internet and literature

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 Photo courtesy of imago2007

I’m aware that my reading behaviour on the internet is different from when I read a book, in particular fiction. In addition, I think that my book reading focus has altered since I’ve discovered hyperlinked online reading.

I’ve included a paragraph from a piece written by Sven Birkerts on Britannica blog, Reading in the open-ended information zone called cyberspace.

Again, I’m not saying good or bad, I’m just saying. When I am online I am perpetually aware of open-endedness, of potentiality, and psychologically I am fragmented. I make my way forward through whatever text is in front of me factoring in not just the indeterminacy of whatever is next on the page, I am also alert, even if subliminally, to the idea of the whole, the adjacency of all information. However determined I am to focus on the task at hand, I am haunted by this idea of the whole. Which is different than what I might experience sitting in a library chair knowing that I’m in the midst of three floors of stacks. The difference has to do with permeability, with the imminence of linkage, and it is decisive.

 Here is the complete article.

I’d like to explore this topic to gain an understanding of something that affects our students and us as teachers.

What do others think about the author’s views? What are your thoughts about the different kinds of reading? Do you think our generation of online students are affected, and is this positive or negative?

YouTube Symphony Orchestra

[youtube=http://www.youtube.com/watch?v=-T_SryRAXuw&eurl=http://gmodules.com/gadgets/ifr?url=http://hosting.gmodules.com/ig/gadgets/file/104671293108202388368/symphony.xml&hliurl=http://i2.ytimg.com/vi/-T_SryRAXuw/hqdefault.jpg&feature=player_embedded]

I’m really getting into the global potential and creativity of technology. Discovering YouTube Symphony Orchestra made me smile. Music plays a significant part in my life, with my two sons playing piano and violin, and my 15 year old spending most of his free time composing classical music. There is always music in the house, sometimes competitively discordant, but usually lovely to listen to. Here is what YouTube Symphony Orchestra is about:

We invite musicians from around the world to audition for the YouTube Symphony Orchestra. Your video entries will be combined into the first ever collaborative virtual performance, and the world will select the best of you to perform at New York City’s Carnegie Hall in April 2009.

This will be the first ever collaborative online orchestra. Pretty cool. It will unite professionals and amateurs from around the world. You can audition by submitting a video performance of a new piece which has been written for the occasion by the renowned Chinese composer Tan Dun (Crouching Tiger, Hidden Dragon).

Technology to audition and technology to help you prepare. YouTube provides tools to help you learn the music, rehearse with the conductor and upload your part for the collaborative video.

Finalists will travel to New York in April 2009 to participate in the YouTube Symphony Orchestra summit and play at Carnegie Hall.

The New York Times writes about this.

“The idea is to put together the world’s first collaborative online orchestra” and encourage musicians of all types and abilities around the world, said Ed Sanders, YouTube’s project marketing director for Europe, the Middle East and Africa and the person in charge of the effort. “It’s collaboration in a way and a medium never seen, both with sound and video.”

You can listen to the composition played by the London Symphony Orchestra:

[youtube=http://au.youtube.com/watch?v=Tqiro1kdRlw]

 

 

 

 

Educational resources in The New York Times

The New York Times has a ‘Teacher Connections’ section which is updated daily. Just browsing here today and saw some great stuff, so I thought I’d share.
There’s a Daily Lesson Plan and a Daily Lesson Plan archive, which has amongst its categories Civics, Global History, American History (of course), Fine Arts, Geography, Language Arts, Mathematics, Media Studies, and more.

I’ve copied one of the Fine Arts lessons into my art wiki: Art happens: investigating the modern art of Robert Rauschenberg. The overview states:

Students investigate the work of American Modernist Robert Rauschenberg by responding to his art and reading about his life and ideas. They then individually create a work of their own that pays homage to a Rauschenberg to demonstrate an understanding of his aesthetic sensibility.

The lesson is well planned, and includes objectives, resources/materials, background, activities/procedures, including homework, further questions for discussion, evaluation/assessment, vocabulary, extension activities, interdisciplinary connections, references and other information on the web. There is a feedback option at the end of the lesson.

The News Snapshot is an excellent idea for students to interact with the latest news:

Every Monday through Friday, News Snapshot features a newsworthy and provocative photo from The New York Times, along with the basic set of questions answered by journalists when relaying the news– who, what, where, when, why and how.

This section includes student handout, teacher’s page, suggested activities, and the questions.

Issues in depth is subtitled ‘Teaching with the times’ and includes curricular materials, news specials, and issues in depth. Each page provides a wealth of resources: lesson plans, Times articles, multimedia, archival materials, quizzes, crosswords, related Web sites and more. This section is designed to help students make connections between course material and issues and events in the news. There’s are wide variety of topics here, including the election, Iraq; and also material on literature, including specific books, poetry, Shakespeare, journalism, and more.

‘Science and Health’ includes topics, such as teen health, global warming, hurricanes, and more.

There’s more here – eg. crossword puzzles for the different curricular areas, ‘on this day in history’,etc., and I won’t go into detail for all of it; you’ll just have to look for yourselves. Actually, I do want to mention ‘Campus weblines’ where you can learn about how to produce a quality online newspaper from the student editors themselves. This is informative and detailed.

I recommend you give this section of The New York Times a squiz, and then dart over to Student Connections which ‘Science questions and answers’ and letters to the editor amongst other things.

But wait, there’s more! Parent Connections includes things like ‘coversation starters’ (they have thought of everything!) and a family movie guide.

I don’t know about you, but I’ll be keeping an eye on the educational section of The New York Times from now on.

Is that work? Or are you wasting time on the internet?

There are two places to be – immersed in Read/Write worlds and not. And never the twain shall understand each other. There are some things that cannot be explained theoretically.

Today a friend of mine, who is extremely intelligent and wise (I’m stressing this to support a point that’s coming) said to me in all earnestness that she never wanted to blog, didn’t see the point of it, and thought that a few years down the track, people would look back at blogging and say big deal. I’m paraphrasing loosely here. I told her that she didn’t get it because she didn’t do it. And that the only way she would understand it was if she did it. The same goes for other forms of online social networking and learning.

Now this friend, as I’ve already mentioned, is intelligent and wise, an extremely experienced and competent educator, and committed to her role as teacher librarian. So what keeps her in that other place when many of us have moved to the new improved place? And what will it take to give these gentiles an understanding of the transformative nature of the interactive, connected online world? Is it like convincing non-believers that Jesus actually walked on water? (I’m hearing you already, non-believers).

Following this discussion, another friend in the same business asked me if I had read many fiction books lately, and I said not many because there was so much to read and respond to online. Her brow furrowed, and with genuine confusion, she asked what was there online that took up so much of my time. Was it work?

Now here’s another prickly subject for me. Is it work when I spend most of my evening on the internet? Some of it is, and directly related to my job as teacher librarian, but much of it is self-directed reading and responding to the overwhelming mass of wonderful ideas, discussions and resources that are shared. A hollow and static concept – ‘work’. Do you mean, is it something that will be useful in your teaching and supporting role to teachers and students? Then, yes, it is. It’s that and so much more. It’s discovering gold mines many times a day, connecting with people and their knowledge and expertise, giving and receiving ideas, and surprising yourself with the ideas that are expressed by you – ideas you never thought you had, ideas you may never have known you had, if it weren’t for the blog or the comment box. If we’re going to justify the hours we spend online, then we must acknowledge once and for all that what we’re doing is valuable. It’s an ongoing learning process that feeds us so that we can feed our students and school community.

We don’t want to dry out. We must dry out if we don’t water. Networking feeds us, connects us to great minds and wonderful people from so many places. It’s not about the technology, it’s about people.

Confessions of an online junkie

In leaving a comment in a discussion about the balancing act between actual life and online life, I quoted Lauren O’Grady in her blogpost “Hyperconnection!! Arggh this changes everything.. for me anyway” where she talks about a time when a friend made her realise how much her hyperconnectedness was affecting her relationships with family and friends. She also talks about Ariel Meadow Stallings whose addiction to the internet you can read about in her blog. After going to a workshop about finding balance between technology and soul, Ariel decided to unplug one night a week for a year – and then blogged about it (as one does). Her blog includes a video of her 52 nights unplugged on the Today Show. Kind of ironic. Like compensating for internet abstinence by embedding the experience online. Online therapy, if you will.

I have to admit that, since plugging in, my life has also been undeniably affected. I go to bed later, am less fastidious about housework, rarely bake, read less fiction, and never answer the phone! And I’ve started to develop some disturbing habits; I find myself scuttling furtively from blog to Twitter to Facebook to gmail to internet, and so on. And at the end of the day (well, yes, it’s already the next day by then) I find it almost impossible to disconnect cleanly, at least not without a final few rounds of furtive scuttling. Now I ask you – should I be looking at therapy?

I could justify my dependence on being online by saying that there is so much online that is interesting and important for my professional and personal development, but then I would only be saying a half-truth. Not everything I read online is absolutely essential; there are too many tempting forks in the road, and not so much forks as capillaries branching out like fractals. That’s why the question of balance is, for me, an important one while I still have my husband with me, and while I can still get out of the chair. I know I have to do something about it, but I don’t know what. And if anyone says moderation, let me say that I know that I should only eat chocolate in moderation, but how??

Stephen Downes, in his Seven habits of highly connected people, suggests that we should stop wasting time in order to make way for meaningful online time. Surprisingly, he includes in his definition of time-wasting such things as reading and telephone conversations. I had to re-read the paragraph about ‘connection’ a few times to make sure he wasn’t being facetious. I don’t think he was. We should be careful with our definition of what is a waste of time. There are always unproductive periods or times that could be labelled as time-wasting. But these times are hardly insidious. They might be essential for germinating ideas. Creative people – artists, musicians and writers – are not being productive all the time. We all have our ‘down time’, and I’m certain that this is some sort of ‘pause’ mechanism which gives us the break we all need. A reflecting time, a processing time, a human time….

A picture’s worth a thousand words

I found ‘A picture’s worth’ on the Learning technology teacher development blog. it’s a wonderful collective version of people’s stories behind their own photos – even more interesting as a kaleidoscopic collection. Starting as a personal project, ‘A picture’s worth’ has developed into a pictorial record of varied experiences and reflections. Submissions of photos and text between 300 and 1000 words are moderated, and copyright for photos and essay remains with the author.

Some authors will include website links, and a map showing where the photo adds to the authenticity of the story. I like this idea for the classroom. Rather than write the usual story about a personal photo, students can showcase to a peer audience, and the shared stories could trigger ideas. It’s always interesting to see what subject matter is chosen and for what reason. Here’s an example of someone who loves photographing little forgotten theatres. Some of these stories are more intimate than others. Here’s an intimate, emotional one about a family coping with a dying grandmother. Here’s a confronting, brave one about abuse called ‘Bruised twice’.

The picture inserted in this post is of my church in Brunswick, Melbourne, on Merri Creek, although it could well be in Russia. This church building houses many stories, from its inception which remained a dream for many decades, including the efforts of many people, some of whom never saw the completed project, to the present day. And it will be connected to many different families and individuals in years to come.

The picture below is the inside of the church looking up at the cupol.

Can intelligent literature survive in the digital age?

The Independent featured an article with this poignant question – can intelligent literature survive in the digital age? As the article says, ‘Is the paper-and-ink book heading the way of the papyrus scroll?’ This is indeed a question worth devoting more than a couple of minutes to.

The crucial question is – whether all our online reading – the fragmented, stylistically-challenged emails and microblogging – has taken its toll on our attention span? Nicholas Carr of ‘Is Google making us stupid?’ fame has added to the debate by claiming that the internet is responsible for his downward spiral in longterm concentration: ‘Once I was a scuba diver in the sea of words. Now I zip along the surface like a guy on a Jet Ski.’

Scott Karp, who writes a blog about online media, claims he used to be a voracious reader, but has now stopped reading books altogether. Is the internet to blame? Other people quoted in this article admit that they are now unable to concentrate on more than a couple of paragraphs at a time, and that they skim read, rather than read and think deeply.

A recently published study of online research habits , conducted by scholars from University College London’ claims the following:

‘It is clear that users are not reading online in the traditional sense; indeed there are signs that new forms of “reading” are emerging as users “power browse” horizontally through titles, contents pages and abstracts going for quick wins. It almost seems that they go online to avoid reading in the traditional sense.’ Still, the article does maintain that we are reading more now than when television was the preferred (only?) medium. Personally, I find it difficult not to skip around when links abound and I’m torn between too many tantalising directions.

Carr supports this behaviour with the following observation:
‘When the Net absorbs a medium, that medium is re-created in the Net’s image. It injects the medium’s content with hyperlinks, blinking ads, and other digital gewgaws, and it surrounds the content with the content of all the other media it has absorbed. A new e-mail message, for instance, may announce its arrival as we’re glancing over the latest headlines at a newspaper’s site. The result is to scatter our attention and diffuse our concentration.’

But is this fear of change typical of the fear each generation experiences?
‘In Plato’s Phaedrus, Socrates bemoaned the development of writing. He feared that, as people came to rely on the written word as a substitute for the knowledge they used to carry inside their heads, they would, in the words of one of the dialogue’s characters, “cease to exercise their memory and become forgetful.’ That may be so, but in today’s ‘information age’, it would be foolish to try to carry all the knowledge we read inside our heads, especially when access is so easy.

If the internet and Google are wired for quick knowledge-access, then surely, we realise that we don’t just read for knowledge. We read fiction, for example, as we regard art, to enter into a transformed, deeper(?) reality; to savour language and perceptions; to gain insight into the human condition; to gain moral, social and philosophical truths; to experience many things besides.
Are we losing/have we lost something in our move to 21st century literacies? Is it a matter of a lost language or genetic traces that will never be repaired? Even avid readers will necessarily read less traditional, hard-copy literature, if only because they are also keeping up with blogs, wikis and RSS feeds? Are we becoming ‘pancake people’, as the playwright, Richard Foreman, suggests?

Now, according to The Independent, many serious writers complain that challenging fiction doesn’t appeal – “difficult” novels don’t sell. To sell now, ‘books evidently need to be big on plot and incident, short on interior monologue.’ What are the consequences for teachers and librarians, trying to encourage young people to read? Are we trying to keep grandma alive? And besides, if we admit it, our own reading patterns are changing to some extent. And yet, websites that give exposure to books can only increase readership. Just think about all the literature you might be tempted to read after reading somebody’s passionate review or after searching Google Book Search.

If only you had the time or could get off the internet!

Babelswarm – Art in Second Life

Babelswarm is Australia’s first Second Life arts residency. Recognition of 3D Multi-user Virtual Environments (MUVEs) as a medium for serious art work comes in the form of a grant of AUD 20,000 from the Australian Council, the biggest grant to be awarded for Second Life work. Here’s what the creators of Babelswarm have to say:

‘We will collaborate to develop an inter-disciplinary artwork in Second Life, which converges possibilities of literary, music/sound art and real-time 3D arts practices within the virtual world. There will be a simultaneous installation in Second Life and in a real world gallery, where gallery visitors can be directly involved in its creation via a voice-driven interface”.

It sounds amazing. If you want to go there, you can teleport in.
Here’s what Radio National had to say.
Have a look at the Babelswarm Flickr group.
Desktop magazine asked creator, Chris Dodds of Icon Inc, about his second life and creating virtual art in a virtual world. Dodds answered, “The grant recognises virtual worlds as legitimate environments for artists to work and create in and, while some artistic institutions already have a presence SL and a few have offered residencies, the $20,000 Australia Council initiative is the biggest of its kind.”

“This work, called Babelswarm, will consist of a real-world gallery installation and SL-based interactive sculpture. Participants from both the real world and SL can speak to the artwork and have their words translated into virtual three-dimensional letterforms. These letters then tumble from SL’s sky via a complex set of scripting and voice recognition software. The more words, the higher the tower becomes. The work is to be viewed in a gallery via a wall-sized screen, and in SL by proxy of an avatar. Both real-world and SL-based participants can interact with the work and communicate to each other through the artwork, and the work investigates real and virtual entanglement, language and interaction.”

The work will be launched as part of another Second Life project that Dodds is working on – the Australian Centre of Virtual Art (ACVA). Through this platform he’ll run galleries, host events and develop a permanent archive of virtual art.

Here’s something that Dodds said that made me sit up and listen, “Icon is interested in virtual worlds as the next social and business interface, and we’re formulating a number of ideas. Virtual environments are the next logical progression for mass interaction and collaboration and we’ll be there to enjoy, and hopefully influence, the ride.” For those of us who think that Second Life and other virtual worlds are just games, we should think twice.

“The next decade will see MUVEs having a profound impact on business practices, governance, law, economics, personal relationships, security, anonymity and our overall sense of self and place,” says Dodds.

That’s something to be reckoned with.
I showed my 18 year old son this article. He said, ‘I don’t like it; truth can be controlled in a virtual world’.
Any thoughts?

Web 2.0 in magazine format

Here’s a Web 2.0 application with stylish presentation. Issuu allows for viewing and publishing online within categories: academia / architecture / art / comics / culture / design / fashion / fun / gadgets / games / illustration / magazine / motor / nature / portfolio / photography / shopping / sport / sketchbook / street / technology / travel. It’s marketed as a living library where users can upload their own documents to share ‘in cool magazine’ format. It’s like Flickr in magazine format, giving the authors a place to store and share work; allowing viewers to bookmark favourites; share links or embed in an aggregating service, such as Facebook; share comments. Continue reading Web 2.0 in magazine format